Cover image for Music in theory and practice : Vol.II
Title:
Music in theory and practice : Vol.II
Author:
Benward, Bruce.
Personal Author:
Edition:
Seventh edition.
Publication Information:
Boston : McGraw-Hill, [2003]

©2003
Physical Description:
2 volumes : illustrations, music ; 28 cm + 2 CD (4 3/4 in.)
Language:
English
Local Note:
Set includes volume II of the 7th edition of the book and a workbook to accompany that volume and 2 CDs.
Subject Term:
Added Author:
Added Title:
Workbook to accompany Music in theory and practice.
ISBN:
9780072942613

9780072457506

9780072457469

9780072457513
Format :
Book

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MT6.B34 M9 2003 V.2 PT.1 Adult Non-Fiction Non-Fiction Area-Oversize
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MT6.B34 M9 2003 V.2 PT.2 Adult Non-Fiction Non-Fiction Area-Oversize
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On Order

Summary

Summary

Volume II of Music in Theory and Practice is an introduction to musical styles from the Renaissance to the present. It includes more complex chords, an emphasis on larger forms, and strategies for composition analysis.
The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.


Table of Contents

Preface
Part A The Renaissance And Baroque Periods
Chp. 1 Late Renaissance Polyphony
Chp. 2 Two-Voice Eighteenth Century Counterpoint
Chp. 3 The Fugue
Part B Chromatic Harmony
Chp. 4 Borrowed Chords
Chp. 5 Neapolitan 6th Chords
Chp. 6 Augmented 6th Chords
Part C The Classical Period (1750-1825)
Chp. 7 Variation Technique
Chp. 8 Sonata Form
Chp. 9 Rondo Forms
Part D Extended And Chromatic Harmony
Chp. 10 9th,11th, and 13th Chords
Chp. 11 Altered Dominants
Chp. 12 Chromatic Mediants
Part E The Nineteenth And Twentieth Centuries
Chp. 13 The Romantic Period (1825-1900)
Chp. 14 The Post-Romantic Impressionistic, and Related Styles
Chp. 15 The Contemporary Period (1910-1945)
Chp. 16 Twelve-Tone Technique Postlude: Music Since 1945
Appendixes
Glossary
Index