Cover image for Fergus Crane
Title:
Fergus Crane
Author:
Stewart, Paul, 1955-
Personal Author:
Edition:
First American edition.
Publication Information:
New York : David Fickling Books, [2006]

©2004
Physical Description:
214 pages : illustrations ; 19 cm.
Summary:
Nine-year-old Fergus Crane's life is filled with classes on the school ship Betty Jeanne, interesting neighbors, and helping with his mother's work until a mysterious box flies into his window and leads him toward adventure.
Language:
English
Reading Level:
890 Lexile.
Program Information:
Accelerated Reader AR MG 5.6 4.0 111143.

Reading Counts RC 3-5 5.6 7 Quiz: 42420.
Added Author:
ISBN:
9780385750882

9780385750899
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Item Holds
Searching...
J FICTION Juvenile Fiction Open Shelf
Searching...
Searching...
J FICTION Juvenile Fiction Open Shelf
Searching...
Searching...
J FICTION Juvenile Fiction Series
Searching...
Searching...
J FICTION Juvenile Fiction Open Shelf
Searching...

On Order

Summary

Summary

FERGUS CRANE! YOU ARE IN GREAT DANGER! I AM SENDING HELP.
Signed T. C., your long-lost Uncle Theo

Fergus Crane has an almost ordinary life--having lessons taught by rather odd teachers on the school ship Betty Jeanne and helping his mother in the bakery. But then a mysterious flying box appears at the window of his waterfront home and Fergus is plunged headlong into an exciting adventure! The box is followed by a winged mechanical horse that whisks him off to meet his long-lost uncle and his penguin helpers, Finn, Bill, and Jackson. Fergus finds out that his teachers are not quite what they seem-- they're actually pirates! Can Fergus and his winged horse save his schoolmates on the far-off Fire Island? And who else will he find there?


Author Notes

Chris Riddell was born on April 13, 1962. He is a British illustrator and occasional writer of children's books and a political cartoonist for The Observer. He has won two Kate Greenaway Medals, the British librarians' annual award for the best-illustrated children's book, and two of his works were commended runners-up. Books that he wrote or illustrated have won three Nestlé Smarties Book Prizes and have been silver or bronze runners-up four times. He was shortlisted for the 2015 Kate Greenaway Medal for his title Goth Girl: And the Ghost of a Mouse. He was named the ninth Waterstones Children's Laureate in 2015. Riddell was presented with a Children¿s Laureate medal and a £15,000 (A$30,014) bursary cheque at a ceremony in London, where he announced plans to promote visual literacy during his two-year term.

(Bowker Author Biography)


Reviews 3

Booklist Review

Gr. 3-5. Stewart and Riddell, creators of the Edge Chronicles, begin a new series for younger readers, the Far-Flung Adventures. Nine-year-old Fergus Crane is a poor but likable lad who lives with his mother in a seaside town and attends school aboard the Betty-Jeanne, a clipper ship manned by a motley crew of teachers who bear a strong resemblance to pirates. One morning, he finds that the ship has left port with his fellow students still aboard. A mysterious ally gives Fergus the means to rescue his friends and restore his family's happiness. With a simple plot, a few hints of mystery, and many intriguing details, this story will quickly hook readers. Riddell's expressive ink drawings make the fantastic elements more believable and add enormously to the book's appeal. Readers looking for adventure with a smidgen of inventive fantasy will find this one just the ticket. --Carolyn Phelan Copyright 2006 Booklist


Publisher's Weekly Review

Stewart and Riddell, fresh from the success of their Edge Chronicles series, start anew with a style that is part Dickensian comedy, part pirate adventure. Ten-year-old Fergus Crane and his mother live in near-poverty; she runs the cake counter at the village bakery and assembles paper horses to earn extra money, he attends school aboard the Betty-Jeanne, a docked boat staffed by teachers with eye patches and hooks for hands. One night, a silver box with wings flies into Fergus's bedroom; it soon returns with a warning note ("Fergus Crane, you are in great danger! I am sending help... your long lost Uncle Theo"). The next night, he gets a visit from a mechanical Pegasus that whisks him away to the Fateful Voyage Trading Company. There he finds not only Uncle Theo but a ship's log that offers insight into the fate of his missing father. Talking penguins, a lunchbox that can draw maps and a musical about a fish on a bicycle contribute to the overall air of endearing silliness; the narrative incorporates these amusingly ludicrous elements with matter-of-fact ease. As with the Edge Chronicles, creative page layouts incorporate Riddell's whimsical illustrations in unusual ways, at times pleasingly blurring the line between novel and graphic novel. Ages 8-12. (May) (c) Copyright PWxyz, LLC. All rights reserved


