Cover image for Midnight sun
Title:
Midnight sun
Author:
Nesbø, Jo, 1960- author.
Personal Author:
Uniform Title:
Mere blod. English
Publication Information:
New York : Alfred A. Knopf, 2016.

©2015
Physical Description:
273 pages ; 22 cm
Summary:
"He calls himself Ulf--as good a name as any, he thinks--and the only thing he's looking for is a place where he won't be found by Oslo's most notorious drug lord: the Fisherman. He was once the Fisherman's fixer, but after betraying him, Ulf is now the one his former boss needs fixed--which may not be a problem for a man whose criminal reach is boundless. When Ulf gets off the bus in Kåsund, on Norway's far northeastern border, he sees a 'flat, monotonous, bleak landscape...the perfect hiding place. Hopefully.' The locals--native Sami and followers of a particularly harsh Swedish version of Christianity--seem to accept Ulf's explanation that he's come to hunt, even if he has no gun and the season has yet to start. And a bereaved, taciturn woman and her curious, talkative young son supply him with food, the use of a cabin deep in the woods, a weapon--and companionship that stirs something in him he thought was long dead. But the agonizing wait for the inevitable moment when the Fisherman's henchmen will show--the midnight sun hanging in the sky like an unblinking, all-revealing eye--forces him to question if redemption is at all possible or if, as he's always believed, 'hope is a real bastard.'"--back cover.
General Note:
Sequel to: Blood on snow.
Language:
English
Geographic Term:
ISBN:
9780385354202
Format :
Book

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On Order

Summary

Summary

The internationally acclaimed author of Blood on Snow and the Harry Hole novels now gives us the tightly wound tale of a man running from retribution, a renegade hitman who goes to ground far above the Arctic circle, where the never-setting sun might slowly drive a man insane.
           
He calls himself Ulf--as good a name as any, he thinks--and the only thing he's looking for is a place where he won't be found by Oslo's most notorious drug lord: the Fisherman. He was once the Fisherman's fixer, but after betraying him, Ulf is now the one his former boss needs fixed--which may not be a problem for a man whose criminal reach is boundless. When Ulf gets off the bus in Kåsund, on Norway's far northeastern border, he sees a "flat, monotonous, bleak landscape . . . the perfect hiding place. Hopefully."
           
The locals--native Sami and followers of a particularly harsh Swedish version of Christianity--seem to accept Ulf's explanation that he's come to hunt, even if he has no gun and the season has yet to start. And a bereaved, taciturn woman and her curious, talkative young son supply him with food, the use of a cabin deep in the woods, a weapon--and companionship that stirs something in him he thought was long dead.
           
But the agonizing wait for the inevitable moment when the Fisherman's henchmen will show--the midnight sun hanging in the sky like an unblinking, all-revealing eye--forces him to question if redemption is at all possible or if, as he's always believed, "hope is a real bastard."


Author Notes

Jo Nesbø was born on March 29, 1960 in Molde, Norway. He graduated from the Norwegian School of Economics with a degree in economics and business administration. He worked as a freelance journalist and a stockbroker before he began his writing career. He is the author of The Harry Hole series and The Doctor Proctor series. The 2011 film Headhunters is based on his novel Hodejegerne (The Headhunters). In 2017 he made The New York Times Best Seller List with his title, The Thirst. He is also the main vocalist and songwriter for the Norwegian rock band Di Derre.

(Bowker Author Biography)


Reviews 3

Booklist Review

Norway, 1978. A long-haired hit man with a reluctant trigger finger arrives in Kåsund, a remote village in the far north, fleeing a vindictive drug lord known as the Fisherman. Unprepared and unprovisioned, he meets Lea Sara and her son, Knut, devout adherents to Læstadian Lutheranism, who provide him with shelter and other necessities despite his lame cover story. Lea's husband has been lost at sea, and, as a halting friendship develops, the hit man, who calls himself Ulf, begins to wonder whether it could become something more. In this continuation of Blood on the Snow (2015), Nesbø deftly portrays the endless summer sun and empty stillness of Ulf's refuge, and fills in Ulf and Lea's troubled histories with economical brushstrokes. The sense of impending menace builds almost invisibly until both damaged souls discover real reasons to live at the moment it could all be taken away from them. Crime novel, character study, and closed-society romance, it all balances nicely until an improbable escape and an ending that feels just a little too pat. It's hard to be too dark when the sun won't stop shining. HIGH-DEMAND BACKSTORY: Though the Harry Hole series has been the best-selling Nesbø's biggest draw, any book from Scandinavian noir's top living writer will be on wish lists and holds lists. Have this on hand at your library.--Graff, Keir Copyright 2015 Booklist


