Cover image for 50 St. Catherine's Drive
50 St. Catherine's Drive
Gibb, Robin, 1949-2012, composer, performer.
Publication Information:
Burbank, CA : Rhino, [2014]

Physical Description:
1 audio disc : CD audio, digital ; 4 3/4 in.
The last solo album by the Bee Gees' Robin Gibb is named after the address where he was born. It was compiled by his wife Dwina Gibb and his son RJ Gibb, from recordings made between 2006 and 2008.
General Note:
Title from disc label.

Compact disc.

All songs written or co-written by Robin Gibb.

Program notes, by Dwina Gibb, and full credits on container insert.
Days of wine and roses -- Instant love -- Alan Freeman days -- Wherever you go -- I am the world (new version) -- Mother of love -- Anniversary -- Sorry -- Cherish -- Don't cry alone -- Avalanche -- One way love -- Broken wings -- Sanctuary -- Solid -- All we have is now -- Sydney (demo).
Format :
Music CD


Call Number
Material Type
Home Location
Central Library ROCK .G4373 F Compact Disc Central Library
Clearfield Library ROCK .G4373 F Compact Disc Open Shelf
Dudley Branch Library ROCK .G4373 F Compact Disc Audio Visual
Eggertsville-Snyder Library ROCK .G4373 F Compact Disc Open Shelf
Elma Library ROCK .G4373 F Compact Disc Audio Visual
Kenmore Library ROCK .G4373 F Compact Disc Audio Visual
Lancaster Library ROCK .G4373 F Compact Disc Audio Visual
Anna M. Reinstein Library ROCK .G4373 F Compact Disc New Materials

On Order



50 St. Catherine's Drive is the address where Robin Gibb and his brothers grew up on the Isle of Man in the early '50s, so its selection as the title of his 2014 posthumous album is bittersweet. It is also appropriate, as this record does feel somewhat like a homecoming, with Gibb touching upon many of the sounds and styles he played and sang over the years. Gibb wrote and recorded the majority of these songs between 2006 and 2008, roughly three years before he was diagnosed with the colorectal cancer that took his life on May 20, 2012, so it can't quite be called a deliberate last statement but it almost plays that way as it alternates between sad ballads, gently insistent midtempo pop, and the occasional dance number. Like any Bee Gees-related production after Saturday Night Fever, the production is too precise and pristine, a flaw underlined by the seemingly homemade digital production, which is just a shade too thin, but there's care evident in the construction of the songs and productions, even the sweetly melancholy closer "Sydney," which is the last song completed by Gibb in 2011 (recorded on an iPad, no less). Ultimately, the record is a bit too long and slick to grab anybody who isn't a fan of anything Gibb recorded after the Bee Gees' last comeback at the turn of the '90s, but for those hardcore fans this is a welcome farewell from Robin. ~ Stephen Thomas Erlewine

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