Cover image for The circus in winter
Title:
The circus in winter
Author:
Day, Cathy.
Personal Author:
Edition:
First edition.
Publication Information:
Orlando : Harcourt, [2004]

©2004
Physical Description:
viii, 274 pages : illustrations ; 22 cm
Language:
English
Geographic Term:
ISBN:
9780151010486
Format :
Book

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Summary

Summary

From 1884 to 1939, the Great Porter Circus made the unlikely choice to winter in an Indiana town called Lima, a place that feels as classic as Sherwood Anderson's Winesburg, Ohio, and as wondrous as a first trip to the Big Top. In Lima an elephant can change the course of a man's life-or the manner of his death. Jennie Dixianna entices men with her dazzling Spin of Death and keeps them in line with secrets locked in a cedar box. The lonely wife of the show's manager has each room of her house painted like a sideshow banner, indulging her desperate passion for a young painter. And a former clown seeks consolation from his loveless marriage in his post-circus job at Clown Alley Cleaners. Cathy Day follows the circus people into their everyday lives and brings the greatest show on earth to the page.


Author Notes

Cathy Day grew up in Peru, Indiana, once the winter home of the Hagenbeck-Wallace Circus. One of her great uncles was an elephant trainer; another claimed to be the world's fastest ticket taker. A former Bush Artist Fellow, she teaches at The College of New Jersey


Reviews 3

Booklist Review

The secret lives and loves of circus people and their descendants are revealed in these 11 linked short stories. From 1884 to 1939, the small town of Lima, Indiana, hosts the Great Porter Circus during the winter months. Wallace Porter buys the circus on the eve of his beloved wife's death, claiming he has seen the elephant. He never remarries but has a secret affair with Jennie Dixianna, the erotic acrobat who seduces men and keeps their secrets locked in a cedar box. Bascomb Bowles and his wife, Pearly, recount their sideshow adventures as pinheads, and the tales are handed down to their son, Gordon. Gordon becomes an expert on elephants and witnesses a horrific accident involving his favorite elephant and the trainer. Ollie Hofstadter, son of the elephant trainer, leaves a career as a clown after the murder of his best friend. Years later Gordon tells Ollie the true story of his father's death. A fascinating period in American history inhabited by colorful characters and told in a lively manner. --Kaite Mediatore Copyright 2004 Booklist


Publisher's Weekly Review

Day's debut collection spins graceful, elegant circles around the inhabitants of Lima, Ind.-especially the acrobats, clowns and circus folk of the Great Porter Circus who spent their winters there from 1884 to 1939. The poignant opening tale reveals how Wallace Porter, distraught by the death of his beloved wife, came to own his eponymous menagerie. The second, "Jennie Dixianna," introduces the dazzling, tricky Jennie, who wears her wound from her Spin of Death act "like a talisman bracelet, a secret treasure" and plots her way into Wallace's heart. Other stories tell of the young black man who plays at being an African pinhead; the son of a trainer killed by his circus elephant; the flood that devastated the circus. Thanks to finely observed details and lovely prose, each of these stories is a convincing world in miniature, filled with longing and fueled by doubt. Day, who grew up in a town like Lima and descends from circus folk herself, uses family stories, historical research and archival photographs to weave these enchantments. Though her stories often contain tragedy and violence-death in childbirth or from floodwater, cancer, circus mishap-they're also full of beauty. In "The Bullhook," Ollie, a retired clown, spends long decades with his frigid wife, waiting, armed with his father's bullhook, for death to come for him. In "Circus People," Ollie's granddaughter reflects on her fellow itinerant academics, "my latest circus family," and muses about people all over America who leave the place they grew up: "when the weather and the frequency are just right, we can all hear our hometowns talking softly to us in the back of our dreams." B&w illus.. Agent, Peter Steinberg. (July) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

