Cover image for An ember in the ashes
Title:
An ember in the ashes
Author:
Tahir, Sabaa, author.
Personal Author:
Publication Information:
New York, New York : Razorbill, an imprint of Penguin Random House, [2015]
Physical Description:
446 pages ; 24 cm
Summary:
"Laia is a Scholar living under the iron-fisted rule of the Martial Empire. When her brother is arrested for treason, Laia goes undercover as a slave at the empire's greatest military academy in exchange for assistance from rebel Scholars who claim that they will help to save her brother from execution"--
General Note:
Maps on lining papers.
Language:
English
Reading Level:
HL 680 Lexile.
Program Information:
Accelerated Reader AR UG 5.0 19.0 173347.
ISBN:
9781595148032
Format :
Book

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Summary

Summary

INSTANT NEW YORK TIMES BESTELLER

"This novel is a harrowing, haunting reminder of what it means to be human--and how hope might be kindled in the midst of oppression and fear." -- The Washington Post

" An Ember in the Ashes could launch Sabaa Tahir into JK Rowling territory...It has the addictive quality of  The Hunger Games combined with the fantasy of Harry Potter and the brutality of Game of Thrones ." -- Public Radio International

"An Ember in the Ashes glows, burns, and smolders--as beautiful and radiant as it is searing."-- Huffington Post

"A worthy novel--and one as brave as its characters." -- The New York Times Book Review


A "deft, polished debut"  ( Publishers Weekly , starred review), Sabaa Tahir's AN EMBER IN THE ASHES is a thought-provoking, heart-wrenching, and pulse-pounding read. Set in a rich, high-fantasy world with echoes of ancient Rome, it tells the story of a slave fighting for her family and a young soldier fighting for his freedom.

Laia is a slave.Elias is a soldier.Neither is free.

Under the Martial Empire, defiance is met with death. Those who do not vow their blood and bodies to the Emperor risk the execution of their loved ones and the destruction of all they hold dear.

It is in this brutal world that Laia lives with her grandparents and older brother. The family ekes out an existence in the Empire's impoverished backstreets. They do not challenge the Empire. They've seen what happens to those who do.

But when Laia's brother is arrested for treason, Laia is forced to make a decision. In exchange for help from rebels who promise to rescue her brother, she will risk her life to spy for them from within the Empire's greatest military academy.

There, Laia meets Elias, the school's finest soldier--and secretly, its most unwilling. Elias wants only to be free of the tyranny he's being trained to enforce. He and Laia will soon realize that their destinies are intertwined--and that their choices will change the fate of the Empire itself.


Author Notes

Sabaa Tahir grew up in California's Mojave Desert at her family's 18-room motel. After graduating from UCLA, she worked at The Washington Post for five years. She is the author of the An Ember in the Ashes series. The first book in the series, An Ember in the Ashes, made the New York Times Bestseller list in 2016.

(Bowker Author Biography)


Reviews 3

Booklist Review

Laia's adventures begin after her brother is taken captive by the reigning, warlike Martials, who have subjugated her people, the Scholars. In an attempt to save him, she enters into a dangerous agreement with the Resistance to spy on the fiendish commandant of the Martial's military academy. In the meantime, the commandant's son, Elias, the finest soldier at the academy, is undergoing a series of trials that will determine the next emperor of the Martial Empire, which loosely recalls the Roman Empire, though this one is no stranger to magic and the supernatural. Though born enemies, Laia's and Elias' lives will come together with unpredictable results that involve a love triangle of sorts. First-time novelist Tahir has written an ambitious sword-and-sand adventure story that is notable for its suspense and scope. There are flaws: the diction is sometimes not as fresh as it might be, and some incidents defy credulity, especially those propelling the ending, which, not surprisingly, is inconclusive enough to promise a sequel. Many readers drawn in by the action and romance will doubtless look forward to it. HIGH-DEMAND BACKSTORY: With 19 international markets already sold, as well as an option to Paramount Pictures, this debut has already earned its upcoming author tour, multimedia ad campaign, and more.--Cart, Michael Copyright 2015 Booklist


