Cover image for The adults : a novel
The adults : a novel
Espach, Alison, 1984-
Personal Author:
First Scribner hardcover edition.
Publication Information:
New York : Scribner, [2011]

Physical Description:
307 pages ; 24 cm
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FICTION Adult Fiction Central Library
FICTION Adult Fiction Open Shelf

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In her ruefully funny and wickedly perceptive debut novel, Alison Espach deftly dissects matters of the heart and captures the lives of children and adults as they come to terms with life, death, and love.
At the center of this affluent suburban universe is Emily Vidal, a smart and snarky teenager, who gets involved in a suspect relationship with one of the adults after witnessing a suicide in her neighborhood. Among the cast of unforgettable characters is Emily's father, whose fiftieth birthday party has the adults descending upon the Vidal's patio; her mother, who has orchestrated the elaborate party even though she and her husband are getting a divorce; and an assortment of eccentric neighbors, high school teachers, and teenagers who teem with anxiety and sexuality and an unbridled desire to be noticed, and ultimately loved.

An irresistible chronicle of a modern young woman's struggle to grow up, The Adults lays bare--in perfect pitch--a world where an adult and a child can so dangerously be mistaken for the same exact thing.

Reviews 3

Booklist Review

During her freshman year in high school, first-person narrator Emily Vidal learns that her parents are divorcing and that her father, an investment banker who's being sent to Prague, has been sleeping with next-door-neighbor Mrs. Resnick, who's now pregnant. Then Emily sees chronically ill Mr. Resnick hang himself from a tree between their two lawns, and months later, she starts a long-term affair with her 24-year-old English teacher, who's called Mr. Basketball by the girls in her crowd and is the object of her best friend's adoration. As Emily advances into her late twenties, enduring life changes along the way, Espach shows the effect of childhood experiences on adult life, and the line between child and adult blurs. The strength of this first novel lies in its portrayal of teenagers in the 1990s being rocked by catastrophe even at a time when life was somewhat simpler. A tale of love and loss and the consequences of both.--Leber, Michele Copyright 2010 Booklist

Publisher's Weekly Review

In Espach's charming coming-of-age debut, 14-year-old Emily Vidal's life begins to veer off course at her father's 50th birthday party when he announces that he and her mother are divorcing. The birthday night ends with dad kissing the neighbor, Mrs. Resnick, in the woods, where Emily and Mrs. Resnick's son, Mark, discover them. The disorienting discoveries continue: Mark's ailing father commits suicide, and Mrs. Resnick is pregnant with Emily's dad's baby. With dad off to Prague and her mother undone by the affair and hitting the bottle, Emily loses faith in all the adults around her, even as she is becoming one of them. Emily starts an affair with an English teacher 10 years her senior, mostly to see how far she can go, which turns out to be pretty far. She and the teacher, Jonathan, who leaves teaching to become a lawyer, return to each other again and again as Emily graduates from college and moves to Prague to be with her father. Espach perfects the snarky, postironic deadpan of the 1990s and teenagers everywhere, and her ear for modern speech and eye for fresh detail transform a familiar story into an education in what it means to be a grown-up. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.

Library Journal Review

Our audio reviewer asserted that "Audie Award nominee Tavia Gilbert's narration adds candid poignancy to the story" about a teenage girl's coming-of-age among adults behaving badly in mid-1990s suburban Connecticut. This is a novel that begs to be heard-literally-and is the perfect example of a top-flight narrator enhancing a story beyond the original print. (LJ 6/15/11) (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



