Cover image for Over on the dry side
Title:
Over on the dry side
Author:
L'Amour, Louis, 1908-1988.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Saturday Review Press/Dutton, [1975]

[©1975]
Physical Description:
184 pages ; 22 cm
Language:
English
ISBN:
9780841503892
Format :
Book

Available:*

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FICTION Adult Fiction Western
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FICTION Adult Fiction Open Shelf
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FICTION Adult Fiction Western
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Summary

Summary

Chantry came home to a murdered brother and a couple of squatters. Then the Mowatt gang moved in. They were looking for his brother's buried treasure, and Chantry was supposed to lead them to it--or else. The latest in Bantam's on-going L'Amour re-packaging program. Copyright © Libri GmbH. All rights reserved.


Author Notes

Born in Jamestown, North Dakota on March 22, 1908, Louis L'Amour's adventurous life could have been the subject of one of his novels. Striking out on his own in 1923, at age 15, L'Amour began a peripatetic existence, taking whatever jobs were available, from skinning dead cattle to being a sailor. L'Amour knew early in life that he wanted to be a writer, and the experiences of those years serve as background for some of his later fiction. During the 1930s he published short stories and poetry; his career was interrupted by army service in World War II. After the war, L'Amour began writing for western pulp magazines and wrote several books in the Hopalong Cassidy series using the pseudonym Tex Burns.

His first novel, Westward the Tide (1950), serves as an example of L'Amour's frontier fiction, for it is an action-packed adventure story containing the themes and motifs that he uses throughout his career. His fascination with history and his belief in the inevitability of manifest destiny are clear. Also present and typical of L'Amour's work are the strong, capable, beautiful heroine who is immediately attracted to the equally capable hero; a clear moral split between good and evil; reflections on the Native Americans, whose land and ways of life are being disrupted; and a happy ending. Although his work is somewhat less violent than that of other western writers, L'Amour's novels all contain their fair share of action, usually in the form of gunfights or fistfights.

L'Amour's major contribution to the western genre is his attempt to create, in 40 or more books, the stories of three families whose histories intertwine as the generations advance across the American frontier. The novels of the Irish Chantry, English Sackett, and French Talon families are L'Amour's most ambitious project, and sadly were left unfinished at his death. Although L'Amour did not complete all of the novels, enough of the series exists to demonstrate his vision.

L'Amour's strongest attribute is his ability to tell a compelling story; readers do not mind if the story is similar to one they have read before, for in the telling, L'Amour adds enough small twists of plot and detail to make it worth the reader's while. L'Amour fans also enjoy the bits of information he includes about everything from wilderness survival skills to finding the right person to marry. These lessons give readers the sense that they are getting their money's worth, that there is more to a L'Amour novel than sheer escapism. With over 200 million copies of his books in print worldwide, L'Amour must be counted as one of the most influential writers of westerns in this century. He died from lung cancer on June 10, 1988.

(Bowker Author Biography) Louis L'Amour, truly America's favorite storyteller, was the first fiction writer ever to receive the Congressional Gold Medal from the United States Congress in honor of his life's work, & was also awarded the Medal of Freedom. There are over 260 million copies of his books in print worldwide.

(Publisher Provided)