Publisher's Weekly Review

This short Norwegian thriller focuses on an antihero (in this case a sympathetic one) involved with a brutal Oslo crime lord known as the Fisherman. The story unfolds from the perspective of Jon, who uses his reputation as a killer to gain a high-paying job as assassin for the Fisherman in order to pay for medication for his leukemia-stricken daughter. When Jon is morally unable to fulfill an assigned contract, he's forced to flee the Fisherman's wrath-and Oslo-for a map speck above the Arctic Circle populated by a strict religious sect. There he begins a new life, making friends and enemies, and falling in love with a young widow, while never forgetting that, eventually, he'll have to deal with the Fisherman. Singer-songwriter Gordon, cofounder of the alt rock band Sonic Youth, reads for the audio edition of this male-narrated novel. Gordon's voice, though smoky and properly dramatic when necessary, is clearly feminine. While this may serve the author's prose well enough in general, the gender contrast has a tendency to undermine some of the novel's more violent and more intimate passages. A Knopf hardcover. (Feb.) © Copyright PWxyz, LLC. All rights reserved.


Library Journal Review

Nesbo quickly follows up his stand-alone novel Blood on Snow with a second short book in this new series. Jon is on the run from his boss, a powerful crime lord called the Fisherman, not only because he faked killing a man who stole from the Fisherman but also, albeit for an altruistic purpose, he took the money the supposed dead man had stolen. Now calling himself Ulf, Jon flees north to Norway's isolated and underpopulated Arctic Circle, where time seems to have stopped. Desperate for a place to hide, he accepts help from the quirky citizens, first from a nine-year-old boy and his mother, then a local shopkeeper. In perpetual fear of being caught by the Fisherman's henchmen, Ulf soon worries about the lives of those who are aiding him. VERDICT Nesbo delivers a tale of hope and redemption in this brief story of a man who blunders into a life of crime and then tries to extricate himself with a minimum of damage to those around him. Although this is unlike the author's gritty "Harry Hole" stories, it is wholeheartedly recommended for Nesbo fans and readers who enjoy strong character development. [See Prepub Alert, 8/17/15.]-Deb West, -Gannon Univ. Lib., Erie, PA © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Excerpt CHAPTER 1 How are we to start this story? I wish I could say that we'll start at the beginning. But I don't know where it starts. Just like everyone else, I'm not truly aware of the real sequence of cause and effect in my life. Does the story start when I realised that I was only the fourth-best soccer player in the class? When Basse, my grandfather, showed me the drawings--his own drawings--of La Sagrada Família? When I took my first drag on a cigarette and heard my first track by the Grateful Dead? When I read Kant at university and thought I understood it? When I sold my first lump of hash? Or did it start when I kissed Bobby--who's actually a girl--or the first time I saw the tiny, wrinkled creature who would end up being called Anna screaming up at me? Perhaps it was when I was sitting in the Fisherman's stinking back room and he was telling me what he wanted me to do. I don't know. We store up all sorts of stories with fabricated logic, so that life can look as though it has some meaning. So I may as well start here, in the midst of the confusion, at a time and a place where fate seemed to be taking a short break, holding its breath. When, just for a moment, I thought I was not only on my way, but had also already arrived. I got off the bus in the middle of the night. Screwed my eyes up against the sun. It was scouring across an island out to sea, off to the north. Red and dull. Like me. Beyond it lay yet more sea. And, beyond that, the North Pole. Perhaps this was somewhere they wouldn't find me. I looked round. In the three other points of the compass low mountain ridges sloped down towards me. Red and green heather, rocks, a few clumps of stunted birch trees. To the east the land slid into the sea, stony and flat as a pancake, and to the southwest it was as if it had been cut with a knife at the point where the sea started. A hundred metres or so above the motionless sea a plateau of open landscape took over, stretching inland. The Finnmark plateau. The end of the line, as Grand­father used to say. The hard-packed gravel road I stood on led to a cluster of low buildings. The only thing that stuck out was the church tower. I'd woken up in my seat on the bus just as we were passing a sign with the name "Kåsund" on it, down by the