Cover image for A plague of bogles
A plague of bogles
Jinks, Catherine.
Personal Author:
Publication Information:
Boston ; New York : Harcourt Children's Books, Houghton Mifflin Harcourt, [2015]

Physical Description:
330 pages : illustrations ; 22 cm
Jem Barbary becomes a bogler's apprentice in 1870's London and gets the fright of his life in a city where science clashes with superstition and monsters lurk in every alley.
General Note:
Sequel to: How to catch a bogle.
Reading Level:
Middle School.

790 Lexile.
Program Information:
Accelerated Reader AR MG 5.6 10.0 171092.
Format :


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Frank E. Merriweather Library J FICTION Juvenile Fiction Open Shelf
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"This is top-notch storytelling, full of wit, a colorful cast of rogues, and delectable slang." -- Publishers Weekly , starred review of How to Catch a Bogle

Jem Barbary spent most of his early life picking pockets for a wily old crook named Sarah Pickles--until she betrayed him. Now Jem wants revenge, but first he needs a new job. Luckily Alfred the bogler, the man who kills the child-eating monsters that hide in the shadows of Victorian London, needs a new apprentice. As more and more orphans disappear under mysterious circumstances, Alfred, Jem, and Birdie find themselves waging an underground war in a city where science clashes withsuperstition and monsters lurk in every alley.

Author Notes

Catherine Jinks was born November 17, 1963 in Brisbane, Queensland. She received a degree in medieval history from the University of Sydney in 1986. After college, she worked as a journalist and editor before becoming a full-time writer. She has written more than 30 books for both children and adults including Pagan's Vows, Eye to Eye, Piggy in the Middle, The Reformed Vampire Support Group, and The Abused Werewolf Rescue Group. She is also the author of the Pagan Chronicles and Allie's Ghost Hunters series. She has won numerous awards including the Children's Book Council of Australia Book of the Year Award three times, the Victorian Premier's Literary Award, the Aurealis Award for Science Fiction, the Australian Ibby Award, and the Davitt Award for Crime Fiction.

(Bowker Author Biography)

Reviews 2

Booklist Review

It's one thing when a bogle creeps into a cellar in Victorian London and snatches a child to devour, but it's quite another when a section of the city experiences a veritable plague of the monsters. Out of work and down on his luck, young Jem coaxes Alfred the bogler out of retirement. Jem becomes his apprentice, serving as bait to lure bogles into the open, where Alfred can spear them. When Jem pursues a vicious old enemy, he finds himself in an equally terrifying situation. Readers who loved How to Catch a Bogle (2013), the first volume in this planned trilogy, will be glad that Birdie reappears in the second book. But from first to last, this is Jem's story, a fast-paced adventure in which the main characters are both tough and tender. The darkly atmospheric setting creates a convincing backdrop for the frightening action scenes and flavorful period dialogue. An appended glossary defines period slang and monster-related terms. Don't even think about reading this story under the covers by flashlight.--Phelan, Carolyn Copyright 2014 Booklist

School Library Journal Review

Gr 4-6-After the climactic events of How to Catch a Bogle (Houghton Harcourt, 2013), Alfred Bunce has retired from killing the monsters that lurk in London. His former apprentice, Birdie McAdam, has moved on to study singing while living with the wealthy folklorist, Miss Eames. Jem Barbary, a former pickpocket, has bounced around from job to job, consumed with the desire for revenge against Sarah Pickles, who sold him off to be bogle bait. But when children go missing around Newgate prison, Alfred reluctantly agrees to take on another bogling job with Jem as his apprentice. Jem proves himself to be nimble and spry, using his quickness and acrobatics to escape bogles. One job leads to another and Alfred is unsettled by the unusually large concentration of bogles in one area. He and Jem are joined by Birdie and Miss Eames as they attempt to discover what has brought so many monsters to the same place. This second book in the trilogy is as engaging as the first, with exciting action scenes and a new protagonist as its focal point. Jem is used to relying on himself and though he is resourceful, he lacks Birdie's confidence. His practical outlook and determination make him an appealing character, even as his single-minded focus on finding the woman who betrayed him threatens to uproot the place he has found with Alfred. Well paced and with details and dialogue that transport readers to the streets (and sewers) of Victorian London, there is much to enjoy in this excellent adventure series.-Amanda Raklovits, Champaign Public Library, IL (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



