Cover image for The phosphorescent blues
Title:
The phosphorescent blues
Author:
Punch Brothers, composer, performer.
Publication Information:
New York, New York : Nonesuch, [2015]

â„—2015
Physical Description:
1 audio disc : CD audio, digital ; 4 3/4 in.
General Note:
Title from disc label.

Compact disc.

Lyrics and full credits on container insert.
Language:
English
Contents:
Familiarity -- Julep -- Passepied / I blew it off -- Magnet -- My oh my -- Boll weevil -- Prelude / Forgotten -- Between 1st and A -- Little lights.
UPC:
075597952704
Format :
Music CD

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Library
Call Number
Material Type
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Central Library COUNTRY .P984 PH Compact Disc Central Library
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Lake Shore Library COUNTRY .P984 PH Compact Disc Branch Audiobook CD
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Anna M. Reinstein Library COUNTRY .P984 PH Compact Disc Audio Visual
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Julia Boyer Reinstein Library COUNTRY .P984 PH Compact Disc Audio Visual
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On Order

Summary

Summary

Never ones to shy away from complexity, the Punch Brothers throw all caution to the wind on The Phosphorescent Blues. Aided by producer T-Bone Burnett -- that auteur of Americana acoustica, who previously worked with the band on his soundtrack for the Coen brothers' folkie saga Inside Llewyn Davis -- the Punch Brothers indulge themselves in impressionism on their fourth full-length, having the guts to open with a ten-minute suite that plays a bit like the fourth side of a double-vinyl from 1971. It also performs a nifty trick of sorting out the true believers. If "Familiarity" -- the coziness of the title feels like a knowing joke, as it certainly doesn't follow conventional contours -- grabs a listener's attention with its elliptical ebb and flow, chances are the rest of the record will play smoothly as it dips into Debussy and scrapes by Scriabin, taking longer to linger on sunshine harmonies lifted from the Beach Boys than it does to revive an old string stomp like "Boll Weevil." Backwoods and front-porch picking never were the Punch Brothers' thing, though. They're happily urban sophisticates, making leader Chris Thile's second group Nickel Creek appear to be purists, and the success of The Phosphorescent Blues lies in how they cheerfully embrace the well-manicured sophistication that comes with the territory where the air is rarefied. The Punch Brothers sound as comfortable nimbly skipping through classical pieces as they do creating oddly shaped bluegrass-prog -- and as they do creating sparkling pop miniatures like "Magnet" and "Between 1st and A." By both capturing and fusing these two sides, The Phosphorescent Blues stands as a defining record for an admittedly restless band. ~ Stephen Thomas Erlewine


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