Publisher's Weekly Review

This is not the first time Hardingham and West have worked together to bring a YA novel to life: the two previously teamed up on Maggie Stiefvater's hit The Scorpio Races, and they both have a wealth of audiobook experience as solo narrators. Hardingham narrates the part of Laia, a young woman whose life is turned upside down after most of her family is killed by the Empire (Tahir's nod to ancient Rome). Hardingham portrays Laia's fear convincingly through the novel's first half, when she is roped into spying as a slave inside the household of the Empire's sadistic military commander-who also happens to be the mother of Elias, the character voiced by West. Elias is a top student at the military academy but longs for freedom and a nonviolent life; West does a fine job depicting Elias's struggle to remain honorable in a society that rewards only cruelty. Both narrators also voice other characters; for West, one standout is his sage treatment of an ancient soothsayer named Cain, and for Hardingham, it is the raspy narration of a jaded rebel turned-slave whom Laia meets while undercover. Engaging vocal performances and a fast-paced story line will keep listeners riveted. Ages 14-Up. A Razorbill hardcover. (Apr.) © Copyright PWxyz, LLC. All rights reserved.


School Library Journal Review

Gr 9 Up-Fiona Hardingham and Steve West bring a full and excellent repertoire of voices to this gripping production. Elias is a soldier under the Commandant's command. The Commandant is exceedingly ruthless and cruel; she also happens to be Elias's mother. Laia is enslaved to the Commandant after her brother is taken prisoner, the rest of her family killed, and their house burned 2down by agents of the Commandant. Laia's goal is to find and free her brother, no matter the cost. Elias yearns to complete his military training and escape to freedom. In this world, extreme secrecy and courage are needed just to get through a day. Torture is routine. Cruelty is acclaimed. Betrayal and corruption are everywhere. Friendship is nearly impossible, since any attachment or affection could be exploited to coerce a person to do the Commandant's bidding. But Laia and Elias meet, make a connection, and end up helping each other-with drastic punishments endured along the way. West and Hardingham bring the dystopian world to life and provide an engaging experience for the listener. VERDICT Fans of adventure, dystopias, and romance will enjoy this audiobook.-Cynthia Ortiz, Hackensack High School Library, NJ © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

