Cover image for Bicycle thieves Ladri de biciclette
Title:
Bicycle thieves Ladri de biciclette
Author:
De Sica, Vittorio, 1901-1974.
Edition:
[DVD version].
Publication Information:
Irvington, N.Y. : Criterion Collection ; Santa Monica, Calif. : Distributed by Image Entertainment, [2007]
Physical Description:
2 videodiscs (89 min.) : sound, black and white ; 4 3/4 in.
Summary:
In postwar, poverty-stricken Rome, a man, hoping to support his desperate family with a new job, loses his bicycle and main means of transportation to work. With his wide-eyed young son in tow, he sets off to track down the thief.
General Note:
Special ed.

Title from container.

Based on the novel by Luigi Bartolini.

Originally released as a motion picture in 1948.

Special features: Restored high-definition digital transfer; "Working with De Sica": a collection of new interviews with screenwriter Suso Cecchi D'Amico, actor Enzo Staiola, and film scholar Callisto Cosulich; "Life as it is": new program on the history of Italian neorealism in cinema, with scholar Mark Shiel; documentary on screenwriter and longtime Vittorio De Sica collaborator Cesare Zavattini, directed by Carlo Lizzani.
Language:
Italian

English
Reading Level:
Not rated.
Geographic Term:
ISBN:
9781934121245
UPC:
715515022224
Format :
DVD

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Summary

Summary

This landmark Italian neorealist drama became one of the best-known and most widely acclaimed European movies, including a special Academy Award as "most outstanding foreign film" seven years before that Oscar category existed. Written primarily by neorealist pioneer Cesare Zavattini and directed by Vittorio DeSica, also one of the movement's main forces, the movie featured all the hallmarks of the neorealist style: a simple story about the lives of ordinary people, outdoor shooting and lighting, non-actors mixed together with actors, and a focus on social problems in the aftermath of World War II. Lamberto Maggiorani plays Antonio, an unemployed man who finds a coveted job that requires a bicycle. When it is stolen on his first day of work, Antonio and his young son Bruno (Enzo Staiola) begin a frantic search, learning valuable lessons along the way. The movie focuses on both the relationship between the father and the son and the larger framework of poverty and unemployment in postwar Italy. As in such other classic films as Shoeshine (1946), Umberto D. (1952), and his late masterpiece The Garden of the Finzi-Continis (1971), DeSica focuses on the ordinary details of ordinary lives as a way to dramatize wider social issues. As a result, The Bicycle Thief works as a sentimental study of a father and son, a historical document, a social statement, and a record of one of the century's most influential film movements. ~ Leo Charney, Rovi