1 A Chance Meeting The man stationed at the door was small and stout. He had a red face, blue eyes, and wispy gray curls. His satin-breasted coat was trimmed with silver lace. His top hat was the color of mulberries. "Walk in! Walk in! Now exhibiting!" he boomed. "The best show in London, ladies and gentlemen! A menagerie of mythical beasts! Living, breathing monsters for only one penny!" The narrow shop front behind him was plastered with brightly colored advertisements. One of them showed a picture of a very young girl cracking a whip at something that looked like a giant toad. "See our griffin! See our mermaid! See our erlking!" cried the man in the purple hat, tapping at the picture with his bamboo cane. "See Birdie McAdam, the Go-Devil Girl, tame a fierce bogle and a dainty unicorn!" Across the road, Jem stopped short. He stood goggle-eyed as the crowds surged past him. In one hand he carried a cheap broom. On his feet he wore nothing but a thick layer of mud. For a moment he stared at the man in the purple hat. Then he darted forward, dodging a pile of horse manure and the rattling wheels of a carriage. "See the world's greatest novelties, ladies and gentlemen! Marvel at the legendary two-headed snake of Libya! Touch a genuine dragon's egg for only one penny!" The red-faced showman raised his voice a little, drowning the chant of a nearby coster selling nuts and whelks. "Now exhibiting! Satisfaction guaranteed! The world's greatest wonders, here in Whitechapel Road!" He was perched high on a wooden box, with a good view of all the bobbing umbrellas that filled the street. But he didn't see Jem until the boy tugged at his coat. "Sir? Hi! Sir?" Glancing down, the man saw only a filthy little crossing sweeper in a ragged blue shirt and striped canvas trousers, torn off at the knee. A cap like a cowpat cast the boy's gleaming brown eyes into shadow. It also concealed most of his thick, black, glossy hair--which was his best feature, though it made his head look too big for his body. "Hook it," the man growled. "Go on." "Please, sir, I'm a friend o' Birdie McAdam. Will you let me in? She'll want to say hello." "Get out of it, I said!" Jem flushed. "I ain't gammoning you, sir! Jem Barbary's the name. Why, Birdie and me--we used to knock around Bethnal Green together when she were just a bogler's girl. Ask her if we didn't!" The only reply was a quick swipe with the bamboo cane, which left a red welt on Jem's knuckles. He jumped back, grimacing. Then he retreated a few steps to take stock of the exhibition venue. It was a small, two-story building wedged tightly between a pastry shop and a public house. Over the door was a faded sign, but Jem couldn't read it. Nor could he see any side alleys piercing the impenetrable wall of shop fronts breasting the street. But the public house was on a corner, and would probably have a rear yard of some kind. Jem's gaze moved up a drainpipe, along a brick ledge, and across a roof that bristled with chimneys. He'd burgled many a house in the past, and this one was no strongbox. He thought that he could probably find another way in--without paying a penny for the privilege. "Begging your pardon, lad, but is it true?" a soft voice suddenly asked. "Do you really know Birdie McAdam?" Startled, Jem spun around. He found himself staring up at a pretty young woman in a velveteen mantle. She had rosy cheeks, gray eyes, and lots of rich brown hair piled up under a hat that was barely big enough to support all the feathers, flowers, veils, and ribbons sewn onto it. She was sheltering from the rain under a pink silk parasol. "What's it to you?" he said, wondering why a decent-looking female would approach him in the street like a common beggar. The young woman glanced around nervously before leaning down to address him. "I'm Mabel Lillimere," she murmured. "I'm a barmaid at the Viaduct Tavern, on the corner o' Newgate Street. If you are a friend o' Birdie's, and can persuade her to talk to me, I'll stump up your fee so as you and I both can get in." Eyeing his grubby face with a touch of suspicion, she added fiercely, "But if you're lying--why, I'll box your ears so hard, you'll have your left ear on the right side o' your head and your right ear on the left!" This threat didn't worry Jem. He'd suffered worse. "Why not talk to her yerself?" he wanted to know. "Because she'll not see me! Or so he says." Mabel gestured at the man in the purple topper, who was now reminding all the damp pedestrians scurrying past him that Birdie McAdam was "well known to the public" owing to "newspaper reports of her bogle-baiting prowess." "Mr. Lubbock, he calls himself," Mabel continued. "Claims he's in charge. Says Birdie's not inclined to speak to the public. Says she's too shy, and needs to rest her voice." Jem snorted. "Well, that's a flam," he declared. "Birdie's as forward as they come. Did you offer him extra?" "Tuppence." "Then he's a-humming you." His suspicions confirmed, Jem scowled at Mr. Lubbock. "I'll wager Birdie ain't here. Last time I saw her, she were living with a fine lady near Great Russell Street, eating plum cakes every day and wearing lace on her petticoats. Why would she want to come back to the East End and work in a penny gaff like this'un, when there's fine folk as think she's too good for the life?" Mabel's face fell. Her troubled gaze slid toward Mr. Lubbock. "You think that there feller is lying, then?" "Why not?" Jem shrugged. "He's a slang cove. Lying's what they do best." Studying the barmaid with frank curiosity, he added, "Why d'you want to speak to Birdie? You can't be kin--she ain't got a soul to call her own." Mabel hesitated. At last she said, "I