1 They arrived in bulk, in Black Tie Preferred, in one large clump behind our wooden fence, peering over each other's shoulders and into our backyard like people at the zoo who wanted a better view of the animals. My father's fiftieth birthday party had just begun. It's true that I was expecting something. I was fourteen, my hair still sticky with lemon from the beach, my lips maroon and pulpy and full like a woman's, red and smothered like "a giant wound," my mother said earlier that day. She disapproved of the getup, of my yellow fit-and-flare dress that cradled my hips and pointed my breasts due north, but I didn't care; I disapproved of this party, this whole at-home affair that would mark the last of its kind. The women walked through the gate in black and blue and gray and brown pumps, the party already proving unsuccessful at the grass level. The men wore sharp dark ties like swords and said predictable things like, "Hello." "Welcome to our lawn," I said back, with a goofy grin, and none of them looked me in the eye because it was rude or something. I was too yellow, too embarrassing for everyone involved, and I inched closer to Mark Resnick, my neighbor, my maybe-one-day-boyfriend. I stood up straighter and overemphasized my consonants. There were certain ways you had to position and prepare your body for high school, and I was slowly catching on, but not fast enough. Every day, it seemed, I had to say good-bye to some part of myself; like last week at the beach, my best friend, Janice, in her new shoestring bikini, had looked down at my Adidas one-piece and said, "Emily, you don't need a one-piece anymore. This isn't a sporting event." But it sort of was. You could win or lose at anything when you were fourteen, and Janice was keeping track of this. First person to say "cunt" in two different languages (Richard Trenton, girls' bathroom, cunnus, kunta ), an achievement that Ernest Bingley decried as invalid since "Old Norse doesn't count as a language!" (Ernest Bingley, first person ever to cry while reading a poem aloud in English class, "Dulce et Decorum Est"). There were other competitions as well, competitions that had only losers, like who's got the fattest ass (Annie Lars), the most cartoonish face (Kenneth Bentley), the most pubes (Janice Nicks). "As a child, I shaved the hair off my Barbies to feel prettier," Janice had confessed earlier that morning at the beach. She sighed and wiped her brow as though it was the August heat that made her too honest, but Connecticut heat was disappointingly civil. So were our confessions. "That's nothing," I said. "As a child, I thought my breasts were tumors." I whispered, afraid the adults could hear us. Janice wasn't impressed. "Okay, as a child, I sat out in the sun and waited for my blood to evaporate," I said. I admitted that, sometimes, I still believed blood could vanish like boiling water or a puddle in the middle of summer. But Janice was already halfway into her next confession, admitting that last night, she touched herself and thought of our middle school teacher Mr. Heller despite everything, even his mustache. "Which we can't blame him for," Janice said. "I thought of Mr. Heller's hands and then waited, and then nothing. No orgasm." "What'd you expect?" I said, shoving a peanut in my mouth. "He's so old." At the beach, the adults always sat ten feet behind our towels. We carefully measured the distance in footsteps. My mother and her friends wore floppy straw hats and reclined in chairs patterned with Rod Stewart's face and neon ice cream cones and shouted, "Don't stick your head under!" as Janice and I ran to the water's edge to cool our feet. My mother said sticking your head in the Long Island Sound was like dipping your head in a bowl of cancer, to which I said, "You shouldn't say 'cancer' so casually like that." A woman who volunteered with my mother at Stamford Hospital, the only woman there who had not gotten a nose job from my neighbor Dr. Trenton, held her nose whenever she said "Long Island Sound" or "sewage," as if there was no difference between the two things. But the more everybody talked about the contamination, the less I could see it; the farther I buried my body in the water, the more the adults seemed to be wrong about everything. It was water, more and more like water every time I tested it with my tongue. Our backyard was so full of tiger lilies, nearly every guest at the party got their own patch to stand near. Mark ran his hands over the orange flower heads, while my mother opened her arms to greet his mother, Mrs. Resnick. My mother and Mrs. Resnick had not spoken in months for no other reason than they were neighbors who did not realize they had not spoken in months. "Italians hug," my mother said. "We're Russian Jewish," Mrs. Resnick said. "Oh, that's dear," my mother said, and looked at me. "Say hello, Emily." "Hello," I said. It was unknown how long it had been since they borrowed an egg from each other, but it didn't even matter because my mother noticed how tall Mark had become. "Very tall," my mother said. "Yes, isn't he tall?" Mrs. Resnick