Cover image for Maeve's times : in her own words
Title:
Maeve's times : in her own words
Author:
Binchy, Maeve, 1940-2012.
Personal Author:
Uniform Title:
Essays. Selections
Edition:
First edition.
Publication Information:
New York : Alfred A. Knopf, 2014.
Physical Description:
xii, 385 pages ; 25 cm
Summary:
Collects the best of the author's essays from five decades of the "Irish Times" to reflect a changing culture as well as her observations on such topics as the royal wedding, waitressing, and boring airline companions.
General Note:
Selected essays as published in The Irish times over fifty years.
Language:
English
Added Author:
Added Uniform Title:
Irish times (Dublin, Ireland : 1874)
ISBN:
9780385353458

9780804172769
Format :
Book

Available:*

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Summary

Summary

Five decades of selected writings from the  Irish Times  by the beloved and best-selling author, filled with her hallmark humor, candor, and wisdom-a timeless gift to her legion of fans.

Maeve Binchy once confessed: "As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives." She was an accidental journalist, yet from the beginning, her writings reflected the warmth, wit, and keen human interest that readers would come to love in her fiction. From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress,  Maeve's Times  gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity-revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.


Author Notes

Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.

Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.

(Bowker Author Biography)


Reviews 3

Booklist Review

Readers who knew the prolific Binchy (1940-2012) through her extensive catalog of novels and story collections may imagine the author as a kindly Irish lady, albeit one adept at weaving the tumultuous lives of multiple characters into an enticing portrait of a cohesive village, in tune with issues of the day as well as their historic antecedents, and appreciative of the intricacies of both city and village life. So fans may be surprised to learn that this sensitivity to domestic drama, ear for dialogue, and eye for detail were honed during the years Binchy spent as a journalist for the Irish Times. Spanning five decades, this collection of Binchy's trademark columns celebrates her unabashed delight in the human condition, yes; but it also uncovers a much sharper wit and a more trenchant observer with a more cynical attitude than she ever divulged in her fiction. For the legions of fans who mourned her passing, this revelatory collection of essays brings a little of their cherished Maeve back, and then some.--Haggas, Carol Copyright 2014 Booklist


Publisher's Weekly Review

Binchy's trademark warmth, humor, and humanity characterize this volume, which collects five decades of her reporting for the Irish Times (1960s--2000s). The wide-ranging topics reveal a journalist far more interested in people than places or events, though quiet references to IRA bombings, Thatcher's Britain, the conflict in Cyprus, and second-wave feminism prove Binchy ( Circle of Friends ) was as savvy about politics she was about character. Wit, sarcasm, and big-heartedness emerge as hallmarks of Binchy's direct and uncluttered style. Additionally, readers will enjoy her avid and unrestrained curiosity, the wish to enter into other people's lives, which inspires her to eavesdrop on fellow diners, travelers, and passersby. Wouldn't you want to follow almost everyone home? she remarks while observing people at a beach. While the collection makes an enjoyable read on the merit of humor alone, editor Ingle's selections capture Binchy's journalistic apprenticeship, record an intelligent woman's perspective on a changing world, and offer entertaining glimpses of biography that Binchy fans will adore. Agent: Christine Green. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.


