Cover image for I stand corrected : how teaching Western manners in China became its own unforgettable lesson
I stand corrected : how teaching Western manners in China became its own unforgettable lesson
Collinsworth, Eden, author.
Personal Author:
First edition.
Publication Information:
New York : Nan A. Talese/Doubleday, a division of Random House LLC, [2014]

Physical Description:
xii, 248 pages ; 25 cm
"A fascinating fusion of memoir, manners, and cultural history from a successful businesswoman well-versed in the unique challenges of working in contemporary China. During the course of her long and successful business career, no country has fascinated Eden Collinsworth more than China. After numerous business experiences that might best be called "unusual" by Western standards, she had a crucial insight: despite the growing status of China as a world economy and the unprecedented range of Chinese investments overseas, businessmen in mainland China--well-educated and speaking English--were fundamentally uncomfortable in the company of their Western counterparts. This realization spawned a Western etiquette guide for Chinese businessmen, which went on to be a huge best seller in China and formed the basis for new curriculum supported by the Chinese Ministry of Education. In I Stand Corrected, Collinsworth tells the story of the year she spent writing that book, creating a counterpart that both explains Chinese practices and reveals much about our own Western culture. She explores topics including the non-negotiable issue of personal hygiene; the rules of the handshake; making sense of foreigners; and that which is considered universally rude. She also scrutinizes some of the Western etiquette that has guided her own business career, one which has unfolded in predominately male company. At the same time, I Stand Corrected is a retrospective journey, a wry but self-effacing reflection on the peripatetic career she led while single-handedly raising her son. Like all parents, she didn't always have answers, and here she details the many, often ludicrous, attempts to strike a balance that was right for both of them"--
Wherein I prove it is sometimes possible to get away with folly -- Introductions and greetings -- The all-important display of deference -- The dichotomy of personal and public -- The art-- and perils-- of conversing -- The cost of doing business -- Children and their many consequences -- Where the Chinese dream lives -- Getting from one place to the other -- The politics of censorship -- The body of the workplace -- Raising sons -- How the rest ends -- Wherein I suggest it is always nice to know how to say good-bye.
Personal Subject:
Format :


Call Number
Material Type
Home Location
Item Holds
HF5389 .C653 2014 Adult Non-Fiction Non-Fiction Area

On Order



A fascinating fusion of memoir, manners, and cultural history from a successful businesswoman well versed in the unique challenges of working in contemporary China.

During the course of a career that has, quite literarily, moved her around the world, no country has fascinated Eden Collinsworth more than China, where she has borne witness to its profound transformation. After numerous experiences there that might best be called "unusual" by Western standards, she concluded that despite China's growing status as a world economy, businessmen in mainland China were fundamentally uncomfortable in the company of their Western counterparts. This realization spawned an idea to work collaboratively with a major Chinese publisher on a Western etiquette guide, which went on to became a bestseller and prompted a branch of China's Ministry of Education to suggest that she create a curriculum for the school system. In  I Stand Corrected , Collinsworth tells the entertaining and insightful story of the year she spent living among the Chinese while writing a book featuring advice on such topics as the non-negotiable issue of personal hygiene, the rules of the handshake, and making sense of foreigners. Scrutinizing the kind of etiquette that has guided her own business career, one which has unfolded in predominately male company, Collinsworth creates a counterpart that explains Chinese practices and reveals much about our own Western culture. At the same time,  I Stand Corrected  is a wry but self-effacing reflection on the peripatetic career she led while single-handedly raising her son, and here she details the often madcap attempts to strike a balance that was right for them both.

Author Notes

EDEN COLLINSWORTH is a former media executive and business consultant. She launched the Los Angeles-based monthly lifestyle magazine,  B uzz, after which she became VP & director of cross media business development at Hearst Corporation. In 2011 she launched Collinsworth & Associates, a Beijing-based consulting company, which specializes in intercultural communication. Her Chinese language book  The Tao of Improving Your Likeability: A Personal Guide to Effective Business Etiquette in Today's Global World  has become a major best seller in mainland China.