A series of sensitively drawn, interconnected short stories makes up Day's first novel, which invites readers into the less-than-fanciful realm of circus folk. Drawing on observations made during her own childhood in Peru, IN home of the International Circus Hall of Fame Day strips away the grease paint and costumes of clowns, elephant trainers, and steel-nerved acrobats to reveal lives as messy as any found in mainstream America. As her narrative meanders back and forth in time, the fates of her characters are shaped by tragedy, misguided romance, and the ironies of natural catastrophes. Two drunken clowns forget to use a wooden wig, which would have prevented one from burying an ax in the head of the other. An aging, intoxicated acrobat is crushed in a dreadful flood by the very bed she so generously shared with the countless men she bewitched with her charms. Meticulously researched and graced with a dozen lovely black-and-white historical circus photographs, Day's portrayal of life under and outside the big top is accomplished; several of the short stories were previously published in slightly different form. Strongly recommended. [Previewed in Prepub Alert, LJ 3/1/04.] Beth E. Andersen, Ann Arbor Dist. Lib., MI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

WALLACE PORTER- orWhat It Means to See the ElephantCIRCUS PROPRIETORS are not born to sawdust and spangles. Consider this: P. T. Barnum was nothing more than a dry-goods peddler-that is until he bought a black woman for $1,000, a sum he quickly recouped by displaying her as George Washington's 161-year-old mammy. Barnum's business partner, James Bailey, was born little Jimmy McGinnis-an orphaned bellboy transformed into circus mastermind, a man who taught army quartermasters the science of transporting masses of men and equipment by rail. Before trains, circuses traveled by horse-drawn wagons (and were called "mud shows" for obvious reasons) and by riverboat. If it hadn't been for paddle wheels and tall stacks, brothers Al, Alf, Charles, John, and Otto Rungeling might have become Iowa harness makers, like their father. But one morning along the Mississippi in 1870, the brothers were smitten with an elephant lumbering down a circus steamboat gangplank and became forever after the Ringling Brothers, owners (along with Barnum and Bailey) of the Greatest Show on Earth.For many years, their greatest rival was the Great Porter Circus, owned by one Wallace Porter, a former Union cavalry officer. After Appomattox, Porter took his hard-won equine knowledge, applied it to the family's business, and became, at the age of thirty-eight, the owner of the largest livery stable in northern Indiana. How he became a circus man is another story altogether.EACH SUMMER, Wallace Porter boarded a train in Lima, Indiana, and headed due east through Ohio, Pennsylvania, and New Jersey to the strange land of a million people, New York City. He employed a number of lawyers and bankers to oversee the profits from his stables and dutifully met with them once a year to discuss markets and dividends. These obligations dispensed with, he hailed a carriage and disappeared into the swarm of the city, following the true impetus of his trip. Wallace Porter went to New York to indulge in extravagance.During his weeklong stay, he hardly slept, so intent was he to glut himself on the city. In the mornings, he had a shave and walked along the avenues down the length of Manhattan, which, in the late 1800s, was not an arduous undertaking. He handled his business over lunch, and afterward, he visited the finest men's tailors in the city and bought new shirts, Chesterfield coats, leather boots, and bowler hats-all of which were shipped back to Lima in enormous Saratoga trunks. At night, he dined out in the best restaurants, gorging himself on pheasant and artichokes. He drowned in vintage French wines. After dinner, he took in a play or the symphony, and then, until the small hours of the night, he roamed the parks alone. In Lima, such lavishness was a mark of poor character, a flaw almost impossible to hide, which was why Porter enjoyed the brief anonymity of the city. On the train ride back home, Porter tallied his expenses and hid that figure in his breast pocket like a guil Excerpted from The Circus in Winter: Fiction by Cathy Day All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Table of Contents

Display No. 1 Wallace Porterp. 1
Display No. 2 Jennie Dixiannap. 24
Display No. 3 The Last Member of the Boela Tribep. 45
Display No. 4 The Girgus Housep. 80
Display No. 5 Winnesawp. 98
Display No. 6 The Lone Star Gowboyp. 111
Display No. 7 The Jungle Goolah Boyp. 137
Display No. 8 The King and His Courtp. 157
Display No. 9 Boss Manp. 186
Display No. 10 The Bullhookp. 212
Display No. 11 Girgus Peoplep. 245