Library Journal Review

As any reader of Binchy's novels (Tara Road; Chestnut Street) knows, the beloved and successful Irish writer could tell a story. She was doing that long before she ever wrote a novel; Binchy's letters home to her family from when she traveled abroad as a young teacher were so engaging, her husband explains in the book's foreword, that her father submitted them to the Irish Times, and they were published. This began a 50-year association with the newspaper, with Binchy contributing columns even after finding fame with her books. This warm, down-to-earth collection of her contributions is a best-of that is arranged chronologically in sections covering from the 1960s through the 2000s, and it works wonderfully. Fans of the author's novels will enjoy learning more about her early life and about an earlier Ireland. Very delightful is Binchy's familiar tendency to explore things that are not regularly discussed mostly not because they are unmentionable, but because they're so ordinary that they're overlooked. In one piece, for example, she expresses relief that tights have been invented, while another investigates the various reasons why people hate the month of February. There are gentle laughs aplenty, which will be no surprise to fans. What may be a revelation is that the author also tackled some controversial and upsetting subjects. One column, for example, discusses the hard life faced by Irish people who must work in England, and another describes the journey undertaken by a young woman who is surprised at the humanity she finds when she travels to that country to have the abortion she can't get at home. VERDICT Fans of Binchy, as well as readers curious about Irish life over the years will savor this often-light read (but should be ready with the hanky at times). Henrietta Verma, Library Journal (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Pageantry and Splendour at Westminster for the Royal Wedding
 15 November 1973 The ushers were simply delighted to see me. 'Splendid,' they said, 'absolutely splendid. Let's have a little look. Oh, yes, seat number 17 this way. Super view, and just beside the telly, too. Super!' They could have been brothers of my dearest friend, instead of members of Mark Phillips' regiment examining the press ticket, which had cost £23. Westminster Abbey was lit up like an operating theatre; the light from the chandeliers was only like candlelight compared to the television lights. Well, since 500 million people, including the Irish, were meant to be looking in, I suppose you had to have it bright enough to see something. There was plenty to see from the top of a scaffolding over the north transept. Grace Kelly staring into space, looking like she always looked, kind of immaculate. Rainier has aged a bit oddly and looks like Marlon Brando in The Godfather . Harold Wilson, all smiles and straightening his tie, his wife looking as if she were about to compose the final poem on the occasion. Jeremy Thorpe was all giggles and jauntiness, Heath looked like a waxwork. Anthony Barber looked suitably preoccupied, as well he might, with a State-of-Emergency going on outside the Abbey doors, and Whitelaw looked as if it was his first day off in two years. There were a lot of people whose faces I thought I knew, but it was no help asking for advice on either side. The man from the Manchester Evening News seemed to be writing an extended version of War and Peace in a notebook and on my right an agency reporter was transcribing a file of cuttings. And then the royals started to arrive. We could see them on the television set - which was six inches from me - leaving Buckingham Palace in their chariots, and like characters stepping out of a film, they suddenly turned up a hundred feet below our seats. The Queen Mother looked the way she has ever looked - aged 56 and benign. The Queen looked thin and unhappy in a harsh blue outfit. Princess Margaret looked like a lighting devil with a cross face and an extraordinary hideous coat, which may have been some multi- coloured fur. But then was there ever an animal or even a selection of animals that would have been given such a coat by Nature. The Phillips' parents looked sick with nerves; nobody in the place was hating it as much as they were. Mother Phillips nearly tore her gloves to shreds, father Phillips let his invitation fall and it struck me as odd that the groom's parents should have had to carry an invitation at all. The son and heir stood smiling and resplendent in scarlet, dimpling and smiling, and you felt that if all else failed and he doesn't become a brigadier or something in six months, he will have a great living in toothpaste commercials. The Dean of Westminster, who is a very civilised, cheerful sort of man, was sort of happy about it all, and so was the Archbishop of Canterbury. They beamed all round them and extracted a few return grins from the nervous-looking lot in the VIP seats. The choirboys looked suitably angelic and uncomfortable in their ruffs. One of them got his fingers caught behind his neck and had to have it released. The trumpeters were noble and rallying, and the Beefeaters were traditionally beefy. Everything was as it should be in fact, as we waited for the bride. About three seconds after the glass coach had left Buckingham Palace with Anne and her father we were all handed two pages of strictly embargoed details about the wedding dress: it would have threatened national security to have had it before, apparently. Journalists all around me were devouring it and rewriting the details of seed pearls and 1,000 threads of 20-denier silk to every inch of the garment. When she arrived at the door of the Abbey there was a bit of excitement about arranging the train and adjusting the tiara, and the bride looked as edgy as if it were the Badminton Horse Trials and she was waiting for the bell to gallop off. Up at the altar all the royals looked out as eagerly and anxiously as if they thought the Duke of Edinburgh and his only daughter might have dropped off for a pint on the way. The Queen actually smiled when they got into sight and Mark gave a matinee-idol shy, rueful smile. Princess Margaret read her programme of the wedding service as if it were the latest Agatha Christie that she had promised to finish before lunchtime. The Duke of Edinburgh went and sat beside his wife and mother- in-law and seemed to have a far greater control over his sword than did Prince Charles, who carried his as if it were an umbrella. I was waiting for half his relatives to have their legs amputated but there must have been some kind of plastic top on it because nobody seemed to be maimed or anything when they were leaving. The service went as planned and the young voices were clear and loud, as everyone remarked approvingly afterwards, no coyness or nervous stutters. There were a lot of hymns, and I saw the Queen singing her head off, but gloomily, and the Phillips parents sang, too, nervously on their side. Then off they galloped down the aisle and it was over. And do I mean over! There was no hooley in the palace or anything; the party had been on Monday night. The people who had got all dressed up went home, I suppose. The bridal couple had about nine hours of photographs, and all the people who had been camping on the street packed their spirit stoves into plastic bags and went off for lunch. It was a superbly organised show, with all the actors playing their parts perfectly, timing and all. Everyone who had a role kept to it: the Duchess of Kent looked sweet and pure English girlhood; Princess Alexandra managed to give the odd vaguely tomboyish grin which she thinks is expected. The Duke of Edinburgh and Lord Snowdon looked as self-effacing as Mark Phillips is beginning to look already. The ushers saw us out, thrilled that we had been able to get there and hoping earnestly that we had a good view of everything. The evening papers were already on the streets with early photographs. 'The Snow White Princess!' screamed one headline, as if the readers had expected the bride to wear scarlet jodhpurs. It was a very well-produced show, no one could deny that, but then the actors are getting slightly above Equity rates. Excerpted from Maeve's Times by Maeve Binchy. Copyright © 2014 by Gordon Snell. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpted from Maeve's Times: In Her Own Words by Maeve Binchy All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.