Reviews 2

Booklist Review

*Starred Review* Collinsworth's ungainly titled memoir is patiently, delightfully hilarious. In large part, it depicts her experience writing, in China and for the Chinese, a guide to good Western etiquette, The Tao of Improving Your Likability, which became a best-seller in China. Her sources for manners come from her experiences living all over the U.S. but often from her L.A. friends, and she details what really happened and then tells how she sets these ideas forth to the Chinese. Cultural expectations differ everywhere, but for the Chinese, saving face is at a high premium, so she exhibits care in stating, for example, why not to spit at the dinner table. Collinsworth is subtly generous with some details and tantalizingly private with others, but it's all wonderful. She also analyzes what's going on in China now, financially and socially, how it came about, and what might be the consequences. A traveler of the world, often with her multilingual son, Collinsworth also waxes intelligently and humorously about other cultures, for instance, about the differences between Chinese restroom facilities and what she calls the elaborate and some would say overly complicated relationship the Japanese seem to have with their toilets. Like Collinsworth's Chinese guide to manners, excerpted throughout, I Stand Corrected is a handbook of sorts, but one to the enormous, never-ending challenges of living not just well or right but perhaps despite it all happily. A rare, true gift.--Kinney, Eloise Copyright 2014 Booklist

Publisher's Weekly Review

When world traveler Collinsworth decides to spread Western etiquette to China in 2011, she learns more about Chinese customs than she had anticipated. She discovers to her surprise that "everything is slightly illegal in China," from legal documents to business transactions. She joins a friend for a business meeting, whereupon she is promptly offered $20,000 to write a letter to Angelina Jolie-simply because she was American, it was assumed she knew the famous actress. Collinsworth finds that small talk and compliments are particularly difficult to tackle: an attempt by a host to compliment his guest goes awry when he calls her fat, which is considered a sign of prosperity in China. In between these faux pas, Collinsworth interjects her own lessons that address the nature of problem, so that readers can avoid such mishaps. The juxtaposition of these cultures can be funny or, at times, cringe-worthy but overall this is an entertaining take on life as a foreigner in China. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.



