Cover image for Full dark house
Title:
Full dark house
Author:
Fowler, Christopher.
Personal Author:
Edition:
Bantam hardcover edition.
Publication Information:
New York : Bantam Books, 2004.

©2003
Physical Description:
356 pages ; 22 cm
Language:
English
Program Information:
Accelerated Reader AR UG 6.3 19.0 83731.
ISBN:
9780553803877

9780553385533
Format :
Book

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FICTION Adult Fiction Mystery/Suspense
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Summary

Summary

Edgy, suspenseful, and darkly comic, here is the first novel in a riveting new mystery series starring two cranky but brilliant old detectives whose lifelong friendship was forged solving crimes for the London Police Department's Peculiar Crimes Unit. In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection. A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance. It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other. Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer. ?


Author Notes

Christopher Fowler was born in Greenwich, London, England in 1953. He is the author of the Bryant and May Mystery series, Rune, and Old Devil Moon, which won the Edge Hill Audience Prize in 2008. He also won the British Fantasy Society Award for best novella for Breathe in 2005. He also won The Dagger in the Library Award 2015 for his body of work.

(Bowker Author Biography)


Reviews 4

Booklist Review

A very old-fashioned, somewhat fusty read, redeemed by an absolutely riveting account of London during the Blitz. The focus is on the oldest detectives in the London Police Force, Arthur Bryant and John May, who first met when they were assigned to the Peculiar Crimes Unit during World War II. The book shuttles between the present, when a bomb blast has seemingly left Bryant dead in the wreckage, and the pair's long-ago investigation into the horrific murder of a dancer in 1940. The characters of the heroes remain sketchy, and they don't really do all that much crime solving, relying on their octogenarian status to engender sympathy and on their colleague, Detective Sergeant Janice Longbright, to do the real work. What is fascinating, though, and makes the whole thing worth reading is the vivid re-creation of police work and Londoners' lives during the Blitz. --Connie Fletcher Copyright 2004 Booklist


Publisher's Weekly Review

It's no surprise to find plenty of gothic touches in British author Fowler's debut mystery, the first in a series, given the renown of his horror fiction (Rune, etc.). When 80-year-old police detective Arthur Bryant gets blown up in an explosion at the North London Peculiar Crimes Unit headquarters, his longtime partner, John May, investigates his death. After some long, lecturing dialogue and an early chapter told from the viewpoint of a character who turns out to be of no consequence, the author reaches the core of his story-a flashback to the duo's first case during the London Blitz. In late 1940, the Palace Theatre is staging a production of Orpheus in the Underworld when the body of a dancer is found, sans feet. From this point forward, the intrigues of the theater murders, which decimate the cast, create considerable drama. The potency of Greek myth, conjured up by the opera being staged, is skillfully played out in the detectives' theories about the killer. The dynamic between May and Bryant makes for compelling reading, while the hubris of a police underling, Sidney Biddle, provides additional tension. Both past and present plots reach satisfying resolutions. Now that Fowler has set the stage, no doubt his second Bryant and May mystery will get off to a better start. Agent, Howard Morhaim. (June 1) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

When octogenarian detective Arthur Bryant is killed in an explosion at the headquarters of the North London Peculiar Crimes Unit (think The X-Files), his equally aged partner. John May, must reexamine their very first case in order to solve the crime. London in 1940 is under siege from German bombs, but in the theater the show must go on even when a serial killer is dispatching the cast members of Orpheus in the Underworld with gruesome panache. Combining Bryant's unorthodox methods (consulting psychics) with May's more traditional police training, the duo eventually uncover the murderer. Could it be possible that the killer has returned 60 years later to wreak revenge? Despite a contrived, predictable ending, this darkly atmospheric first mystery introduces two most unusual detectives and nicely sets the Grand Guignol terror of a Phantom of the Opera-like plot against the dramatic backdrop of a city devastated by war. Fowler, who writes tales of urban horror (The Devil in Me), lives in London.-Wilda Williams, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