School Library Journal Review

Gr 1-5-The creators of "The Edge Chronicles" (Random) are back with an auspicious beginning for a new series. When a mysterious flying box, complete with wings, arrives at Fergus Crane's window with a message from his long-lost Uncle Theo, the boy learns that he is in danger and that his uncle is sending help. Help is what he needs when the clipper ship Betty-Jeanne that serves as his school disappears with all of the students but Fergus still aboard. The headmaster and his staff are more than just vaguely reminiscent of pirates, and Fergus will need Uncle Theo's technology, and his own bravery, to rescue them. What make this book especially appealing are Riddell's pen-and-ink drawings that appear on almost every page; they capture the tone of the story as well as the personalities of the characters. They also add a great deal of variety to the design of the book, ranging from traditional full-page illustrations to portraits of the main characters to smaller drawings spread over the pages. The combination of witty art and compelling text make this a perfect choice for early chapter-book readers.-Tim Wadham, Maricopa County Library District, Phoenix, AZ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Y our homework for tonight, me hearties... erm ...I mean, children,' said Mr Spicer, absentmindedly playing with the large gold hoop that dangled from his left ear, 'is to read chapter thirteen of Practical Pot-holing for Beginners .' The class gave a low groan. Outside, seagulls flapped noisily round the returning fishing boats, while the coal barges moored to the quayside bobbed up and down on the light swell. Inside, the classroom of the school ship Betty-Jeanne was hot and stuffy and full of slowly nodding heads. Will another one come tonight? Fergus Crane was wondering sleepily. And if it does, will I be able to stay awake long enough to find out? The gently swaying classroom became hotter and stuffier than ever. Fergus's eyelids grew heavy. His eyes closed and . . . 'Pffweeeeeep! ' The shrill sound of the bosun's whistle echoed down the corridors, announcing the end of school. Fergus's eyes snapped open. It was four o'clock. At last! He was out of his chair and away before the whistle had even faded. He didn't hear Mr Spicer telling the class that there'd be a test tomorrow; nor his friends calling their goodbyes; nor even Bolivia, the headmaster's parrot, squawking something at him as he ran down the gangplank. All Fergus could think about was getting home and waiting at his bedroom window for midnight. Fergus headed off along the canal. The heavy Practical Pot-holing for Beginner s and his empty lunchbox bounced about inside the backpack on his shoulders; his shoes clattered on the cobblestones. At the tall, pointing statue of General Montmorency, he turned left, and headed up into the labyrinth of narrow alleys. He hurried through square after familiar square, past fountains and sculptures, flower-stalls and candy-booths and small, candle-lit shops selling intricately carved wooden figures. Turning right at Old Mother Bleeny's bagel-stand, Fergus emerged onto the bustling Boulevard Archduke Ferdinand, with its tall, slightly shabby buildings. Wall-eyed Ned was in his usual spot in front of the Archduke Ferdinand theatre. Head down, he was marching back and forth, the sandwich-board strapped to his body advertising the new show in town. This month it was a musical farce entitled The Cycling Fish . 'Afternoon, Ned,' Fergus called. 'Afternoon, Fergus,' Ned replied without looking up. Further along the road, the air swirled with mournful music. Fergus smiled at old Antonio the hurdy-gurdy man, with his chestful of medals and curling moustache. His monkey, Pepe - dressed in a suit of red and yellow satin - jumped down from the wheezing barrel-organ and scampered towards Fergus. It seized the tasselled fez from its head, held it out upside-down and let out a little screech. Fergus pulled out a handkerchief from his pocket, carefully unfolded it and presented an almond macaroon to the monkey. 'Bless you, my boy,' said Antonio and, for a moment, as Fergus continued, the slow mournful music speeded up. He passed familiar shops. Madame Aimee's Wedding Gowns. H.H. Luscombe's Umbrellas. Le Café Rondel. Joshua Berwick: Bespoke Tailor . . . And as he hurried by, familiar faces appeared at the windows and waved or nodded. Everyone knew Fergus. Hannibal Luscombe saluted him with one of his umbrellas. Katrina - the waitress in Le Café Rondel - blew him a kiss. And, as he passed Karpf , the jeweller's, old Miss Wittering held up a half-eaten walnut eclair and winked. Yes, everyone knew Fergus - he was Lucia Crane's boy, who sometimes helped his mother at Beiderbecker's cake counter. When they saw his face, Fergus's neighbours