CHAPTER ONE The word "etiquette" is rooted in the seventeenth-century gardens of Versailles--one of many reasons the French feel superior. Set in a low valley between two lines of wooded hills, Versailles was the location for Louis XIII's hunting lodge, which he upgraded to château status. His son, Louis XIV--determined to build a lasting monument to his own regime--remolded the château to an over-the-top level of grandeur. That required a daily workforce of twenty-two thousand men and six thousand horses, and the exorbitant expense impoverished the country. Before discontent among his citizens festered into rebellion, and rebellion triggered the Revolution, life at court was based on social rank. Versailles was entered by many different gates. Only the lucky few possessing the right to bring their coaches into the great courtyard of the Louvre were granted the right to enter Versailles by way of its main entrance. That left a large number of lower-tiered aristocrats with no immediate access. When Louis XIV's gardener realized it was impossible to prevent those not invited through the front gate from trampling the lawns and flower beds, he put up signs. Already defensive about their lesser point of entry--fearing they were being left behind--the aristocrats ignored the postings, which resulted in a royal decree that no one go beyond the signs without a ticket, known in Old French as etiquette. Louis XIV's insistence that his retinue uphold manners had an influence on the bourgeois, and the term l'etiquette became a broader reference to signs of correct behavior. Temporarily banished during the French Revolution, etiquette was eventually recalled from exile and it still holds sway. When, after a joint press conference, French president Jacques Chirac muttered into--unbeknownst to him--an open microphone that British prime minister Tony Blair was mal eleve, those deadly two words formed the worst kind of insult. The expression translates to "badly brought up" and casts aspersions on not only the offender but also his parents. Though not badly brought up, I certainly can't claim to be a trusted source on etiquette, but Gilliam's idea of Western etiquette lessons in China would not leave my imagination alone. It nagged at me until I decided to share the idea with a former colleague experienced in evaluating emerging markets. He, too, saw an opportunity. My previous role as an executive at the Hearst Corporation included expanding its many brands. Prior to Hearst, I had implemented the same kind of brand-building strategy for Buzz, the L.A. magazine I launched. With contributing editors ranging from Jan Morris to Edmund White, Buzz built a reputation for its editorial quality. My partners and I were quick to leverage that reputation by launching Buzz Weekly, an arts and entertainment guide, by establishing Buzz On-Line, and by founding Buzz Books. In order to pursue Gilliam's idea in China, we would first need to build a platform of brand recognition there. What about a book on Western business comportment for the Chinese? I thought. Not too unlikely a consideration, but one requiring a next step. A train of incidents moved me forward: I'd written a novel published the year before. . . . My literary agent, based in London, had an associate in Beijing. . . . That associate was taken by the idea of a book for Chinese about Western business comportment. In a combined state of ignorance and enthusiasm, I resigned as chief of staff at the think tank and moved to Beijing during Gilliam's summer break. That way madness lies, as the English would say, and I would have to agree--it was a fairly mad thing to do. Without a guaranteed source of income, I would be living off my savings; I didn't speak Chinese; and I am far from an authority on manners. In point of fact, this is where I admit to several nasty tendencies, including a knee-jerk reaction to verbally wound those I think deserve the worst of me after they have tortured the best of me, which is my patience. That said, I've always made an effort to veer away from bad behavior and move toward the common sense that is good comportment. I do so because it is a shrewd approach to business and because I believe that there is value in the social contract humans have with one another. To a large degree, our beliefs are instilled by our parents. My parents were of the mind that upholding values required honorable action but, when all else failed, it was sensible to leave the premises. Both were only children who never returned to their places of origin. My father left the South to attend Harvard Business School. His only relative in the North was Sherman Billingsley. After a stint in Leavenworth during Prohibition for distributing liquor in the drugstores he bought for that purpose, Billingsley redeemed himself by creating the Stork Club, a glamorous gathering place for cafe society in New York. My mother was old-world European and a different kind of exile. Like her own mother, she was mentally ill. She was also impeccably mannered. I managed to hold these distinct and, at times, contradictory ideas in my head while sepia-toned propriety dispelled the larger disquiet of what became her progressively frequent stays in mental institutions. She would disappear and then reappear, as if nothing were out of place but time. The fact that she committed herself was never discussed or, indeed, acknowledged. If my professional career carries a credit balance, it can be found in my childhood. The intense ecosystem that was my family consisted of my parents, my two brothers, and me. But there was another, hidden member of our family: silence. And odd as it sounds, our implicit agreement to ignore that which was so obviously wrong enabled me, when it came time, to understand the Asian principle of saving face. It was also my childhood--with its forced introduction to the complexities of human nature--that would equip me, as an adult, to work with a disparate range of people, some considered completely impossible by most others. My father was a success in business. He was also an ethically exacting man. Believing that financial dependency wove a sticky web of complacency, he put my inherited privilege on a timer. Until twenty-one, I was safeguarded by advantages but expected to behave within the strict confines of a nonnegotiable correctness--one that forced my mother's mental illness to hide beneath the surface. Given my remove from the wider world, the only opportunity to learn about the metaphorical scheme of things came from observing anything within my limited line of vision. Improbable as it may seem, that included Maria Callas. My father's board meetings provided family forays from our home in Chicago to a hotel in New York where his company's suite was directly across the hall from the one Aristotle Onassis kept for Callas during the better part of his marriage to Jackie Kennedy. Callas was my equivalent of what Flaubert must have encountered on his first trip to Egypt. Her physical being--splashed in bold, Picasso-like strokes--was wonderfully different from anything I had known. Having been confined to a life of nuance, I was fascinated by the theatrical exaggeration of hers. Never-ending activity