Excerpts

Excerpts

Chapter One All that spring, I was scared. Why Pa ever took a notion to stop on that old Chantry place I never did know. Maybe it was because he was just tired and wishful of stopping someplace . . . anyplace. There'd been a dead man on the steps by the door when we drove up. He'd been a long time dead, and nobody around to bury him, and I was scared. The cabin was strong. It was built mighty solid like whoever had shaped it up and put it together had planned to stay. That was before the Indians come. There was nobody inside and the place was all tore up . . . of course. It had been vacant for weeks, prob'ly. Maybe even months. That man had been dead a long time. There wasn't much left but torn skin, dried out like old leather, and bones. His clothes was some tore up and all bloody. Pa, he stood there looking down at him a long time. "Don't seem logical," he said, at last. "What's that, Pa?" "Indians most usually take a body's clothes. They ain't taken nothin' from him." "His pockets is inside out." "I was seein' that, boy. It do make a body think." He turned. "Boy, you run out to the wagon an' git my shovel. We got a buryin' to see to." He stepped around the body and pushed wide the cabin door. That door had been half-open, and Pa looked in like he feared what he might see, but like I said, there wasn't nothin' to fear. When I come in later I saw just what he saw. A bed with two sides nailed to the outside wall, a table, two chairs . . . all mighty well made by a man with lovin' hands for wood. Pa always said you could tell a man who loved wood by the way things were fitted and dressed, nothing halfway, but smooth and nicely done. Pa couldn't do that sort of work himself, but he had admiration for it, and it made me feel like working at it until I was good. If fine work impressed Pa so much there must be something to it. "I never had no craft, boy. I worked hard all my life but never had no craft. Just a few slights I picked up handling heavy things and the like. I do admire a man who does fine work. It is a pleasure to look upon." We taken that dead man out to the hill back of the house and we dug us a grave. When we'd dug it down, we laid that body in a blanket, covered it around him sweet an' neat, and then we lowered him easy into the ground and Pa said a few words from the Book. I never did know how Pa come to so much knowing of the Book, because I never did see him reading much in it. We filled in the grave an' Pa said, "Come tomorrow we'll make him a marker." "How'll you know what to say? We ain't sure who he is." "No, we ain't. But they do call this the Chantry place, so I reckon his name must be that." Pa stopped there, leaning on his shovel, like. "What'll we do now, Pa? It's late to be startin' on." "This here's it, son. This place here. We ain't goin' no further. You know, son, I ain't been much of a success in my time. Fire burned me out back to home, and we lost everything. In Missouri the grasshoppers et it all up, and in Kansas it was hail. But you know, I never was much hand at pickin' land. "Your grandpap, now he knowed land. He could look at what growed there, and he knew. He could ride over land at a gallop and tell you which was best, but me, I was a all-fired smart youngster and no old man was going to tell me anything. I just knowed it all already. So I never learned. "Son, I got to admit it. Ever' piece of land I picked was poor. Sure, we lost out to grasshoppers, hail, and the like, but those places never would have made it no way. "Now this here . . . some other man picked this. I heard talk of Chantrys and they were knowing folk. The man who built this house, he was a knowing man. He had a craft. So I reckon maybe he picked himself a right good piece of land. "So this here is it. We just ain't a-goin' no farther." We cleaned out the cabin. We mopped an' we dusted like a couple of women, but she was spic an' span when we finished. The shed and the stable were solid-built, and there were good tools in the shed, leaning just like that dead man must have left them. Right close to the house was a spring, not more'n thirty feet away. Good cold water, too. Never tasted no better. There was a fieldstone wall around that spring, maybe eight, ten foot back from it, so a body could get water and go back to the cabin, leaving himself open to fire only in front. Even that was partly protected by a swell of the ground. Cabin had a good field all around, and a corral joined the house to the barn. The horses had been run off, and whatever other stock he might have had, but we pulled our wagon close and we unloaded. Not that I liked it much. Fact was, I didn't like it at all. Ever' time we stepped out of that cabin we stepped over where that dead man had lain. I never liked that. Pa said, "Pay it no mind, son. That man would admire to see folks usin' what he built. No man with a craft builds to throw away. He builds to use, and to last, and it would be a shameful thing to leave it die here, all alone." "Ain't no neighbors, Pa." "We don't need neighbors right now. We need time an' hard work. If this here land's rich as I think, neighbors will come. Only when they do they'll find a fair piece of it staked out an' marked for we 'uns." "Maybe those Indians will come back." He just looked at me. "Boy, your pa ain't as smart as some, but I'm smart enough to know that Indians take the clothes off a dead man because they need 'em." "His clothes wasn't taken," I said, wanting to argue with him. "You bet. His clothes wasn't taken, but somethin' else was. You notice his pockets, boy?" "They were inside out." "They surely were. Now, boy, somebody wanted what was in that man's pockets. Money and the like. Indians this part of the country don't set much store by money. They want goods. They want things. Ain't no money in them wigwams." "You mean, it wasn't Indians?" "Seen no moccasin tracks, boy. But I seen boot tracks a-plenty. Those who killed that man weren't Indians. They was white men." We were eatin' supper when Pa said that, and it give me a chill. If it wasn't no Indian, then we were in trouble, 'cause a man can tell an Indian. He can spot him right off. But a bad white man? How you goin' to tell until he's bad? I said as much. Pa, he just looked at me and said, "Boy, you see strangers around, you come tell me, you hear? But you see 'em first, an' when