thought of glass counters full of cream-horns, or chocolate macaroons, or strawberry-slices, or best of all, Archduke Ferdinand's Classic Florentines . . . Little wonder they always smiled. At last, Fergus came to Beiderbecker's Bakery itself. Boris Beiderbecker was a short, fat man with a large ginger moustache. He baked the bread - everything from plaited sourdough rye to malted wholemeal with a poppy-seed crust. Mrs Crane ran the cake counter. Fergus pressed his nose against the window and peered through the displays of his mother's walnut eclairs and almond meringues at the counter. Sometimes she worked at the till in the afternoon. But not today. Apart from young Lucy, who was serving an old woman with a fat dachshund, the shop was empty. Fergus turned away and headed for the doorway to the right of the shop. There was an arched plaque above the entrance bearing the words Archduke Ferdinand Apartments . Fergus thrust the larger of his two keys into the lock, put his shoulder to the heavy wooden door and shoved. The door opened with a creak and a sigh, and Fergus stepped inside. The hallway was cool and fresh and, as the door shut behind him with a soft click , Fergus was struck by a heavy silence that seemed to press at his inner ear. It was like being under water. The next instant, he was struck by something else. A smell. A delicious smell. The most wonderfully aromatic fragrance in the whole world! 'Florentines,' Fergus murmured. Mrs Crane baked non-stop throughout the day. Croissants for the early-morning trade; cakes and pastries for lunchtime; scones, buns and multi-layered gateaux in the afternoon. But it was not croissants that Fergus could smell, nor warm spicy currant-buns . . . This was the unmistakable nutty, chocolatey, caramelly smell of the most delicious cakes ever created. 'Flo-ren-tines,' Fergus whispered slowly. Just the name in his mouth was enough to make his stomach gurgle with anticipation. He closed his eyes. He could see them floating before him - small roundels of toasted nuts, plump dried fruit, candy peel and glacé-cherries, all bound together with sweet, buttery toffee and set on a base of dark, velvety chocolate. He could almost taste them. Fergus guessed that his mother must have been asked to stay late in the bakery kitchen to complete a special order. He made his way across the marble hallway, past the row of metal letter boxes, their owners' names on the front of each little locked door. Gumm. Bigsby-Clutterbuck. Squeegie. Beecham. Mme Lavinia. Fassbinder. Crane . . . Fergus stopped at the last letter box. A large parcel sat beside it, addressed to Mrs L. Crane . On one side was a sticky label with a picture of three penguins and the words, The Fateful Voyage Trading Co. Fergus bent down and picked it up with a sigh. He wasn't the only one with homework. His mother was taking on more and more, just to make ends meet. Thank goodness the school ship Betty-Jeanne had offered him a free scholarship, Fergus thought, as he climbed the stairs. It spared his mother the worry of school fees on top of everything else. Taking them two at a time, Fergus hurried up the steep, marble stairs, pausing at the landings at the top of every second flight to catch his breath. There were two high-ceilinged apartments leading off each landing, one to the left and one to the right. Beside each door was a name-plaque which announced the identity of the person who lived inside. Some of the names were written by hand, some of them were printed. On the first floor, there was Miss Jemima Gumm, who kept canaries, and Major and Mrs Bartholomew Bigsby-Clutterbuck and their Persian cat, Prince Caspian; Arturo Squeegie, who wore a black toupee and his neighbour, Miss Eugenie Beecham, the famous actress, lived above them on the second floor, while Madame Lavinia, a retired piano-teacher, and Dr Fassbinder, who taught at the Montmorency Academy, each had an apartment up on the third. Half-way up the final flight of stairs, Fergus heard a sound behind him. He turned and looked back, to see Dr Fassbinder emerging from his apartment, dressed in a stiff collar and black bow-tie. In one white-gloved hand he was holding two tickets to The Cycling Fish ; in the other, his pocket watch. 'Botheration,' he mut- tered as he checked the time. 'Late again.' He put the two tickets in his waistcoat, and the watch in the inside pocket of his coat. 