read about Birdie in the newspapers last summer, and never thought of her again till I passed this here gaff. Then I saw her name and recollected how she killed them monsters that you find in privies and coal holes and chimneys and such." Seeing Jem shake his head, Mabel frowned. "Didn't she?" "Birdie helped kill 'em," Jem corrected. "She were bait for the bogles. Alfred Bunce did all the killing." "Alfred Bunce?" "The bogler. Didn't you read about him, too? He were in the papers, same as Birdie." Mabel bit her lip. "I daresay," she mumbled. "But the little girl is what stuck in my head. There was a picture, as I recall. Such a pretty thing, with all them golden curls . . ." "And Mr. Bunce ain't pretty, which is why there wasn't no pictures of him. " By now Jem was feeling confident. He knew that he was onto something, so he fixed the barmaid with a shrewd and penetrating look. "You got a bogle problem, miss?" The barmaid sighed. "I think so." "Why?" "On account o' poor Florry." Edging farther beneath the jutting first-floor window of the pastry shop, Mabel suddenly blurted out, "Florry used to be our scullery maid. She went down into the cellar last month and never did come out. And not a trace of her was left, though Mr. Watkins and me looked high and low--" "Who's Mr. Watkins?" Jem interrupted. "The landlord. He keeps the place. And would never have took it on, had he known." "Known what?" "About the beer cellar. " Mabel shuddered, as if someone had walked over her grave. "The tavern's fresh built, but the cellar's old. There used to be a prison on that very spot, for debtors and the like, and our cellar was where they put 'em. I never go down if I can help it. Not without Mr. Watkins. Even before Florry vanished, I misliked the air. It felt . . ." She paused for a moment, frowning. "It felt bad, " she said at last. "Unwholesome. As if someone had died there." Jem thought back to the previous summer. He thought about Alfred and Birdie. He thought about the two bogles that still haunted his dreams; the one he'd glimpsed at a gentleman's house near Regent's Park, and the one he'd helped to kill some four months later, in a cutting on the London and North Western Railway. "How old was Florry?" he inquired. "That I can't tell you. Twelve, perhaps? But she was very small." "Then it could have bin a bogle as took her." Jem tried to inject a note of authority into his voice. "You should talk to Alfred Bunce. Mr. Bunce will know what to do. He's a Go-Devil Man. He kills bogles with the same spear Finn MacCool used to kill fire-breathing dragons in times past." "But how can I talk to Mr. Bunce if I don't know where he is?" Mabel objected. Then she narrowed her eyes at Jem, who grinned when he saw her skeptical, measuring look. "I suppose you do," she said wryly. "Is that your lurk? Are you touting for this cove?" "I'll take you straight to him for tuppence ha'penny," Jem offered. And as she rolled her eyes in disgust, he argued his case. "Mr. Bunce don't care to go bogling no more. He changed lodgings a while back on account of it. Where he is now, there's no one knows what he used to do, and no one to plague him as a consequence. But he'll listen to you, I'll be bound." "Why?" asked Mabel. "Why am I so different?" "You ain't," said Jem. "You got a kid gone, same as all the others. That's why he'll listen." Seeing her confusion, he tried to explain. "Bogles eat children. Mr. Bunce don't like that. He don't like using kids as bait, neither, which is why he stopped bogling. There's a boy lodging with him now--a mudlark called Ned--who'd be a deal happier bogling than scavenging on the riverbank. Mr. Bunce won't oblige him, though. Thinks bogling's too dangerous." Jem paused, then took a deep breath. "But what if someone should come along, a-weeping and a-wailing, asking for help?" he concluded. "Mr. Bunce ain't got it in him to turn 'em down. That's why he changed his lodgings." Mabel nodded slowly. She seemed to understand. "Where does he live now?" "Near enough," Jem replied, "if we take a bus there." Mabel's lip curled. She raised one finely plucked eyebrow. "Oh ho!" she exclaimed. "So it's the omnibus fare you're after now, is it?" Again Jem shrugged. "Unless you want to walk to the Strand," he said. "Mr. Bunce lives near the Strand?" "Off Drury Lane. But that's all I'll tell you." Gazing up at Mabel from beneath his cap, Jem held out one dirty palm. "Tuppence ha'penny," he repeated. "You'll be needing me there to soften him up, like." Mabel sniffed. Then she grunted. Then she glanced up at the sky, which was low and gray and as wet as a sponge. "We'll take a bus," she remarked, before turning to Jem with a crooked smile. "By the by, how old are you?" "Eleven." "And already you're bargaining like a Billingsgate fishmonger!" There was a touch of admiration in Mabel's tone. "I'll give you a ha'penny up front," she said. "The rest you'll get when we reach his crib." "Done." "And if this here is a caper, my lad, I'll give you such a hiding--never mind what I tell the police when I'm done!" She scowled at Jem, who beamed back. But then something else occurred to him, and his smile faded. "You ain't acquainted with Sarah Pickles, by any chance?" he asked, fixing her with a quizzical look. "Sarah Pickles?" Mabel sounded perplexed. "Who's she?" "It don't signify." Sarah Pickles was a private matter, which Jem didn't want to discuss. Not in the street with a perfect stranger. So he flapped his hand, turned on his heel, and made for the bus stop. Excerpted from A Plague of Bogles by Catherine Jinks All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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