Cover image for Gustave Caillebotte and the fashioning of identity in impressionist Paris
Title:
Gustave Caillebotte and the fashioning of identity in impressionist Paris
Author:
Caillebotte, Gustave, 1848-1894.
Publication Information:
New Brunswick, NJ : Rutgers University Press, [2002]

©2002
Physical Description:
xiv, 233 pages : illustrations ; 26 cm
Language:
English
Contents:
Machine generated contents note: INTRODUCTION Z -- Norma Broude -- I. CAILLEBOTTE'S PONT DE L'EUROPE: A New Slant 8 -- J. Kirk T. Varnedoe -- 2. CAILLEBOTTE AS PROFESSIONAL PAINTER: From Studio to the Public Eye 21 -- Michael Marrinan -- 3. CAILLEBOTTE'S IMPRESSIONISM 66 -- Michael Fried -- 4. OUTING IMPRESSIONISM: Homosexuality and Homosocial Bonding -- in the Work of Caillebotte and Bazille 11 7 -- Norma Broude -- 5. MASCULINITY, MUSCULARITY, AND MODERNITY IN -- CAILLEBOTTE'S MALE FIGURES Z 75 -- Tamar Garb -- 6. CAILLEBOTTE'S STILL LIFES Z97 -- Douglas W Druick.
ISBN:
9780813530178

9780813530185
Format :
Book

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Summary

Summary

Over the last decades, Gustave Caillebotte (1848-1894), a long-neglected painter associated with the French Impressionists, has suddenly become the subject of intense public interest and renewed scholarly debate. With a series of important exhibitions recently showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences, and they have become rich sites for interpretive debate.

The essays that comprise this volume exemplify the best aspects of recent Caillebotte scholarship. They employ a variety of perspectives to examine the ways in which his art sheds light on the formation of individual and class identities in Paris during the early years of the Third Republic--an era of transition marked by the burgeoning of capitalism and the instabilities of newly shifting gender roles in the modern world.

Addressing a wide range of major paintings by Caillebotte, the contributors reveal the compound ways in which the artist encoded his images and the multiple interpretations to which these images are susceptible. Juxtaposed so as to complement and challenge one another, these essays build a provocative whole as they probe issues of spectatorship and authorial intention. The contributors--all internationally known scholars and art professionals--create an important theoretical framework for the discussion of Caillebotte's work.


Summary

Over the last decades, Gustave Caillebotte (1848-1894), a long-neglected painter associated with the French Impressionists, has suddenly become the subject of intense public interest and renewed scholarly debate. With a series of important exhibitions recently showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences, and they have become rich sites for interpretive debate.

The essays that comprise this volume exemplify the best aspects of recent Caillebotte scholarship. They employ a variety of perspectives to examine the ways in which his art sheds light on the formation of individual and class identities in Paris during the early years of the Third Republic--an era of transition marked by the burgeoning of capitalism and the instabilities of newly shifting gender roles in the modern world.

Addressing a wide range of major paintings by Caillebotte, the contributors reveal the compound ways in which the artist encoded his images and the multiple interpretations to which these images are susceptible. Juxtaposed so as to complement and challenge one another, these essays build a provocative whole as they probe issues of spectatorship and authorial intention. The contributors--all internationally known scholars and art professionals--create an important theoretical framework for the discussion of Caillebotte's work.


Table of Contents

Norma BroudeJ. Kirk T. VarnedoeMichael MarrinanMichael FriedNorma BroudeTamar GarbDouglas W. DruickNorma BroudeJ. Kirk T. VarnedoeMichael MarrinanMichael FriedNorma BroudeTamar GarbDouglas W. Druick
List of Illustrationsp. vii
Acknowledgmentsp. xi
Notes on Contributorsp. xiii
Introductionp. 1
1. Caillebotte's Pont de l'Europe: A New Slantp. 8
2. Caillebotte as Professional Painter: From Studio to the Public Eyep. 21
3. Caillebotte's Impressionismp. 66
4. Outing Impressionism: Homosexuality and Homosocial Bonding in the Work of Caillebotte and Bazillep. 117
5. Masculinity, Muscularity, and Modernity in Caillebotte's Male Figuresp. 175
6. Caillebotte's Still Lifesp. 197
Indexp. 225
List of Illustrationsp. vii
Acknowledgmentsp. xi
Notes on Contributorsp. xiii
Introductionp. 1
1. Caillebotte's Pont de l'Europe: A New Slantp. 8
2. Caillebotte as Professional Painter: From Studio to the Public Eyep. 21
3. Caillebotte's Impressionismp. 66
4. Outing Impressionism: Homosexuality and Homosocial Bonding in the Work of Caillebotte and Bazillep. 117
5. Masculinity, Muscularity, and Modernity in Caillebotte's Male Figuresp. 175
6. Caillebotte's Still Lifesp. 197
Indexp. 225