I. LAIA My big brother reaches home in the dark hours before dawn, when even ghosts take their rest. He smells of steel and coal and forge. He smells of the enemy. He folds his scarecrow body through the window, bare feet silent on the rushes. A hot desert wind blows in after him, rustling the limp curtains. His sketchbook falls to the floor, and he nudges it under his bunk with a quick foot, as if it's a snake. Where have you been, Darin? In my head, I have the courage to ask the question, and Darin trusts me enough to answer. Why do you keep disappearing? Why, when Pop and Nan need you? When I need you? Every night for almost two years, I've wanted to ask. Every night, I've lacked the courage. I have one sibling left. I don't want him to shut me out like he has everyone else. But tonight's different. I know what's in his sketchbook. I know what it means. "You shouldn't be awake." Darin's whisper jolts me from my thoughts. He has a cat's sense for traps--he got it from our mother. I sit up on the bunk as he lights the lamp. No use pretending to be asleep. "It's past curfew, and three patrols have gone by. I was worried." "I can avoid the soldiers, Laia. Lots of practice." He rests his chin on my bunk and smiles Mother's sweet, crooked smile. A familiar look--the one he gives me if I wake from a nightmare or we run out of grain. Everything will be fine , the look says. He picks up the book on my bed. "Gather in the Night," he reads the title. "Spooky. What's it about?" "I just started it. It's about a jinn--" I stop. Clever. Very clever. He likes hearing stories as much as I like telling them. "Forget that. Where were you? Pop had a dozen patients this morning." And I filled in for you because he can't do so much alone. Which left Nan to bottle the trader's jams by herself. Except she didn't finish. Now the trader won't pay us, and we'll starve this winter, and why in the skies don't you care? I say these things in my head. The smile's already dropped off Darin's face. "I'm not cut out for healing," he says. "Pop knows that." I want to back down, but I think of Pop's slumped shoulders this morning. I think of the sketchbook. "Pop and Nan depend on you. At least talk to them. It's been months." I wait for him to tell me that I don't understand. That I should leave him be. But he just shakes his head, drops down into his bunk, and closes his eyes like he can't be bothered to reply. "I saw your drawings." The words tumble out in a rush, and Darin's up in an instant, his face stony. "I wasn't spying," I say. "One of the pages was loose. I found it when I changed the rushes this morning." "Did you tell Nan and Pop? Did they see?" "No, but--" "Laia, listen." Ten hells, I don't want to hear this. I don't want to hear his excuses. "What you saw is dangerous," he says. "You can't tell anyone about it. Not ever. It's not just my life at risk. There are others--" "Are you working for the Empire, Darin? Are you working for the Martials?" He is silent. I think I see the answer in his eyes, and I feel ill. My brother is a traitor to his own people? My brother is siding with the Empire? If he hoarded grain, or sold books, or taught children to read, I'd understand. I'd be proud of him for doing the things I'm not brave enough to do. The Empire raids, jails, and kills for such "crimes," but teaching a six-year-old her letters isn't evil--not in the minds of my people, the Scholar people. But what Darin has done is sick. It's a betrayal. "The Empire killed our parents," I whisper. "Our sister." I want to shout at him, but I choke on the words. The Martials conquered Scholar lands five hundred years ago, and since then, they've done nothing but oppress and enslave us. Once, the Scholar Empire was home to the finest universities and libraries in the world. Now, most of our people can't tell a school from an armory. "How could you side with the Martials? How, Darin?" "It's not what you think, Laia. I'll explain everything, but--" He pauses suddenly, his hand jerking up to silence me when I ask for the promised explanation. He cocks his head toward the window. Through the thin walls, I hear Pop's snores, Nan shifting in her sleep, a mourning dove's croon. Familiar sounds. Home sounds. Darin hears something else. The blood drains from his face, and dread flashes in his eyes. "Laia," he says. "Raid." "But if you work for the Empire--" Then why are the soldiers raiding us? "I'm not working for them." He sounds calm. Calmer than I feel. "Hide the sketchbook. That's what they want. That's what they're here for." Then he's out the door, and I'm alone. My bare legs move like cold molasses, my hands like wooden blocks. Hurry, Laia! Usually, the Empire raids in the heat of the day. The soldiers want Scholar mothers and children to watch. They want fathers and brothers to see another man's family enslaved. As bad as those raids are, the night raids are worse. The night raids are for when the Empire doesn't want witnesses. I wonder if this is real. If it's a nightmare. It's real, Laia. Move. I drop the sketchbook out the window into a hedge. It's a poor hiding place, but I have no time. Nan hobbles into my room. Her hands, so steady when she stirs vats of jam or braids my hair, flutter like frantic birds, desperate for me to move faster. She pulls me into the hallway. Darin stands with Pop at the back door. My grandfather's