Cover image for Everlasting
Thayer, Nancy, 1943-
Personal Author:
Publication Information:
New York : Viking, 1991.
Format :


Call Number
Material Type
Home Location
Central Library FICTION Adult Fiction Central Library
Central Library FICTION Adult Fiction Central Closed Stacks
Central Library FICTION Adult Fiction Central Closed Stacks
Newstead Library FICTION Adult Fiction Open Shelf
Angola Public Library FICTION Adult Fiction Open Shelf
Concord Library FICTION Adult Fiction Open Shelf
Grand Island Library FICTION Adult Fiction Open Shelf

On Order


Author Notes

Author Nancy Thayer was born in Emporia, Kansas on December 14, 1943. She attended the University of Wichita and received a bachelor's degree and a master's degree in English literature. She taught freshmen English at various colleges and wrote fiction during her free time. Some of her short stories were accepted by various college literary reviews. Her first novel Stepping was published in 1980 and was adapted into a BBC radio series. Since then, she has written numerous books including Moon Shell Beach, The Hot Flash Club, The Hot Flash Club Strikes Again, Hot Flash Holidays, The Hot Flash Club Chills Out, Between Husbands and Friends, The Island House and Beachcombers.

(Bowker Author Biography)

Reviews 2

Publisher's Weekly Review

A Literary Guild dual main selection in cloth, this is a predictable fairy tale of a young woman's success in love and the floral business. (June) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