School Library Journal Review

Adult/High School-This mystery features the impending retirement of a Scotland Yard detective and the death of another. When Arthur Bryant is apparently blown up, his erstwhile partner, John May, begins reflecting on their first case together more than 60 years earlier. May, a raw recruit of 19, and Bryant, a 23-year-old detective, became the core of the Peculiar Crimes Unit, created to handle cases that were too important to ignore, yet that somehow seemed disproportionately insignificant in the face of the hundreds of civilians killed each night during the Blitz. Both men had been hurried through training and were suddenly faced with the strange case of the Palace Phantom, a killer victimizing the cast in an elaborate production of Offenbach's Orpheus in the Underworld. May was both intrigued by and dismayed at Bryant's methods and seeming flights of fancy. He used everything from crime-scene forensics to spiritualists to help him build his case. Fowler skillfully shifts the action between 1940 and the 21st century, building suspense and growing awareness as each case comes to its respective climax. Not surprisingly, they are connected. The details of wartime London and the destruction and deprivation of daily life are vividly conveyed. Today's teens will identify with the young lives so drastically affected by the war while following the clues, and red herrings, to a satisfactory conclusion.-Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Chapter One Out With A Bang It really was a hell of a blast. The explosion occurred at daybreak on the second Tuesday morning of September, its shock waves rippling through the beer-stained streets of Mornington Crescent. It detonated car alarms, hurled house bricks across the street, blew a chimney stack forty feet into the sky, ruptured the eardrums of several tramps, denuded over two dozen pigeons, catapulted a surprised ginger tom through the window of a kebab shop and fired several roofing tiles into the forehead of the Pope, who was featured on a poster for condoms opposite the tube station. As the dissonance pulsed the atmosphere it fractured the city's fragile caul of civilization, recalling another time of London bombs. Then, as now, dust and debris had speckled down through the clear cool air between the buildings, whitening the roads and drifting in the morning sunlight like dandelion seeds. For a split second, the past and the present melted together. It was a miracle that no one was seriously injured. Or so it seemed at first. When Detective Sergeant Janice Longbright received the phone call, her first thought was that she had overslept and missed the start of her shift. Then she remembered that she had just celebrated her retirement from the police force. Years of being woken at odd hours had taught her to focus her attention within three rings of the bedside telephone. Rubbing dreams from her head, she glanced at the clock and listened to the urgent voice in her ear. She rose from the side of her future husband, made her way quietly (as quietly as she could; she was heavy-footed and far from graceful) through the flat, dressed and drove to the offices above Mornington Crescent tube station. Or rather, she drove to what was left of them, because the North London Peculiar Crimes Unit had, to all intents and purposes, been obliterated. The narrow maze of rooms that had existed in the old Edwardian house above the station was gone, and in its place wavered fragments of burning lath-and-plaster alcoves. The station below was untouched, but nothing remained of the department that had been Longbright's working home. She made her way between the fire engines, stepping across spit-sprays from snaked hosepipes, and tried to discern the extent of the damage. It was one of those closed-in mornings that would barely bother to grow light. Grey cloud fitted as tightly over the surrounding terraces as a saucepan lid, and the rain that dampened the churning smoke obscured her view. The steel-reinforced door at the entrance to the unit had been blown out. Firemen were picking their way back down the smouldering stairs as she approached. She recognized several of the officers who were taping off the pavement and road beyond, but there was no sign of the unit's most familiar faces. An ominous coolness crept into the pit of her stomach as she watched the yellow-jacketed salvage team clearing a path through the debris. She dug into the pocket of her overcoat, withdrew her mobile and speed-dialled the first of the two numbers that headed her list. Eight rings, twelve rings, no answer. Arthur Bryant had no voicemail system at home. Longbright had ceased encouraging him to record messages after his 'static surge' experiments had magnetized the staff of a British Telecom call centre in Rugby. She tried the second number. After six rings, John May's voice told her to leave a message. She was about to reply when she heard him behind her. 'Janice, you're here.' May's black coat emphasized his wide shoulders and made him appear younger than his age (he was somewhere in his eighties--no one was quite sure where). His white hair was hidden under a grey woollen hat. Streaks of charcoal smeared his face and hands, as though he was preparing to commit an act of guerrilla warfare. 'John, I was just calling you.' Longbright was relieved to see someone she recognized. 'What on earth happened?' The elderly detective looked shaken but uninjured, a thankfully late arrival at the blast scene. 