white hair is scattered as a haystack and his clothes are wrinkled, but there's no sleep in the deep grooves of his face. He murmurs something to my brother, then hands him Nan's largest kitchen knife. I don't know why he bothers. Against the Serric steel of a Martial blade, the knife will only shatter. "You and Darin leave through the backyard," Nan says, her eyes darting from window to window. "They haven't surrounded the house yet." No. No. No. "Nan," I breathe her name, stumbling when she pushes me toward Pop. "Hide in the east end of the Quarter--" Her sentence ends in a choke, her eyes on the front window. Through the ragged curtains, I catch a flash of a liquid silver face. My stomach clenches. "A Mask," Nan says. "They've brought a Mask. Go, Laia. Before he gets inside." "What about you? What about Pop?" "We'll hold them off." Pop shoves me gently out the door. "Keep your secrets close, love. Listen to Darin. He'll take care of you. Go." Darin's lean shadow falls over me, and he grabs my hand as the door closes behind us. He slouches to blend into the warm night, moving silently across the loose sand of the backyard with a confidence I wish I felt. Although I am seventeen and old enough to control my fear, I grip his hand like it's the only solid thing in this world. I'm not working for them , Darin said. Then whom is he working for? Somehow, he got close enough to the forges of Serra to draw, in detail, the creation process of the Empire's most precious asset: the unbreakable, curved scims that can cut through three men at once. Half a millennium ago, the Scholars crumbled beneath the Martial invasion because our blades broke against their superior steel. Since then, we have learned nothing of steelcraft. The Martials hoard their secrets the way a miser hoards gold. Anyone caught near our city's forges without good reason--Scholar or Martial--risks execution. If Darin isn't with the Empire, how did he get near Serra's forges? How did the Martials find out about his sketchbook? On the other side of the house, a fist pounds on the front door. Boots shuffle, steel clinks. I look around wildly, expecting to see the silver armor and red capes of Empire legionnaires, but the backyard is still. The fresh night air does nothing to stop the sweat rolling down my neck. Distantly, I hear the thud of drums from Blackcliff, the Mask training school. The sound sharpens my fear into a hard point stabbing at my center. The Empire doesn't send those silver-faced monsters on just any raid. The pounding on the door sounds again. "In the name of the Empire," an irritated voice says, "I demand you open this door." As one, Darin and I freeze. "Doesn't sound like a Mask," Darin whispers. Masks speak softly with words that cut through you like a scim. In the time it would take a legionnaire to knock and issue an order, a Mask would already be in the house, weapons slicing through anyone in his way. Darin meets my eyes, and I know we're both thinking the same thing. If the Mask isn't with the rest of the soldiers at the front door, then where is he? "Don't be afraid, Laia," Darin says. "I won't let anything happen to you." I want to believe him, but my fear is a tide tugging at my ankles, pulling me under. I think of the couple that lived next door: raided, imprisoned, and sold into slavery three weeks ago. Book smugglers , the Martials said. Five days after that, one of Pop's oldest patients, a ninety-three-year-old man who could barely walk, was executed in his own home, his throat slit from ear to ear. Resistance collaborator . What will the soldiers do to Nan and Pop? Jail them? Enslave them? Kill them? We reach the back gate. Darin stands on his toes to unhook the latch when a scrape in the alley beyond stops him short. A breeze sighs past, sending a cloud of dust into the air. Darin pushes me behind him. His knuckles are white around the knife handle as the gate swings open with a moan. A finger of terror draws a trail up my spine. I peer over my brother's shoulder into the alley. There is nothing out there but the quiet shifting of sand. Nothing but the occasional gust of wind and the shuttered windows of our sleeping neighbors. I sigh in relief and step around Darin. That's when the Mask emerges from the darkness and walks through the gate. II. ELIAS The deserter will be dead before dawn. His tracks zigzag like a struck deer's in the dust of Serra's catacombs. The tunnels have done him in. The hot air is too heavy down here, the smells of death and rot too close. The tracks are more than an hour old by the time I see them. The guards have his scent now, poor bastard. If he's lucky, he'll die in the chase. If not . . . Don't think about it. Hide the backpack. Get out of here. Skulls crunch as I shove a pack loaded with food and water into a wall crypt. Helene would give me hell if she could see how I'm treating the dead. But then, if Helene finds out why I'm down here in the first place, desecration will be the least of her complaints. She won't find out. Not until it's too late. Guilt pricks at me, but I shove it away. Helene's the strongest person I know. She'll be fine without me. For what feels like the hundredth time, I look over my shoulder. The tunnel is quiet. The deserter led the soldiers in the opposite direction. But safety's an illusion I know never to trust. I work quickly, piling