Cover image for Loop group
Loop group
McMurtry, Larry.
Personal Author:
Publication Information:
New York : Simon & Schuster, [2004]

Physical Description:
242 pages ; 24 cm
Format :


Call Number
Material Type
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FICTION Adult Fiction Central Library
FICTION Adult Fiction Central Closed Stacks
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf
FICTION Adult Fiction Open Shelf

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Anticipating the onset of her later years, Maggie leaves behind her manipulative daughters to accompany her best friend, Connie, for one final fling, but a series of misadventures prompts their desperate, gun-toting journey to a Texas ranch.

Author Notes

Larry McMurtry, winner of the Pulitzer Prize for Fiction, among other awards, is the author of twenty-four novels, two collections of essays, two memoirs, more than thirty screenplays, & an anthology of modern Western fiction. He lives in Archer City, Texas.

(Publisher Provided) Novelist Larry McMurtry was born June 3, 1936 in Wichita Falls, Texas. He received a B.A. from North Texas State University in 1958, an M.A. from Rice University in 1960, and attended Stanford University. He married Josephine Ballard in 1959, divorced in 1966, and had one son, folksinger James McMurtry.

Until the age of 22, McMurtry worked on his father's cattle ranch. When he was 25, he published his first novel, "Horseman, Pass By" (1961), which was turned into the Academy Award-winning movie Hud in 1962. "The Last Picture Show" (1966) was made into a screenplay with Peter Bogdanovich, and the 1971 movie was nominated for eight Oscars, including one for best screenplay adaptation. "Terms of Endearment" (1975) received little attention until the movie version won five Oscars, including Best Picture, in 1983.

McMurtry's novel "Lonesome Dove" (1985) won the Pulitzer Prize in 1986 and the Spur Award and was followed by two popular TV miniseries. The other titles in the Lonesome Dove Series are "Streets of Laredo" (1993), "Dead Man's Walk" (1995), and "Comanche Moon" (1997). The other books in his Last Picture Show Trilogy are "Texasville" (1987) and "Duane's Depressed" (1999).

McMurtry suffered a heart attack in 1991 and had quadruple-bypass surgery. Following that, he suffered from severe depression and it was during this time he wrote "Streets of Laredo," a dark sequel to "Lonesome Dove." His companion Diana Ossana, helping to pull him out of his depression, collaborated with him on "Pretty Boy Floyd" (1994) and "Zeke and Ned" (1997). He co-won the Best Screenplay Golden Globe and the Academy Award for Best Adapted Screenplay for Brokeback Mountain in 2006. He made The New York Times Best Seller List with his title's Custer and The Last Kind Words Saloon.

McMurtry is considered one of the country's leading antiquarian book dealers.

(Bowker Author Biography)

Reviews 3

Booklist Review

Few contemporary novelists can handle a road saga like McMurtry. His most memorable works of that genre, Lonesome Dove (1986) and the Berrybender Chronicles, are massive, sprawling epics set against an untamed frontier. His latest book is on a smaller scale, but it is a gem, with two memorable characters and delightful vignettes. Maggie and Connie are two 60-year-old women who eke out a marginal existence in contemporary Los Angeles as loopers--dubbing voices and sounds for B-movie tracks. Friends since grade school, they both fear life, especially their love life, has passed them by. Hoping to jump-start their lives with a bit of adventure, they decide to drive a van cross country to visit Maggie's aunt, who runs a Texas chicken farm. Their brief odyssey is filled with wondrous scenes of natural beaty, visits to amusingly odd museums and tourist traps, and encounters with a variety of eccentric and occasionally dangerous characters. What makes this work special is McMurtry's gift for creating a genuinely likable, believable pair of protagonists and weaving an often touching fabric around their intertwined relationship. Maggie and Connie can be frustratingly self-absorbed, even whiny, and they often irritate each other, but their shared experiences over decades help make this a quirky but enjoyable buddy story. --Jay Freeman Copyright 2004 Booklist

Publisher's Weekly Review

In this somewhat scattered narrative, 60-year-old Maggie Clary wonders if she will ever truly feel like herself again, now that she's had a hysterectomy. True, she still runs a successful company that dubs grunts and voices for low-budget Hollywood movies, and the operation certainly hasn't affected her sex life. She owns her own home in the heart of Hollywood, and knows how to have a good time smoking pot and cleaning her pool. Even the fact that she can count on the support of three relatively stable adult daughters and her best friend, Connie, doesn't stop Maggie from experiencing great doses of existential angst. Narrator Critt successfully captures this bunch of at-ends characters. Each of Maggie's daughters speaks with her own slightly different Valley Girl accent when agonizing with or about their mother. Connie sounds more like a petulant teenager than a mature woman, which, given her lifestyle and concerns over men and booze, accurately represents her character. But Critt's particular strength is her handling of Maggie's slightly fusty middle-aged inflections, endowed as they are with a sparkle that conveys the spirit of a woman who is at once depressed but still very much grappling with life, Hollywood-style. Simultaneous release with the S&S hardcover (Forecasts, Nov. 8, 2004). (Dec. 2004) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.

Library Journal Review

Maggie is divorced, nearing 60, and still gainfully self-employed on the fringes of the Los Angeles movie industry. Following a hysterectomy, she finds herself feeling low and disengaged from her former self and others. This particularly infuriates her three married daughters, who have always been able to count on Maggie's connection to them and her generosity to their families. In short, it's midlife crisis time, and something must be done. Maggie teams up with her sexy but aging friend Connie, and they light out on a cross-country trip to Texas. They fling caution to the wind, rail against growing older, and decry the loss of their wild, gallivanting, man-cruising days. While the novel's story line conjures images of Thelma and Louise, it rides an easier road, substituting raunchiness for rich narrative and complex characterization. Fun and sex-obsessed, McMurtry's latest (after entries in the "Berrybender Narratives") will find an audience. Recommended for large fiction collections. [See Prepub Alert, LJ 8/04.]-Sheila Riley, Smithsonian Inst. Libs., Washington, DC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.