'I have absolutely no idea. The City of London Anti-terrorist Unit has already discounted political groups. There were no call signs of any sort.' He looked back at the ruined building. 'I left the office at about ten last night. Arthur wanted to stay on. Arthur . . .' May widened his eyes at the blasted building as if seeing it for the first time. 'He always says he doesn't need to sleep.' 'You mean he's inside?' asked Longbright. 'I'm afraid so.' 'Are you sure he was still there when you left?' 'No question about it. I rang him when I got home. He told me he was going to work right through the night. Said he wasn't tired and wanted to clear the backlog. You know how he is after a big case, he opens a bottle of Courvoisier and keeps going until dawn. His way of celebrating. Mad at his age. There was something in his voice . . .' 'What do you mean?' May shook his head. 'I don't know. As though he wanted to talk to me but changed his mind, that weird hesitation thing he does on the phone. Some officers in an ARV from the Holmes Road division saw him standing at the window at around four thirty. They made fun of him, just as they always do. He opened the window and told them to bugger off, threw a paperweight at them. I should have stayed with him.' 'Then we would have lost both of you,' said Longbright. She looked up at the splintered plaster and collapsed brickwork. 'I mean, he can't still be alive.' 'I wouldn't hold out too much hope.' A tall young man in a yellow nylon jacket came over. Liberty DuCaine was third-generation Caribbean, currently attached to the unit in a forensic team with two young Indian women, the brightest students from their year. Liberty hated his name, but his brother Fraternity, who was also in the force, hated his more. Longbright raised her hand. 'Hey, Liberty. Do they have any idea why--' 'An incendiary device of some kind, compact but very powerful. You can see from here how clean the blast pattern is. Very neat. It destroyed the offices but hasn't even singed the roof of the station.' The boy's impatience to explain his ideas resulted in a staccato manner of speech that May had trouble keeping up with. 'There are some journalists sniffing around, but they won't get anything. You OK?' 'Arthur couldn't have got out in time.' 'I know that. They'll find him, but we're waiting for a JCB to start moving some of the rafters. They haven't picked up anything on the sound detectors and I don't think they will, 'cos the place came down like a pack of cards. There's not a lot holding these old houses in one piece, see.' Liberty looked away, embarrassed to be causing further discomfort. Longbright started walking towards the site, but May gently held her back. 'Let me take you home, Janice,' he offered. She shrugged aside the proffered hand. 'I'm all right, I just didn't think it would end like this. It is the end, isn't it?' Longbright was already sure of the answer. Arthur Bryant and John May were men fashioned by routines and habits. They had closed a case and stayed on to analyse the results, catching up, enjoying each other's company. It was what they always did, their way of starting afresh. Everyone knew that. John had left the building first, abandoning his insomniac partner. 'Who's conducting the search? They'll have to verify--' 'The fire department's first priority is to make sure it's safe,' said Liberty. 'Of course they'll report their findings as quickly as possible. Anything I hear, you'll know. John's right, you should go home, there's nothing you can do.' May stared up at the building, suddenly unsure of himself. Longbright watched the column of rusty smoke rising fast in the still grey air. She felt disconnected from the events surround- ing her. It was the termination of a special partnership; their names had been inextricably linked, Bryant, May, Longbright. Now she had left and Bryant was gone, leaving May alone. She had spent so much time in their company that the detectives were more familiar than her closest relatives, like friendly monochrome faces in old films. They had been, and would always be, her family. Longbright realized she was crying even before she registered the shout, as though time had folded back on itself. A fireman was calling from the blackened apex of the building. She couldn't hear what he was saying, would not allow herself to hear it. As she ran towards the ruins with the fire officers at her heels, the familiar codes started passing through the rescue group. A single body, an elderly white male, had been located in the wreckage. For Arthur Bryant and John May, an unorthodox alliance had come to a violent end. They were her colleagues, her mentors, her closest friends. She would not allow herself to believe that Bryant was dead. An immolation had joined the end to the beginning, past and present blown together. John May had always sensed that routine demise would not be enough for his partner. They had just closed a sad, cruel case, their last together. There were no more outstanding enemies. Bryant had finally started thinking about retirement as the unit headed for a period of radical change, sanctioned by new Home Office policies. He and May had been discussing them only the Friday before, during their customary evening walk to the river. May thought back to their conversation, trying to recall whether they had spoken of anything unusual. They had strolled to Waterloo Bridge at sunset, arguing, joking, at ease in each other's company. John and Arthur, inseparable, locked together by proximity to death, improbable friends for life. Excerpted from Full Dark House by Christopher Fowler All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.