asked. "How tall are you, Mark?" my mother asked. Everybody suspected he was taller than he used to be, but shorter than our town councilwoman, Mrs. Trenton, who was so tall she looked like King Kong in a belted pink party dress observing a mushroom garlic cream tart for the first time. She was so tall it only made sense she was granted a position of authority in our town, my mother said once. And Mark was a little bit shorter than that, in a very small, unnoticeable way. Most of the adults stood at the bar. Some reported flying in from Prague, Geneva, Moscow, and couldn't believe the absurdity of international travel--it took so long to get from here to there, especially when all you were doing over the Atlantic was worrying about blood clots, feeling everything clumping and slowing and coming to an end. Some needed to use the bathroom. Some couldn't believe how the roads were so wide here in Connecticut and, honestly, what did we need all that space for? "It's presumptuous," said Mrs. Resnick. She took a sip of her martini while a horsefly flew out of her armpit. "So much space and nothing to do but take care of it." I looked around at the vastness of my yard. It was the size of two pools, and yet, we didn't even have one. My mother had joked all summer long that if my father wanted to turn fifty, he would have to do the damn thing outside on the grass. We had all laughed around the dinner table, and with a knife in my fist, I shouted out, "Like the dog!" "If we had one . . . ," my father said, correcting me. "It's the nineties," my mother added. "Backyards in Connecticut are just starting to come back in style." But soon, it turned out it wasn't a joke at all, and at any given moment my mother could be caught with a straight face saying things like, "We'll need to get your father a tent in case of rain," and after I hung up on Timmy's Tent Rental, she started saying things like, "We'll need three hundred and fifty forks," and my father and I started exchanging secret glances, and when my mother saw him scribble THAT'S A LOT OF FORKS to me on a Post-it, she started looking at us blankly, like my father was the fridge and I was the microwave, saying, "We'll need a theme." "Man, aging dramatically!" I shouted at them across the marble kitchen counter. "And a cake designed to look like an investment banker." She wrote it down on a list, her quick cursive more legible than my print. "No! A map of Europe!" I said. "And everybody has to eat their own country!" "No, Emily," my mother said. "That's not right either." Everybody was invited. Was Alfred available? Alfred was our neighbor who always gave the comical speech about my father's deep-seated character flaws at every social event that was primarily devoted to my father, which was every event my mother attended. "Like how he questions my choice of hat at seven thirty in the morning," my mother said, as though my father wasn't there pouring himself some cereal. "It's just that the brim is so notably wide, he says. Well, that's the point, Victor !" Or how he called the Prague office with a mouthful of Cocoa Puffs every morning and my mother said, Victor, you're a millionaire, that's gross, and my father chomped louder, said, it's puffed rice . He just doesn't get it, my mother said. He walks out to the car every morning and comes back in asking me how is it that a car can get so dirty! At some point, they always turned to me, the third party. "Emily, would you explain to your father?" my mother asked. "Well, Jesus, Victor! We drive it!" I shouted. I never considered the possibility that we weren't joking. "Isn't Emily so beautiful?" my mother asked Mrs. Resnick, twisting her gold tennis bracelet around her wrist. My mother asked this question everywhere we went. The grocery store. The mall. The dentist. Nobody had yet disagreed, though the opinion of the dentist was still pending. "Don't you think that if the dentist really thinks I am beautiful he can notice it on his own?" I had asked my mother once, fed up with the prompt. "Don't you think pointing it out to the dentist just points out how not beautiful I must be?" "It's just a point of emphasis," my mother had said. "It has nothing to do with you, Emily. Just a way into conversation." "Adults need things like that," my father sometimes added. But Mrs. Resnick hesitated, while Mark scratched a freckle on his arm like a scratch-n-sniff. " Mother ," I said, and rolled my eyes so Mrs. Resnick and Mark understood that I too thought this question was unacceptable. Mrs. Resnick had a bad habit of never looking at me, so she tried to size up my entire existence using only her peripheral vision. Medium height. Dirty blondish brownish hair. Scraggly, mousy, darling little thing that apparently had no access to an iron or a bathtub. Hours before the party, my mother tugged at her panty hose, wiped her fingers across my cheeks, and said, "Go take a bath. You'll come out smelling like the beach." This was strange, since I just got home from the beach. And I never knew why smelling like the beach was always considered a good