Cover image for Harry Potter and the Deathly Hallows
Title:
Harry Potter and the Deathly Hallows
Author:
Rowling, J. K.
Personal Author:
Edition:
First edition.
Publication Information:
New York, NY : Arthur A. Levine Books, [2007]

©2007
Physical Description:
[x], 759 pages : illustrations ; 24 cm.
Summary:
Burdened with the dark, dangerous, and seemingly impossible task of locating and destroying Voldemort's remaining Horcruxes, Harry, feeling alone and uncertain about his future, struggles to find the inner strength he needs to follow the path set out before him.
General Note:
Sequel to: Harry Potter and the Half-Blood Prince.
Language:
English
Contents:
Dark Lord ascending -- In memoriam -- Dursleys departing -- Seven Potters -- Fallen warrior -- Ghoul in pajamas -- Will of Albus Dumbledore -- Wedding -- A place to hide -- Kreacher's tale -- Bribe -- Magic is might -- Muggle-born Registration Commission -- Thief -- Goblin's revenge -- Godric's Hollow -- Bathilda's secret -- Life and lies of Albus Dumbledore -- Silver doe -- Xenophilius Lovegood -- Tale of the three brothers -- Deathly Hallows -- Malfoy Manor -- Wandmaker -- Shell Cottage -- Gringotts -- Final hiding place -- Missing mirror -- Lost diadem -- Sacking of Severus Snape -- Battle of Hogwarts -- Elder wand -- Prince's tale -- Forest again -- King's Cross -- Flaw in the plan -- Epilogue.
Reading Level:
980 Lexile.
Program Information:
Accelerated Reader/Renaissance Learning MG+ 6.9 34.

Accelerated Reader AR MG+ 6.9 34.0 116230.

Reading Counts RC 6-8 7.4 42 Quiz: 41202 Guided reading level: Z.
Added Author:
ISBN:
9780545010221

9780545029360

9780545029377

9780545139700

9780606323512

9781338299205

9781442090736
Format :
Book

Available:*

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On Order

Library
Copy
Status
Parts
Williamsville Library3Received on 7/17/07

Summary

Summary

Readers beware. The brilliant, breathtaking conclusion to J.K. Rowling's spellbinding series is not for the faint of heart--such revelations, battles, and betrayals await in Harry Potter and the Deathly Hallows that no fan will make it to the end unscathed. Luckily, Rowling has prepped loyal readers for the end of her series by doling out increasingly dark and dangerous tales of magic and mystery, shot through with lessons about honor and contempt, love and loss, and right and wrong. Fear not, you will find no spoilers in our review--to tell the plot would ruin the journey, and Harry Potter and the Deathly Hallows is an odyssey the likes of which Rowling's fans have not yet seen, and are not likely to forget. But we would be remiss if we did not offer one small suggestion before you embark on your final adventure with Harry--bring plenty of tissues. The heart of Book 7 is a hero's mission--not just in Harry's quest for the Horcruxes, but in his journey from boy to man--and Harry faces more danger than that found in all six books combined, from the direct threat of the Death Eaters and you-know-who, to the subtle perils of losing faith in himself. Attentive readers would do well to remember Dumbledore's warning about making the choice between "what is right and what is easy," and know that Rowling applies the same difficult principle to the conclusion of her series. While fans will find the answers to hotly speculated questions about Dumbledore, Snape, and you-know-who, it is a testament to Rowling's skill as a storyteller that even the most astute and careful reader will be taken by surprise.


Author Notes

J. K. (Joanne Kathleen) Rowling was born in Gloucestershire, U. K. on July 31, 1965. She also writes fiction novels under the name of Robert Galbraith. Rowling attended Tutshill Primary and then went on to Wyedean Comprehensive where she was made Head Girl in her final year. She received a degree in French from Exeter University. She later took some teaching classes at Moray House Teacher Training College and a teacher-training course in Manchester, England. This extensive education created a perfect foundation to spark the Harry Potter series that Rowling is renowned for.

After college, Rowling moved to London to work for Amnesty International, where she researched human rights abuses in Francophone Africa, and worked as a bilingual secretary. In 1992, Rowling quit office work to move to Portugal and teach English as a Second Language. There she met and married her husband, a Portuguese TV journalist. But the marriage dissolved soon after the birth of their daughter. It was after her stint teaching in Portugal that Rowling began to write the premise for Harry Potter. She returned to Britain and settled in Edinburgh to be near her sister, and attempted to at least finish her book, before looking for another teaching job. Rowling was working as a French teacher when her book, Harry Potter and the Philosopher's Stone was published in June of 1997 and was an overnight sensation.