This novel is akin to Barbara Taylor Bradford's sagas of ambitious, entrepreneurial women. Catherine Eliot, at 18, is aimless until she falls into a job in a flower shop and realizes that this is the business she was born for. Though her social register family has cut her off, she uses her own social connections to build her business into a giant. This rejected daughter does all she can to rescue her family from financial and emotional distress. Though her help is neither understood nor appreciated, Catherine eventually finds contentment in herself, her marriage, and her business. An absorbing story and heroine, recommended for any popular fiction collection.-- Marylaine Block, St. Ambrose Univ . Lib . , Davenport, Ia. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Everly   Christmas Night 1960   Home is where you go for Christmas, Catherine thought, but she wondered what "home" meant. If home was a building, then this expansive old Victorian folly of her grandmother's stuck out in East Hampton was her home. It certainly wasn't her parents' gloomy apartment on Park Avenue. Her brother thought Everly was boring; her sister thought it was creepy; but Catherine had loved this labyrinthine house with its tangled gardens all of her life.   At Miss Brill's, where she'd been at boarding school for the past five years, there was a girl whose parents were diplomats; they lived in a different country every year. For her, home was her parents; she was at home when she was with them. It wasn't that way for Catherine. She was her parents' oldest child, but not their favorite, and in fact the amazing thing was that she seemed to have nothing in common with them at all. The older she grew, the more different she felt. She did love her brother and sister, though; they were younger than she was, still children, and they had no idea of the secrets in her heart. Yet it was when she was with them that she felt truly at home.   Downstairs, they were preparing for the party. Christmas Eve the family exchanged presents, and Christmas morning Santa came, but Christmas night was for the adults. It was 1960, and the routine had remained unchanged since just after the war, when her grandmother first began her now famous Christmas parties. A formal cocktail hour began the evening, followed by a lavish buffet dinner, to which the children were allowed to come if they behaved with impeccable manners.   The third floor of Everly was the nursery floor, with bedrooms for each of the three children, a large playroom, and extra bedrooms for visiting friends. Shelly and his friend George Collier were in Shelly's room building a complicated structure from electric Tinkertoys. Ann was being dressed by Miss Smith.   Catherine was sewing.   She'd been sewing since this morning, when Miss Smith presented the three Eliot children with their Christmas clothes. Catherine and Ann were given dresses made out of rustling taffeta in a bright red, green, black, and gold Christmas plaid, and Shelly was given a matching vest to wear under his camel hair blazer. Catherine and Ann had gone to Catherine's room together to try on their dresses, which had been cut exactly the same way: a sexless little-girl style, full, long-sleeved, the material falling straight from the shoulders to the floor in a wide A. The collars and cuffs were of intricate white lace. The dresses were beautiful, and ten-year-old Ann, with her blond hair and blue eyes, looked like a Christmas angel, but Catherine felt like Alice in Wonderland once she had eaten too much cake and grown up so fast that she hadn't had time to change her clothes.   Catherine had stared at herself in the mirror, her mouth tightening in resolve. She'd slipped out of her dress and into a robe.   "Don't you like it?" Ann had asked nervously.   Catherine had knelt, put her hands on her sister's arms, and smiled.   "Ann. How old are you? You've just turned ten. Shelly's almost twelve. But I'm almost eighteen. Your dress looks perfect on you. But my dress makes me look like a giant circus baby! You know it does."   "I think Mother wants us to look like children."   "Yes. That's what she wants. But that's not what she's going to get. I'm not a child anymore."   "Oh, Catherine. What are you going to do now?"   Catherine had hugged Ann against her. "Don't you worry about that. I've got a plan. Go on now, find Miss Smith."   As soon as Ann had headed reluctantly to her own room, Catherine swooped down on the horrid Christmas dress. She turned it inside out, studied it, then with great care began to rip it apart at the seams. All Christmas Day, while the adults slept off their Christmas Eve indulgences and Shelly and his friend George ran screaming through the gardens, falling into the shrubbery with hair-raising shrieks, while Ann played dress-up with her porcelain doll, Catherine had cut and fitted and sewed. She used an old swimming suit top as a pattern. When she was through, she had constructed a dress from the Christmas material that had a full skirt but a tight and strapless bodice. She would wear no jewelry. At seventeen Catherine had the slender, wraithlike waist and hips her mother torturously dieted for and the swelling full bosom that her mother lost whenever she succeeded in her dieting.   Now she clipped the thread that closed the last seam, shook out the dress, and laid it across her bed. Looking down at it, she smiled. "There," she said, satisfied.   She stretched to relieve the ache in her neck and shoulders, then rose and stretched again. The room was stuffy. She went over to kneel on the cushioned window seat and cranked open the casement window. Cold December air blew in. It was not snowing, but the shrubbery and trees were iced with a frost that glittered like the laughter drifting up the stairs from the party below.   Catherine took a deep breath of the bracing air, then closed the window. It was time to get dressed.   She bathed, then carefully daubed herself with her grandmother's light perfume. There had been enough taffeta left over to make a wide headband, and now she twisted and tied it around her head so that it held back her abundant curly dark hair. Catherine's mother despaired of Catherine's hair. She thought it made her daughter look "ethnic." Marjorie also thought her daughter's hazel eyes were "boring." Only now was Catherine beginning to find another vision of herself, like a person turning from a clouded mirror to a clear one, yet caught between, unsure which reflection was the truth.   How many times had Catherine been summoned to her mother's room dressed for some occasion, how many times had she stood, head bent obediently as her mother labored over her hair--how many times had her mother, attempting to pull that dark, willful, untamable hair into pigtails or a braid, collapsed, sobbing, head on crossed arms, at her vanity table, knocking perfume bottles sideways, the Wedgwood dish of hairpins upended, scattering its contents across the carpet, as Marjorie cried in frustration?   Catherine was a disappointment to Marjorie, who wore her thick bronze hair in an elegant French twist, who spent every day of her life making herself beautiful. In the early years, this had been the supreme fact of Catherine's life. When, at twelve, she was sent to Miss Brill's School for Girls in Fairington, Connecticut, she was shy and frightened. Now she was about to graduate, and it had taken all these years for her to learn that her mother's criticisms of her had more to do with what her mother thought than with the way Catherine looked. Catherine's best friend and roommate, Leslie Dunham, one of those easily self-confident bossy girls, was mostly responsible for changing Catherine's opinion of herself. One spring Leslie had come down to New York with Catherine to stay with her at the Eliots' Park Avenue apartment. They were attending a graduation party for Kimberly Weyland's older brother. It was a big, elegant event, and they were almost hyperventilating with nervousness. Marjorie had come into Catherine's room while the girls were dressing. She was wearing her hair up in its usual French twist, and because this was one of her overweight phases, she was wearing black, which was slimming, and lots of jewelry to distract.   "Lovely dress, Leslie," Marjorie had said, leaning against the door, a cigarette in one hand, a whisky sour in the other. "Pretty color on you. But Catherine, darling, should you be wearing that shade of green? Don't you think it's a bit too Carmen Miranda? I mean, it makes me want to put bananas in your hair."   Catherine had shrugged. She only wanted her mother to go away and let her dress in peace. Marjorie had sighed and left to freshen her drink.   The moment Marjorie had gone, Leslie said, "What a bitch your mother is! Who talks that way to her daughter? Your mother's crazy! You never told me. Listen to me, Catherine, you look great in that dress."   "No, I don't. I don't look good in any formals. My bones are too big and my boobs are too big and my coloring is too flagrant." Catherine was perfectly matter-of-fact. This was the truth as she knew it, as she had heard it stated over and over to dressmakers and saleswomen in department stores when her mother asked for help in making her daughter look presentable.   "Your coloring is too 'flagrant'? What does that mean? Catherine, you're sexy. I think your mother's nuts. I really do."   "Oh, well, you know how mothers are," Catherine said tactlessly, because Leslie's mother was dead, but quickly caught herself: "Sorry."   "But I do know how mothers are!" Leslie protested. "I've stayed with my aunt, I've summered with the Weylands, I know how mothers are--they love their children."   Catherine had shrugged again. She was amazed and grateful for this news flash from Leslie, but she was also on guard, protective of her mother, in spite of everything. It was one thing for her to think her mother was horrible, but for anyone else to say so ... well, it was confusing, to say the least.   Excerpted from Everlasting by Nancy Thayer All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Google Preview