thing, especially when the closest beach was the Long Island Sound, and I wasn't even allowed to stick my head under. "I don't want to take a bath," I said. "I don't like baths." "Everybody likes baths," my mother said. I did not like baths. I understood the warm water felt nice against my skin, but after five minutes of sitting in the tub, it became painfully apparent that there wasn't much to do in there. I would pass the time by shaving every inch of my skin, including my elbows, and reciting jingles I heard on the television--"Stanleyyy Steemmmmer," and "Coca-Cola Classic, you're the one!" When I would be older, one of my boyfriends would work as a flavor scientist for 7Up and would be addicted to bathing with me, his body on mine nearly every night, spilling water and secrets about the beverage industry, explaining that New Coke was an elaborate marketing scheme, designed to taste bad, predicted to fail, so they could reintroduce Coke as Coca-Cola Classic and make everyone want it more. "It worked," he would say, filling my belly button with water as I sang. "Look at you, giving them free advertising in the tub." "I've thought about it," I had told my mother in the kitchen, "and I don't want to smell like the beach. I'd much rather smell like something else, like a wildflower or a nest of honeybees." "Emily," my mother had said. "I don't even know what that is supposed to mean." I had explained that Mark, who was a junior lifeguard at Fairfield Beach, had found a box of dead kittens floating at the edge of the shore when he combed the sand before his shift was over. Mark said they were the saddest things he had ever seen, floating by a broken buoy, curled up like they were sleeping. "But they weren't sleeping," he had whispered in my ear. "I mean, they were dead ." I explained to my mother that smelling like the beach meant smelling like a place where tiny animals could not survive, where cardboard boxes contained not presents but sad corpses of beautiful things that were now impossible to love. My mother sighed and blended the garlic. * * * "Yes, very beautiful," Mrs. Resnick finally said, and this settled all of us into a strange sort of ease. Mrs. Resnick straightened out the hem of her lime green dress, and my mother pointed out that my father had recently planted tiger lilies in our backyard. Did they go with the neighborhood dÉcor? "This neighborhood has a very specific floral nature," my mother said. Mark and his mother nodded. They already knew this. "Well, you kids be good," my mother said, and stuck her fingers to my lips in a not very covert attempt to remove the Revlon. "And take some pictures, please." That morning my mother had shoved a Polaroid camera in my face and said, "We need a party photographer! It could be you!" like it was a career move she might make me interview for. I snapped a picture of the two women walking away from us, our mothers, mine tall and alive in a coral party dress that was cut low enough to suggest breasts, and Mrs. Resnick walking next to her, rounder at the hips, in a lime green fabric with pearl embroidery so high on her chest it suggested that once upon a time, in a faraway land, there were these breasts. The skirt was cut at the calf, making her ankles look fatter than they should have. "Cankles," Mark said in my ear. "Calves and ankles that are the same width." My mother picked up two empty beer bottles and a dish of shrimp tails off the ground before making a full waltz back into the center of the party, Mrs. Resnick wiped her glasses clean with a napkin, and I thought, Those poor adults. Doomed to a life of filth, finding it everywhere they went. At the beach, the only thing my mother could see was the empty Fanta bottles, sandwich wrappers, Popsicle sticks littering the sea, and when the sun set over the water, Janice's mother said it looked just like when she sorted through the garbage can with a flashlight after Janice threw out her retainer. My mother and Janice's mother shared a big laugh and quickly grew hot in their chairs, dried out from Saltines and peanut butter and talking. They walked to the water but never went in, moving away from the waves like the mess was nothing but an accidental oil spill that would turn their toes black. Janice and I sat on the wet sand and rubbed the water up and down our newly shaved shins, while our mothers looked on, nervous about the way we were already abusing our bodies. They held up sunscreen bottles, rubbed cream on our noses. We fussed, squirmed, accused them of horrible crimes, threatened to wipe it all off in the water, stare straight into the sun until our corneas burned and our flesh flaked off, until we had taken in the worst of the Sound with our mouths. They sighed, tugged at our faces, threatened to bring us home, to end our lives right there! But I was never scared. I knew our lives were just beginning and that their lives were ending, and how strange it seems to me now that this was a form of leverage. © 2011 Alison Espach Excerpted from The Adults by Alison Espach All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.