Cover image for Loop group
Loop group
McMurtry, Larry.
Personal Author:
Publication Information:
New York : Simon & Schuster, [2004]

Physical Description:
242 pages ; 24 cm
Format :


Call Number
Material Type
Home Location
Item Holds
FICTION Adult Fiction Central Library
FICTION Adult Fiction Central Closed Stacks
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf

On Order



Anticipating the onset of her later years, Maggie leaves behind her manipulative daughters to accompany her best friend, Connie, for one final fling, but a series of misadventures prompts their desperate, gun-toting journey to a Texas ranch.

Author Notes

Larry McMurtry, winner of the Pulitzer Prize for Fiction, among other awards, is the author of twenty-four novels, two collections of essays, two memoirs, more than thirty screenplays, & an anthology of modern Western fiction. He lives in Archer City, Texas.

(Publisher Provided) Novelist Larry McMurtry was born June 3, 1936 in Wichita Falls, Texas. He received a B.A. from North Texas State University in 1958, an M.A. from Rice University in 1960, and attended Stanford University. He married Josephine Ballard in 1959, divorced in 1966, and had one son, folksinger James McMurtry.

Until the age of 22, McMurtry worked on his father's cattle ranch. When he was 25, he published his first novel, "Horseman, Pass By" (1961), which was turned into the Academy Award-winning movie Hud in 1962. "The Last Picture Show" (1966) was made into a screenplay with Peter Bogdanovich, and the 1971 movie was nominated for eight Oscars, including one for best screenplay adaptation. "Terms of Endearment" (1975) received little attention until the movie version won five Oscars, including Best Picture, in 1983.

McMurtry's novel "Lonesome Dove" (1985) won the Pulitzer Prize in 1986 and the Spur Award and was followed by two popular TV miniseries. The other titles in the Lonesome Dove Series are "Streets of Laredo" (1993), "Dead Man's Walk" (1995), and "Comanche Moon" (1997). The other books in his Last Picture Show Trilogy are "Texasville" (1987) and "Duane's Depressed" (1999).

McMurtry suffered a heart attack in 1991 and had quadruple-bypass surgery. Following that, he suffered from severe depression and it was during this time he wrote "Streets of Laredo," a dark sequel to "Lonesome Dove." His companion Diana Ossana, helping to pull him out of his depression, collaborated with him on "Pretty Boy Floyd" (1994) and "Zeke and Ned" (1997). He co-won the Best Screenplay Golden Globe and the Academy Award for Best Adapted Screenplay for Brokeback Mountain in 2006. He made The New York Times Best Seller List with his title's Custer and The Last Kind Words Saloon.

McMurtry is considered one of the country's leading antiquarian book dealers.

(Bowker Author Biography)

Reviews 3

Booklist Review

Few contemporary novelists can handle a road saga like McMurtry. His most memorable works of that genre, Lonesome Dove (1986) and the Berrybender Chronicles, are massive, sprawling epics set against an untamed frontier. His latest book is on a smaller scale, but it is a gem, with two memorable characters and delightful vignettes. Maggie and Connie are two 60-year-old women who eke out a marginal existence in contemporary Los Angeles as loopers--dubbing voices and sounds for B-movie tracks. Friends since grade school, they both fear life, especially their love life, has passed them by. Hoping to jump-start their lives with a bit of adventure, they decide to drive a van cross country to visit Maggie's aunt, who runs a Texas chicken farm. Their brief odyssey is filled with wondrous scenes of natural beaty, visits to amusingly odd museums and tourist traps, and encounters with a variety of eccentric and occasionally dangerous characters. What makes this work special is McMurtry's gift for creating a genuinely likable, believable pair of protagonists and weaving an often touching fabric around their intertwined relationship. Maggie and Connie can be frustratingly self-absorbed, even whiny, and they often irritate each other, but their shared experiences over decades help make this a quirky but enjoyable buddy story. --Jay Freeman Copyright 2004 Booklist

Publisher's Weekly Review

In his 28th novel, Pulitzer-winner McMurtry again displays his knack for compelling characters and plots, this time as two women of a certain age take a road trip through Texas. Sixty-year-old widow Maggie Clary hasn't felt like herself since her hysterectomy; though her Hollywood company, Prime Loops, is doing well-they dub in the grunts and groans for movie soundtracks-she secretly wonders if she's going "bats." Maggie's three well-intentioned daughters have appeared on her doorstep for a Sunday morning "intervention." Though Maggie's diminutive Sicilian psychiatrist has improved her mood (thanks, in part, to their mid-session sex), she decides to follows the advice of a flirtatious waiter and try a change of scenery. Maggie invites fellow "looper" and best friend Connie (the two have been inseparable-and boy crazy-since they were 14), to join her on a drive to her octogenarian Aunt Cooney's Texas chicken ranch. Despite family troubles that threaten to sabotage their trip, the two stay the course on a road rife with reprobates, from a relentless "professional" hitchhiker to a mild-mannered car thief forever violating his parole. Aunt Cooney's brief appearance is among the high points of McMurtry's life-affirming tale: sporting an "old mashed-up" cowboy hat and an abundance of rouge, the gregarious granny greets her city slicker niece by yanking a pistol out of her pocket and firing shots into the sky. Agent, Andrew Wylie. (Dec. 7) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Unlike Leonard, McMurtry is not in true Western mode here. But his characters two women of a certain age named Maggie and Connie do find themselves heading for the Texas ranch of Maggie's aunt, frantic for one last adventure. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.