An unnerving tale of a narcotics addict unmoored in New York, Tangiers, and ultimately a nightmarish wasteland known as Interzone, its formal innovation, formerly taboo subject matter, and tour de force execution have exerted their influence on the work of authors like Thomas Pynchon, J.G. Ballard, and William Gibson; on the relationship of art and obscenity; and on the shape of music, film, and media generally. This restored text includes many editorial corrections to errors present in previous editions, and incorporates Burroughs' notes on the text, and several essays he wrote over the years about the book.