you do you get clean out of sight." Wasn't much time for thinkin' about things, because we worked. Seemed like Pa felt he owed something to the dead man, because he worked a sight harder than I ever seen him before. It was work from can see to cain't see, for Pa an' me. We measured out four sections of land . . . four square miles of it, field, forest, meadow, and stream. We had seed corn and some vegetable seeds. We planted forty acres to corn, and of an acre we made a vegetable garden. One reason we taken that corner because there was berries in it. But I never did forget that dead man. The stranger, when he came was alone. He was one man riding. He was a slim, tall man with a lean, dark face and high cheekbones. He wore a black store-bought suit and a bandanna tied over his head like in the old pirate pictures. He had polished black boots, almighty dusty, and a fine black horse with a white and pink nose. He stopped afar off, and that was when I first seen him. He stood in his saddle and shaded his eyes at us, seeing me first and then Pa, who was working with a hoe in the cornfield. "Pa?" I said, just loud enough. "All right, boy. I seen him." Pa had his rifle in a scabbard set next to a bush close by. I seen him start to usin' his hoe over thataway, but this man on the black horse came right along, an' when I looked again I seen he was leading a spare . . . a packhorse. I guess it had been hidden behind him before, and I'd missed seeing it. He come on toward the house settin' easy in the saddle, and then I seen he carried a rifle in a scabbard, too. Close to his hand. From under his coat I could see the tip end of a holster. Pa wasn't far from the house but he moved over to stand where his rifle was, and he waited there. The man rode up, and called out, "Is it all right to get a drink? We've come far and we're almighty thirsty." Pa taken up his rifle and walked toward the house, leaving the hoe where the rifle had been. "He'p yourself," Pa said. "It's a dusty road you've traveled." The man's features relaxed a little, almost like he was going to smile, only I thought he didn't smile very much, by the look of him. "Yes, it is. Most of my roads are dusty, it seems like." He glanced around. "Is this the Chantry place?" "They call it that." "Are you a Chantry?" "No. I'm not. We found the place deserted. Found a dead man on the doorstep. We buried the man, and we moved in. Seemed too fine a place to lay idle." Pa paused a moment, and then he said, "Even if the land weren't so good, I'd have hesitated to go on. That man Chantry, if he was the one built this place, had a feelin' for good work. I just couldn't bear to see it left run down." The man looked at Pa a long minute. "I like that," he said then, "I think Chantry would want you here." He drank from our gourd dipper. The water was cold an' sweet. We both knew how welcome that kind of water was to a long-ridin' man. Pa taken to him. I seen that right off. There was somethin' lonely and standoffish about that man, yet there was warmth in 'im, too. Like he had a lot of friendship in him that hadn't been used. "Might's well stay the night," Pa said. "It's a fur piece to anywhere from here. Beyond, there's the wild country." "Well," the man hesitated. "My horses could stand the rest. Thank you, and we will." "You he'p him, boy," Pa said. "I'll start some bacon in the pan." We went to the stable. I always liked that stable. In the hottest weather it was always shadowy and cool. The walls was thick, the roof was high, and there was a loft in one end for the hay we'd mow come autumn time. I like the smell of fresh-mowed hay, of horses and harness, saddles and such. "You got some fine horses, mister," I said. He nodded, putting a gentle hand on the black's shoulder. "Yes, I have. You can always put your trust in a good horse, son. Treat them right and they'll always stay by you." We took the rig from his riding horse and then from the buckskin packhorse. It was a heavy load--lots of grub and a blanket roll. From the feel of the blanket roll I near 'bout decided he had another rifle or a shotgun hidden there. . . . One or t'other. Then he commenced to work on his horses. He taken out a currycomb and he done a good job, first one, then the other. "Been here long, son?" "Got here early spring. We put in a crop soon as we cleaned up." "Cleaned up? Was the place a mess?" "Nossir. It was in mighty good shape, 'cept dusty and all. Course, it was tore up a mite inside by them men searchin'." "Searching?" "Them men that killed him. They tore things up like they was huntin' for somethin'." I paused, not sure how much I should say. "Pa don't think it was Indians." "No?" "That dead man . . . his clothes wasn't took, and his pockets was turned inside out. Pa says Indians would take his clothes . . . an' maybe burned the place." "Your pa is right." He paused, his hands resting on the horse's back. "I like your pa, son. He seems like a right-thinking man. And I think he's correct. Chantry would have wanted a man like him on the place." Then he taken his saddlebags and rifle, an' we walked to the house with the smell of wood smoke and bacon frying. He paused there on the stoop, and looked out an' around. You could see a far piece from the door, 'cross meadows and past stands of timber. It was a pretty view, and the man just stood there, lookin' at the rose color in the clouds where the sun was leaving a memory on the sky. "Yes," he said, "this would be the place. This was what he would have wanted." The floor inside was clean-swept and mopped. He glanced about, and I could see approval in his eyes. Pa saw it, too. "I never had much," he said, "but I've got sense enough to know that a place doesn't stay nice without you keep it so. It takes a deal of work to build a place, and a deal of work to keep it up." The food was good, and Pa always made a good cup of coffee. I knew that from what folks said, for Pa never let me have coffee 'cept a couple times on mighty cold mornin's. "Too bad about that dead man," the stranger suddenly said. "Anybody know who he was?" "I ain't been to town but once't and never talked to nobody 'bout it more'n to just report I'd found a body and buried it. I guess nobody knew Chantry well, or much about his place. Excerpted from Over on the Dry Side by Louis L'Amour All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.