shore, near a wooden jetty. And I thought, why not? and pulled the cord above the window to illuminate the stop sign above the bus driver. I put on the jacket of my suit, grabbed my leather case and started walking. The pistol in the jacket pocket bounced against my hip. Right on the bone--I'd always been too thin. I stopped and tugged my money belt down under my shirt so that the notes would cushion the knocks. There wasn't a cloud in the sky, and the air was so clear that I felt I could see a very long way. As far as the eye can see, as the expression goes. They say that the Finnmark plateau is beautiful. Fucked if I know. Isn't that just the sort of thing people say about inhospitable places? Either to make themselves seem a bit tough, to lay claim to some sort of insight or superiority, the way people boast about liking incomprehensible music or unreadable literature? I'd done it myself. I used to think it might make up for at least a few of the things about me that weren't good enough. Or else it was simply meant as a consolation to the few people who had to live there: "It's so beautiful here." Because what was so beautiful about this flat, monotonous, bleak landscape? It's like Mars. A red desert. Uninhabitable and cruel. The perfect hiding place. Hopefully. The branches of a clump of trees by the side of the road in front of me moved. A moment later a figure leaped across the ditch and onto the road. My hand went automatically for the pistol but I stopped it: it wasn't one of them. This character looked like a joker who'd jumped straight out of a pack of cards. "Good evening!" he called to me. He walked towards me with a strange, rolling gait, so bandy-legged that I could see the road stretch out towards the village between his legs. As he came closer I saw he wasn't wearing a court jester's hat on his head but a Sámi cap. Blue, red and yellow--only the bells were missing. He was wearing pale leather boots, and his blue anorak, patched with black tape, had several tears revealing yellow-coloured padding that looked more like loft insulation than feathers. "Forgive me asking," he said. "But who are you?" He was at least two heads shorter than I. His face was broad, his grin wide, and his eyes at something of a slant. If you piled up all the clichés people in Oslo have about what a Sámi or native Laplander looked like, you'd end up with this bloke. "I came on the bus," I said. "So I saw. I'm Mattis." "Mattis," I repeated, to gain a few seconds to think about the answer to his next inevitable question. "Who are you, then?" "Ulf," I said. It seemed as good a name as any. "And what are you doing in Kåsund?" "I'm just visiting," I said, nodding towards the cluster of houses. "Who are you visiting?" I shrugged. "No one special." "Are you from the Countryside Commission, or are you a preacher?" I didn't know what people from the Countryside Commission looked like, so I shook my head and ran a hand through my long, hippy hair. Maybe I should cut it. Less eye-catching. "Forgive me asking," he said again, "but what are you, then?" "A hunter," I said. It might have been the mention of the Countryside Commission. And it was as much the truth as it was a lie. "Oh? Are you going to hunt here, Ulf?" "Looks like good hunting territory." "Yes, but you're a week early. Hunting season doesn't start until the fifteenth of August." "Is there a hotel here?" The Sámi smiled broadly. He coughed and spat out a brown lump that I hoped was chewing tobacco or something similar. It hit the ground with an audible splat. "Lodging house?" I asked. He shook his head. "Camping cabin? Room to rent?" On the telephone pole behind him someone had stuck up a poster about a dance band who were going to be playing in Alta. So the city couldn't be too far away. Maybe I should have stayed on the bus until it got there. "How about you, Mattis?" I said, slapping away a gnat that was biting my forehead. "You wouldn't happen to have a bed I could borrow tonight?" "I burned my bed in the stove back in May. We had a cold May." "Sofa? Mattress?" "Mattress?" He spread his hands out towards the heather-covered plateau. "Thanks, but I like roofs and walls. I'll have to try and find an empty dog kennel. Goodnight." I set off towards the houses. "The only kennel you'll find in Kåsund is that one," he called out plaintively, his voice falling. I turned round. He was pointing at the building in front of the cluster of houses. "The church?" He nodded. "Is it open in the middle of the night?" Mattis tilted his head. "Do you know why no one steals anything in Kåsund? Because there's nothing worth stealing apart from reindeer." Excerpted from Midnight Sun by Jo Nesbø All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.