swirled around her. A personal maid coordinated every form of room service. Floral deliveries arrived almost on the hour, and several times a day her white toy poodle--whose coat was trimmed like topiary--was handed to one of the bodyguards for its walk. There was a menacing kind of glamour to Onassis's arrival, announced by the guttural sounds of armed security men who--my mother was quick to point out--didn't know enough to remove their hats while in the elevator. "An ugly little man," was her appraisal of Onassis. "Contemptuously unapologetic for the inconvenience he causes the other guests." My mother's observation was not incorrect. Onassis was a physically unattractive man. Far more interesting to me at thirteen was another fact, just as obvious: Onassis was a married man. That made Callas his mistress. At a time when that word had consequences, one might have thought the degree to which it was public would force a corresponding sense of embarrassment on her. That's what should have happened according to the code of conduct by which I was brought up. But Maria Callas did not appear chastened. Quite the opposite. She was having an extremely good time, and that third irrefutable fact permitted me to consider that life need not be coded to what others believed to be proper behavior. Just as it was with my brothers, the vacuum sound of my father's bank vault closing was heard as I was handed a college diploma. Having no choice in either matter, I had been raised to be--in equal parts--ladylike and employable. The former prepared me for who knows what; the latter provided a lifeline to self-reliance. At twenty-one, my ambitions were focused on New York, but dismal typing skills undermined my opportunities there. I took the only job available to me at the time: a substitute receptionist answering phones at the book publishing company Doubleday. Most callers don't automatically announce themselves, so time after time I was forced to say, "May I ask who is calling?" The second day on the job, that straightforward question might have been reason enough for me to be told not to return for a third day. "Whoever you are, hang up the phone so I can call back and leave a message," were the gruff instructions from an unannounced caller. "I think you'll find me capable of taking a message," I suggested glibly. "The first thing I would ask is the name of the person calling. Who may I ask is calling now?" The ominous silence that followed led me to believe I might have overstepped myself. The literary agent Candida Donadio was a maverick with no formal education but unerring instincts for identifying talent. She was born on October 22, 1929, a date, it is said, memorialized in Catch-22 and explained by the fact that Joseph Heller was her client. He was but one of them: Thomas Pynchon, William Gaddis, Philip Roth, John Cheever, Peter Matthiessen, Nelson Algren, and Christopher Isherwood--all were, in some part, due to Candida. A botched phone ploy brought us together. Trying to avoid talking to the Doubleday editor to whom she owed a call, Candida had hoped that, by leaving a message on the machine, she would be relieved of any further obligation. Instead, she got me. Candida was known to like a drink, and the several that had preceded her call allowed the barriers to slip long enough for her to suggest not that she have me fired but that we should meet. The suggestion was out of character for her: Candida was a semirecluse. "To trust is good," she would tell me, and then she would add, "Not to trust is better." Ignoring the width of our age gap, we became close friends. It was she who presuaded me to stake a career in book publishing. Impossible to have imagined, but eight years after my first job as a receptionist--by way of a great deal of luck and relentlessly hard work--I became the head of another publishing company, Arbor House, which, at the time, was part of the Hearst Corporation. Despite my off-topic introduction to Chinese business practices in Shenzhen shortly after I was named publisher, China intrigued me enough to return a year later--by myself and without the intent of doing business. Lured by its 1920s glamour, I spent a week in Shanghai's old Cathay Hotel, whose rooms--festooned with gold silk and lacquered in red--were suffused with an aura of the past. Each afternoon, I took tea in the lobby among the ghosts of courtesans and gangsters. And when it came time to return to New York, I was determined that--be it on business or for the sake of travel--I would come back. I did. Revisiting Shanghai several years later, I took a bullet train from the airport to the center of the city. What fueled my disbelief was not that I was being hurtled ahead at two hundred and sixty-eight miles an hour on the thin layer of air between the train and the magnetized narrow tracks; far more disconcerting was what I saw when we slowed down and I looked out the window: some of the peasants--knee-deep in rice paddies--were on cell phones. Entering the telecommunications market with satellite-based platforms, China managed to leapfrog over the first generation of cable-based systems in the West, and now over 75 percent of its 1.3 billion-plus people have at least one cell phone. It could be the sheer number of people in China trying to have their say, but shrill voices--often combined with spittle spray--come across several decimals higher than is comfortable to Westerners. Noise accompanies one everywhere in China; there is practicality to the customary phone greeting wei, which means "Can you hear me?" or "Is anyone there?" Even after my third trip to China, the country continued to baffle. Its social rules were puzzling. Its business agreements were revocable. Its people were accessible and, at the same time, unreachable. Whenever a Sinophile would explain Chinese culture, my response was always the same polite "I see," although I didn't quite. Chinese history was too full of incident for a tidy explanation. I wanted a better understanding, and my mind kept circling back. Like a complicated mathematical equation I was determined to solve, China called me back numerous times over the next twenty-five years. There came many adventures, but only one revelation: I would remain forever and beguilingly mystified by the Middle Kingdom. Excerpted from I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson by Eden Collinsworth All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Table of Contents

Note to the Readerp. xiii
Prologue: Wherein I prove it is sometimes possible to get away with follyp. 1
Part 1 Introductions and Greetingsp. 7
Part 2 The All-Important Display of Deferencep. 33
Part 3 The Dichotomy of Personal and Publicp. 67
Part 4 The Art-and Perils-of Conversingp. 81
Part 5 The Cost of Doing Businessp. 95
Part 6 Children and Their Many Consequencesp. 107
Part 7 Where the Chinese Dream Livesp. 121
Part 8 Getting from One Place to the Otherp. 153
Part 9 The Politics of Censorshipp. 175
Part 10 The Body of the Workplacep. 193
Part 11 Raising Sonsp. 211
Part 12 A Series of Departuresp. 223
Part 13 How the Rest Endsp. 241
Epilogue: Wherein I suggest it is always nice to know how to say good-byep. 249
Further Readingp. 251
Acknowledgmentsp. 253