Cover image for Angels
Keyes, Marian.
Personal Author:
Publication Information:
Rothley, Leicester, UK : Clipper Audio ; Prince Frederick, MD : Recorded Books, [2003, c2002]

℗2003, ©2002
Physical Description:
12 audio discs (13.5 hr.) : digital ; 4 3/4 in.
General Note:

Compact disc.
Added Author:
Format :
Audiobook on CD


Call Number
Material Type
Home Location
Item Holds
XX(1274752.9) Adult Audiobook on CD Audiobooks

On Order




Author Notes

Marian Keyes was born in the West of Ireland on September 10, 1963. She was brought up in Dublin, and then she spent her twenties in London. She earned her law degree from Dublin University and then travelled to London where she worked in an administrative job in an accounts office. Keyes developed a drinking problem, and after a failed suicide attempt, entered a rehabilitation program.

Keyes began writing short stories four months before she stopped drinking, in 1993, and when she left rehab, she sent them to a publisher. Included with her stories was a letter saying that she had also begun a novel, which she hadn't. The publisher liked the short stories so much that they wrote back and asked for the novel, and Keyes wrote the first four chapters of her novel Watermelon in a week, and was offered a three-book contract. Watermelon was published in 1995.

Keyes gave up her job in 1996 to become a full time writer. Her books are published in 35 countries worldwide and have been translated into several different languages, such as Hebrew and Japanese. In 2009, She won the Irish Book Award for her fiction novel, This Charming Man.

(Bowker Author Biography)

Reviews 3

Booklist Review

It's not hard to figure out why Irish author Keyes' books (most recently, Last Chance Saloon [BKL Je 1 & 15 01]) are best-sellers: she imbues her charming stories about flawed yet feisty women with incredible warmth and wit. This is her first novel to be set in America, and she does a wicked turn on L.A.--the land of complicated martinis and trendy restaurants ("long, hot looks were being exchanged over blueberry pancakes, and that was just the waiters"). Dubliner Margaret Walsh is devastated over the breakup of her marriage ("It's sadder than the hungry babies in Angela's Ashes. It's sadder than Mary going blind on Little House on the Prairie"). She decides to visit her best friend, Emily, a struggling screenwriter living in L.A. Although she fears that mending her heart will involve going out with a gang of girls and dancing to "I Will Survive," she is soon accompanying Emily to pitches at studios around town, beautifying herself (for a small fortune) at various salons, and engaging in romantic dalliances. Wacky and wonderful. --Joanne Wilkinson

Publisher's Weekly Review

Thirty-three-year-old Brit Margaret ("Maggie") Walsh is going through a "bad patch": she's drunk her contact lenses for "the third time in six weeks"; she's lost her job; and her nine-year marriage to Garv is over. Thus begins Keyes's enormously entertaining fifth novel. She resurrects the "maintenance-level dysfunctional" Walsh family: sisters Claire (Watermelon), Rachel (Rachel's Holiday), Helen and Anna, plus a befuddled dad and hyper-as-a-hummingbird mum. Maggie, however, is the "good" sister, so it is especially shameful when she must slink back home. She tends to the "mourning sickness" over her failed marriage, which Keyes describes with surprising depth and verisimilitude, and begins fantasizing about what might have been with her first love, Shay Delaney. Accepting an invitation from her best friend, Emily, a struggling screenwriter, Maggie visits L.A., the mecca of reinvention. She decides to trade in her "plain yogurt" persona for that of bad girl and takes an oft-bumpy walk on the wild side, with results that are riotously and embarrassingly silly. Amid her drunken nights and poor flirting choices, she throws herself into the glittering cesspool of La-la-land: acting as Emily's assistant, she witnesses the superficial frivolity and vicious fickleness of the entertainment business. Keyes's observations may be familiar (on aura reading, fake boobs, sadistic eyebrow groomers, the dependence of social status on cars), but her cleverly hilarious approach, especially as a foreigner, keep them fresh. Although this is unquestionably a fun read, Keyes refrains from turning it into fluff and delivers a well-rounded story. Her themes of love and redemption coupled with her familiar, best-friend tone have made her wildly popular in the U.K. and, like her latest novel, should ensure her a Hollywood ending in the U.S. as well. 7-city author tour. (June) Forecast: This is Keyes's first novel set in the U.S., which should win her something closer to the audience she commands abroad, where her books are perennial bestsellers. Look for a PW Interview with Keyes in June. (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