bones back in front of the crypt to cover my trail, my senses primed for anything out of the ordinary. One more day of this. One more day of paranoia and hiding and lying. One day until graduation. Then I'll be free. As I rearrange the crypt's skulls, the hot air shifts like a bear waking from hibernation. The smells of grass and snow cut through the fetid breath of the tunnel. Two seconds is all I have to step away from the crypt and kneel, examining the ground as if there might be tracks here. Then she is at my back. "Elias? What are you doing down here?" "Didn't you hear? There's a deserter loose." I keep my attention fixed on the dusty floor. Beneath the silver mask that covers me from forehead to jaw, my face should be unreadable. But Helene Aquilla and I have been together nearly every day of the fourteen years we've been training at Blackcliff Military Academy; she can probably hear me thinking. She comes around me silently, and I look up into her eyes, as blue and pale as the warm waters of the southern islands. My mask sits atop my face, separate and foreign, hiding my features as well as my emotions. But Hel's mask clings to her like a silvery second skin, and I can see the slight furrow in her brow as she looks down at me. Relax, Elias, I tell myself. You're just looking for a deserter. "He didn't come this way," Hel says. She runs a hand over her hair, braided, as always, into a tight, silver-blonde crown. "Dex took an auxiliary company off the north watchtower and into the East Branch tunnel. You think they'll catch him?" Aux soldiers, though not as highly trained as legionnaires and nothing compared to Masks, are still merciless hunters. "Of course they'll catch him." I fail to keep the bitterness out of my voice, and Helene gives me a hard look. "The cowardly scum," I add. "Anyway, why are you awake? You weren't on watch this morning." I made sure of it. "Those bleeding drums." Helene looks around the tunnel. "Woke everyone up." The drums. Of course. Deserter, they'd thundered in the middle of the graveyard watch. All active units to the walls. Helene must have decided to join the hunt. Dex, my lieutenant, would have told her which direction I'd gone. He'd have thought nothing of it. "I thought the deserter might have come this way." I turn from my hidden pack to look down another tunnel. "Guess I was wrong. I should catch up to Dex." "Much as I hate to admit it, you're not usually wrong." Helene cocks her head and smiles at me. I feel that guilt again, wrenching as a fist to the gut. She'll be furious when she learns what I've done. She'll never forgive me. Doesn't matter. You've decided. Can't turn back now. Hel traces the dust on the ground with a fair, practiced hand. "I've never even seen this tunnel before." A drop of sweat crawls down my neck. I ignore it. "It's hot, and it reeks," I say. "Like everything else down here." Come on, I want to add. But doing so would be like tattooing "I am up to no good" on my forehead. I keep quiet and lean against the catacomb wall, arms crossed. The field of battle is my temple. I mentally chant a saying my grandfather taught me the day he met me, when I was six. He insists it sharpens the mind the way a whetstone sharpens a blade. The swordpoint is my priest. The dance of death is my prayer. The killing blow is my release. Helene peers at my blurred tracks, following them, somehow, to the crypt where I stowed my pack, to the skulls piled there. She's suspicious, and the air between us is suddenly tense. Damn it. I need to distract her. As she looks between me and the crypt, I run my gaze lazily down her body. She stands two inches shy of six feet--a half-foot shorter than me. She's the only female student at Blackcliff; in the black, close-fitting fatigues all students wear, her strong, slender form has always drawn admiring glances. Just not mine. We've been friends too long for that. Come on, notice. Notice me leering and get mad about it. When I meet her eyes, brazen as a sailor fresh into port, she opens her mouth, as if to rip into me. Then she looks back at the crypt. If she sees the pack and guesses what I'm up to, I'm done for. She might hate doing it, but Empire law would demand she report me, and Helene's never broken a law in her life. "Elias--" I prepare my lie. Just wanted to get away for a couple of days, Hel. Needed some time to think. Didn't want to worry you. BOOM-BOOM-boom-BOOM. The drums. Without thought, I translate the disparate beats into the message they are meant to convey. Deserter caught. All students report to central courtyard immediately. My stomach sinks. Some naïve part of me hoped the deserter would at least make it out of the city. "That didn't take long," I say. "We should go." I make for the main tunnel. Helene follows, as I knew she would. She would stab herself in the eye before she disobeyed a direct order. Helene is a true Martial, more loyal to the Empire than to her own mother. Like any good Mask-in-training, she takes Blackcliff's motto to heart: Duty first, unto death. I wonder what she would say if she knew what I'd really been doing in the tunnels. I wonder how she'd feel about my hatred for the Empire. I wonder what she would do if she found out her best friend is planning to desert. Excerpted from An Ember in the Ashes by Sabaa Tahir All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.