Cover image for The boy who swallowed snakes
The boy who swallowed snakes
Yep, Laurence, 1948-
Personal Author:
Publication Information:
New York : Scholastic, [1994]

Physical Description:
1 volume (unpaged) : color illustrations ; 22 x 29 cm
An honest young boy tries to get rid of an ever-increasing number of snakes that have come with the bowlful of silver coins he found.
Program Information:
Accelerated Reader AR MG 4.1 0.5 9472.
Format :


Call Number
Material Type
Home Location
Item Holds
PZ8.1.Y37 BO 1994 Juvenile Non-Fiction Childrens Area

On Order


Author Notes

Laurence Yep was born in San Francisco, California on June 14, 1948. He graduated from the University of California at Santa Cruz in 1970 and received a Ph.D. in English from the State University of New York at Buffalo.

He primarily writes fiction for young adults, but has also written and edited several works for adults. His first novel, Sweetwater, was published in 1973. His other books include Dragonwings, Dragon's Gate, Shadow Lord, Child of the Owl, The Earth Dragon Awakes: The San Francisco Earthquake of 1906, and The Dragon's Child: A Story of Angel Island. He has won numerous awards for his work including the Newbery Medal Honor Book, the Boston Globe-Horn Book Award, Jane Addams Children's Book Award, and the Laura Ingalls Wilder Award.

(Bowker Author Biography)

Reviews 3

Booklist Review

Ages 5-8. Little Chou discovers a poisonous ku snake in a basket of silver coins, and to make sure no one is injured by it, he swallows it. The wise woman assures him he will die a horrible death. Instead, each night as Chou's stomach begins to glow, the snake reappears, then multiplies itself during each nightly manifestation. Finally, the deadly snake winds up where it needs to be to fulfill its destiny--in the house of the greedy wealthy man who abandoned it in the first place. The story is rich in elements that will appeal to children. Its comedy is reflected not only in the text, but also in the accompanying watercolors--especially in the characters' facial expressions and in the happy-go-lucky movements. This is an interesting morality tale, suitable for reading aloud as well as storytelling to older children who think picture books are "too babyish." ~--Janice Del Negro

Publisher's Weekly Review

Little Chou leads a poor but honest life with his widowed mother. When he comes across a basket of silver, he tries to return it, but the owner refuses, knowing that the silver is tainted by the curse of an evil ku snake. Determined not to inflict the snake on others, Little Chou bravely swallows it. But more snakes spring from him, lighting up the sky like meteors--followed by more eating and still more snakes. Finally the reptiles visit their judgment on their greedy previous owner, while Little Chou and his mother reap the fruits of his unselfishness and courage. Yep's original folktale neatly balances magic and mystery with sprightly humor: as Little Chou dutifully gathers the multiplying snakes for consumption one evening, his mother hands him a rice bowl and chopsticks, commenting tartly, ``Evil or not, you might as well eat them like a civilized person.'' The Tsengs follow suit: their expressive watercolors capture both the spooky iridescence of the slithery creatures and the comic aspects of the boy's matter-of-fact determination to eat as many of them as he must. For the reader, as for Little Chou, this proves rewarding fare indeed. Ages 5-9. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Gr 2-4-Honest Little Chou sees a rich man leave a basket of silver in the forest, but when he tries to return it, the man denies ownership. Taking possession of the silver, the boy finds a small snake wound around his leg. After failed attempts to get rid of it, he and his mother learn that it is a ku snake, which, they are told, will bring treasure but also death. Little Chou reacts by eating the reptile. The snake, however, keeps duplicating itself until there are thousands. Yep resolves this situation in an ingenious way with the good ending happily and the bad getting their just deserts. Highly entertaining, morally relevant, told with gusto, wry wit, and a social conscience, this original story (CIP classification notwithstanding) is one of Yep's finest books. The Tsengs match his prose, page by page, with verve and insight in their ink and watercolor paintings that exhibit great beauty and cleverness. Especially notable are Little Chou's facial expressions, which faithfully and insouciantly mirror every nuance of the text. Not to be missed.- John Philbrook, San Francisco Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.