You've met Claire and Rachel Walsh in Keyes's previous hits (e.g., Watermelon). Now meet their sister, the proper Margaret, who unaccountably finds herself running away to of all places Los Angeles. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Angels A Novel Chapter One I'd always lived a fairly blameless life. Up until the day I left my husband and then ran away to Hollywood, I'd hardly ever put a foot wrong. Not one that many people knew about, anyway. So when, out of the blue, everything just disintegrated like wet paper, I couldn't shake a wormy suspicion that this was long overdue. All that clean living simply isn't natural. Of course, I didn't just wake up one morning and skip the country, leaving my poor sleepy fool of a husband wondering what that envelope on his pillow was. I'm making it sound much more dramatic than it actually was, which is strange because I never used to have a penchant for dramatics. Or a penchant for words like "penchant," for that matter. But ever since the business with the rabbits, and possibly even before that, things with Garv had been uncomfortable and weird. Then we'd suffered a couple of what we'd chosen to call "setbacks." But instead of making our marriage stronger -- as always seemed to happen to the other luckier setback souls who popped up in my mother's women's magazines -- our particular brand of setbacks performed exactly as advertised. They set us back. They wedged themselves between myself and Garv and alienated us from each other. Though he never said anything, I knew Garv blamed me. And that was okay, because I blamed me too. His name is actually Paul Garvan, but when I first got to know him we were both teenagers and nobody called anybody by their proper names. "Micko" and "Macker" and "Toolser" and "You big shithead" were some of the things our peers were known as. He was Garv, it's all I've ever known him as, and I only call him Paul when I'm extremely pissed off at him. Likewise, my name is Margaret but he calls me Maggie except when I borrow his car and scrape the side against the pillar in the multistory parking garage. (Something that occurs more regularly than you might think.) I was twenty-four and he was twenty-five when we got married. He'd been my first boyfriend, as my poor mother never tires of telling people. She reckons it demonstrates what a nice girl I was, who never did any of that nasty sleeping-around business. (The only one of her five daughters who didn't, who could blame her for parading my suspected virtue?) But what she conveniently omits to mention when she's making her proud boast is that Garv might have been my first boyfriend but he wasn't my only one. However. We'd been married for nine years and it would be hard to say exactly when I'd started to fantasize about it ending. Not, let me tell you, because I wanted it to be over. But because I thought that if I imagined the worst possible scenario, it would somehow be insurance against its actually happening. However, instead of insuring against it, it conjured the whole bloody thing into existence. Which just goes to show. The end came with surprising suddenness. One minute my marriage was a going concern -- even if I was doing strange stuff, like drinking my contact lenses -- the next minute it was entirely finito. Which caught me badly off guard, as I'd always thought there was a regulation period of crockery-throwing and name-calling before the white flag could be waved. But everything caved in without a single cross word being exchanged, and I simply wasn't prepared for it. God knows, I should have been. A few nights previously, I'd woken in the darkness for a good worry. Something I often did, usually fretting about work and money. You know, the usual. Having too much of one and not enough of the other. But recently -- probably longer than recently, actually -- I'd been worrying about me and Garv instead. Would things ever get better? Were they better already and I just wasn't seeing it? Most nights I didn't come to any conclusions and lapsed back into an unreassured sleep. But this time I was afflicted with sudden, unwelcome X-ray vision. I could see straight through the padding of the daily routine, the private language and the shared past, right into the heart of me and Gary, into all that had happened over the last while. Everything was stripped away and I had a horrible, too-clear thought: We're in big trouble here. It literally made me cold. All the little hairs on my skin lifted and a chill settled somewhere between my ribs. Terrified, I tried to cheer myself up by having a little fret about the amount of work I'd have to do the following day, but no dice. So then I reminded myself that my parents were getting older and that I'd be the one who'd have to take care of them, and tried to scare myself with that instead. After a while I went back to sleep, scratched my right arm raw, ground my teeth with gusto, awoke to the familiar sensation of a mouth coated with bits of grit, and carried on as usual. I was to remember that We're in big trouble here when it transpired that we actually were. On the evening in question, we were supposed to be going out for dinner with Elaine and Liam, friends of Garvs. And who knows, if Liam's new flat-screen television hadn't fallen off the wall and onto his foot, breaking his big toe in the process, so that I'd gone out instead of going home, maybe Garv and I would never have split up? The irony is, I was praying that Elaine and Liam would cancel. The chances were good -- the last three times we were supposed to meet, it hadn't happened. The first time... Angels A Novel . Copyright © by Marian Keyes. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Angels: A Novel by Marian Keyes All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.