Cover image for Blood in blood out
Blood in blood out
Exodus (Musical group)
Corporate Author:
Publication Information:
Los Angeles, CA : Nuclear Blast America, [2014]

Physical Description:
1 audio disc : CD audio digital ; 4 3/4 in.
General Note:
Compact disc.

Lyrics on container insert.
Black 13 -- Blood in blood out -- Collateral damage -- Salt the wound -- Body harvest -- BTK -- Wrapped in the hearts of rage -- My last nerve -- Numb -- Honor killings -- Food for the worms.
Format :
Music CD


Call Number
Material Type
Home Location
Central Library ROCK .E959 B Compact Disc Central Library
Audubon Library ROCK .E959 B Compact Disc Open Shelf
Lackawanna Library ROCK .E959 B Compact Disc Branch Audiobook CD
Lancaster Library ROCK .E959 B Compact Disc Audio Visual

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The veteran San Francisco Bay Area thrash metal legends' tenth studio album is also their first long-layer to feature the singing/screaming talents of Steve "Zetro" Souza since 2004's Tempo of the Damned -- Rob Dukes, who handled vocal duties on the band's four prior outings, split with the group in the summer of 2014. Band and ex/current/deceased lead singer acrimony aside, the 11- track Blood In, Blood Out mostly crushes it, offering up a pulverizing set of textbook thrash-induced mayhem that somehow manages to sound both classic and vital. The band tosses a red herring into the pit with the electro-stomp intro to opener "Black 13," but it doesn't take long for guitarists Gary Holt and Lee Altus to unleash a barrage of staccato riffage that, like a perfectly calculated headshot, effectively drenches the listener in assorted bits of viscera. Elsewhere, Metallica's Kirk Hammet returns to the fold for a guest spot on the particularly crunchy "Salt the Wound," the relentless "Collateral Damage" arrives via a malevolently dissonant descending run that eventually morphs into the scaly backbone of the song, and the insidious title track, with its pit-antagonizing shout-out to late vocalist Paul Baloff ("We wrote the book so you better know the plot/new breed, old creed, let's see what you brought"), all succeed via their obvious disdain for whether or not anybody actually gives a sh*t. For all its excess (some tracks definitely overstay their welcome), Blood In, Blood Out, much like Cannibal Corpse's 2014 offering Skeletal Domain, sounds remarkably dialed-in for a band so long in the tooth, and while it doesn't break any new ground for the stalwart rockers, it certainly does little to tarnish their reputation as thrash royalty. ~ James Christopher Monger

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