'I do hope I haven't missed the beginning.' And with that, he hurried off down the stairs, the steel-tipped heels and toes of his shoes clipping and clopping, quieter and quieter, as he went. Fergus smiled to himself. Dr Fassbinder was always late for something. On the fourth-floor landing, Fergus came at last to his own front door. It was smaller and scruffier than the others, and badly needed a coat of paint. The names, Lucia and Fergus Crane , were written in black ink on yellowed card below the bell. Fergus rummaged in his pocket for his keys. Up here, directly beneath the sloping roof, there was room for only one rather small apartment. But as far as Fergus was concerned, it was the nicest, cosiest, snuggest apartment of them all - his mother had seen to that. She had the knack of taking something old or broken or unwanted and making it new again, with just a lick of paint or a carefully placed cushion or rug. 'If Archduke Ferdinand himself ever came to visit,' he used to tell his mother, 'then ours would be the apartment he would like the most.' Fergus selected the smaller of his two keys and opened the door. A blast of air struck him in the face; it was deliciously warm after the chilly stairwell, and the wonderful, mouth-watering smell of Florentines which had accompanied him up the stairs abruptly grew more intense than ever. Fergus had been wrong. His mother wasn't working late at Beiderbecker's at all; she was home early and baking him a batch of Florentines all of his own. And he knew what that meant. 'Is that you, Fergus?' Mrs Crane's voice floated out from the sitting-room. 'Good day at school?' 'Fine,' Fergus called back. 'Got some homework, though.' He tossed his backpack into the corner, crossed the hall and pushed the sitting-room door open. 'And so have you, by the look of it.' He held out the parcel. His mother looked up as Fergus entered the room, pushed the strands of hair which had escaped from her bun away from her face and smiled a little sheepishly. 'Another one already,' she said. 'I hope it's as easy as the last batch. The money certainly comes in useful.' Fergus nodded, and handed the parcel to his mother. He knew that the rent on the apartment was high; he knew that the wages Mr Beiderbecker paid were low. The extra work Mrs Crane took on meant they could just about afford all the basics, but there was precious little money left over. Fergus's jumper was already too small for him, and he hadn't yet told his mother about the hole in his right shoe. Mrs Crane opened the parcel and a cascade of tiny paper horses tumbled out onto the floor, followed by dozens of paper wings and a printed note. Dear Valued Worker, Mrs Crane read, smiling. Please fix the wings to the horses by folding the tabs as instructed. No glue or paper-clips needed. Good luck and very best wishes, Finn, Bill and Jackson; Vice-Presidents, The Fateful Voyage Trading Co. There was a P.S. Pre-payment enclosed. 'Look!' Mrs Crane cried, holding up a brightly coloured money-order. 'They've paid me already, and it's for . . . Oh, Fergus! Now I can afford to buy you a jumper and a new pair of shoes! I know you need some.' 'I like this jumper,' said Fergus, tugging the sleeves down to his wrists. 'And it's only a small hole. Honest.' 'You're a good boy,' said Mrs Crane, smiling, and added, 'I've baked you something special for tea.' 'You have?' said Fergus, feigning surprise. 'What?' 'Guess,' she said. Fergus made a great show of closing his eyes, tilting his head back and breathing in deeply. 'It's nutty,' he whispered. 'Yes,' said his mother. 'Chocolatey . . .' 'Yes, yes.' 'Caramelly.' He gasped. His eyes snapped opened. 'It's not . . . is it? Archduke Ferdinand's Florentines?' 'It is!' said Mrs Crane gleefully. 'A special batch, Fergus. Just for you. My best boy.' She pushed back the strand of hair which had come loose again, and looked at him lovingly. 'They were always your father's favourites,' she added. Her gaze strayed over to the framed photograph on the sideboard. Fergus looked too, and his eyes fell upon the familiar picture of the father he'd never known - a picture he'd looked at a thousand times before, studying every detail, looking for clues . . . Marcus Crane was dressed in a naval uniform, with medals, gold buttons and tasselled epaulettes decorating the jacket, piping down his knife-edge trousers and a heavy peaked cap tipped at a jaunty angle on his head. At his belt, there hung a ceremonial sword on one side and a pistol on the other. He might have looked severe if it hadn't been for the look on his face - which was the image of cheeky-grinned, sparkly-eyed mischief. Over the years, Fergus had asked his mother endless questions about the mysterious figure in the photograph, but all she would ever say was that he'd left on a voyage just before he, Fergus, had been born, and had never returned. 'I asked him not to go,' she would say. 'I begged him, but it was no use . . .' And then she would begin to cry. Since Fergus didn't like to see his mother cry, he tried not to ask her too many questions - but sometimes he just couldn't help himself. Excerpted from Fergus Crane by Paul Stewart, Christine Riddell All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.