Harry Potter and the Philosopher's Stone won the British Book Awards Children's Book of the Year, was shortlisted for the Guardian Fiction Award, and received a Commended citation in the Carnegie Medal awards. She also received 8,000 pounds from the Scottish Arts Council, which contributed to the finishing touches on The Chamber of Secrets. Rowling continued on to win the Smarties Book Prize three years in a row, the only author ever to do so. At the Bologna Book Fair, Arthur Levine from Scholastic Books, bought the American rights to Harry Potter and the Philosopher's Stone for the unprecedented amount of $105,000.00. The book was retitled Harry Potter and the Sorcerer's Stone for it's American release, and proceeded to top the Best Seller's lists for children's and adult books. The American edition won Best of the Year in the School Library Journal, Publishers Weekly, Parenting Magazine and the Cooperative Children's Book Center. It was also noted as an ALA Notable Children's Book as well as Number One on the Top Ten of ALA's Best Books for Young Adults. The Harry Potter Series consists of seven books, one for each year of the main character's attendance at the Hogwarts School of Witchcraft and Wizardry. All of the books in the series have been made into successful movies. She is number 1 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. She has also written Fantastic Beasts and Where to Find Them, Quidditch Through the Ages, and The Tales of Beedle the Bard. She won the 2016 PEN/Allen Foundation Literary Service Award. In 2016 she, along with Jack Thorne and John Tiffany, published the script of the play Harry Potter and the cursed child. It became an instant bestseller.

Rowling's first novel for an adult audience,The Casual Vacancy, was published by Little Brown in September 2012. She made The New York Times Best Seller List with her title Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination. She published two bestselling fiction novels under the name of Robert Galbraith: The Cuckoo's Calling and The Silkworm.

(Bowker Author Biography)


Reviews 3

Booklist Review

*Starred Review* The cloak of inevitability hangs on the final installment of the Harry Potter series. One must die, one will live. Friends will be distinguished from foes. All will be revealed. To Rowling's great credit, she manages this finale with the flair and respect for her audience that have permeated the previous six novels, though the mood here is quite different. The story has a certain flatness that extends through much of the book. Rowling can no longer rely on diversions like Quidditch matches and trips to Hogsmead for relief; Harry has made the decision not to return to Hogwarts. Aided by Hermione and Ron, he will instead search for the remaining Horcruxes that hide pieces of Voldemorte's soul. Danger and death are in the air, but Rowling skillfully deals both out in tightly controlled bursts that are juxtaposed against periods of indecision, false leads, and even boredom as the trio try to divine their next moves. Most startling are the new elements, including the not-altogether-successful introduction of the Deathly Hallows. These magical artifacts unnecessarily up the total of things that Harry is looking for by three, and the ownership of one of the Hallows, a wand, may lead to confusion for readers at a climactic moment. More successful additions, adding depth and weight, are the multilayered revelation of Dumbledore's family history and the brilliantly handled answer to the question of Severus Snape's allegiance. Throughout, Rowling returns to and embellishes the hallmark themes of the series: the importance of parental influences, the redemptive power of sacrifice, and the strength found in love. These truths are the underpinnings of a finale that is worthy of fans' hopes and expectations.--Cooper, Ilene Copyright 2007 Booklist


Publisher's Weekly Review

It would seem churlish to review the Harry Potter series finale with something less than overwhelming enthusiasm-after all, there's no one like Rowling. Who else has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised her readers with twists, well-laid traps and Purloined Letter-style tricks? Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. And yet the revelations don't pack as much of a punch; the moments of genuine astonishment or grief that mark every other book in the series go missing here. Perhaps readers know too well the rules of Rowling's magical universe, a universe she has constructed with extraordinary thoroughness and care. As the ending of the previous book suggested, Hallows revolves around Harry, Ron and Hermione's quest for the rest of the Horcruxes into which Voldemort has poured his soul. Without the Hogwarts school year to supply structure, the plot can meander, and Harry himself is tempted to go on an altogether different search. For once some puckered seams trouble the surface of the storytelling-is Harry now using forbidden spells? How many Horcruxes are there? It's hard not to wish that the editors had done their jobs more actively. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is better at comedy than at fight scenes, and Hallows has less humor and more combat than any of the preceding books. Surely her editors could have helped her build tension with more devices than the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? True, none of these flaws is fatal to a fan's enjoyment. But why not have make the bestselling children's book in history the best it could possibly be? One great virtue remains constant: Rowling's skill at portraying characters. Harry and friends mature, not in straight lines but in realistically messy patterns. Over the course of the seven books, Harry develops from the scrawny misfit of no. 4, Privet Drive, to a teenager who can pull off acts of self-sacrifice and goodness without cheapening his charisma for readers-no mean feat for a writer. And when Rowling concludes her long story, she does so the old-fashioned way, without ambiguity. Harry Potter has finished growing up, and even the most ardent fans will know that it is time to say good-bye. Ages 9-12. (July) (c) Copyright PWxyz, LLC. All rights reserved


School Library Journal Review

Harry and friends engage in a vast battle against the evil Lord Voldemort to conclude the iconic series that transformed children's reading habits and revolutionized the world of audiobooks for young people. Listening to audiobooks became "cool" as American children, teens, and probably quite a few adults, too, learned British slang and how to pronounce the name Hermione from the brilliant Jim Dale who milks every bit of the humor and pathos from all seven volumes. In Deathly Hallows, he brings to life for the last time the multitude of voices that won him 10 Audie Awards, two Grammy Awards, a place in the Guinness Book of World Records, and a 2008 Odyssey Honor selection. Standard: Students will recognize a number of literary genres, such as fantasy, and describe their characteristics. Learning Activity: Students can discuss the scope of Jim Dale's fully-voiced narration, exploring specific aspects such as accents, singing, emotional inflections, etc. and the ways in which the narration expands and enhances the fantasy. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.