Cover image for Bulgarian soul
Title:
Bulgarian soul
Author:
Kasarova, Vesselina, performer.
Publication Information:
[Place of publication not identified] : RCA Red Seal : BMG Classics, [2003]

℗2003
Physical Description:
1 audio disc : digital, stereophonic ; 4 3/4 in.
General Note:
Principally folk songs from Bulgaria.

"All titles ... arranged by Krassimir Kyurkchiyski except track 5, which is a variation on a traditional folk song, composed by Krassimir Kyurkchiyski [and] track 10, words by Hristo Smirnenski, music by Krassimir Kyurkchiyski"--Insert, p. 3.

Compact disc.

Program notes and biographical notes on the performers in English and lyrics in Bulgarian (romanized) with English translations (31 p. : ill.) inserted in container
Language:
Bulgarian
Contents:
Dilmano, Dilbero = Dalmano, Dilberta (1:49) -- Kalimanku, Denku = Kalimanka, Denka (4:51) -- Daĭ mi, Bozhe, krila lebedovi = Give me, oh God, the wings of a swan (4:09) -- Zabli͡alo mi e agŭnt͡se = A little lamb was bleating (3:58) -- Polegnala e Tudora = Fair Tudora is dozing (7:08) -- Rofinka bolna lezhi = Rufinka lies ill (6:22) -- Melodii͡a = Melody (4:17) -- Slŭnt͡se ogrei͡alo = The sun is shining (4:08) -- Se ma i͡ad, mamo = I'm so angry mother (3:58) -- t Malkata t͡svetarka = The flower girl (4:52) -- Vokaliza = Vocalize [i.e. Vocalise] (3:58) -- Mama Rada dumashe = Mama was telling Rada (5:24) -- Proshetna se Momchilit͡sa = Momchil's young wife (3:47) -- I͡A kazhi mi, oblache le bi͡alo = Tell me, little white cloud.
UPC:
828765773621
Format :
Music CD

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Summary

Summary

Vesselina Kasarova sings beautifully, with a fine balance of deep passion, soulful abandon, and technical finesse, and the Bulgarian folk songs (Kasarova also sings a few composed works) are simply gorgeous. Nevertheless, the listener must approach this disc with some caution, mainly because Kasarova, in an essay included in the liner notes, sketches an imaginative, even visionary, history of Bulgarian folk music, in which the reader looks in vain for reliable facts, finding instead a maze of legends and mythological references. For example, while many seek Bulgaria's origin in ancient Thrace, the home of Orpheus, the connection between Thrace and Bulgaria is purely geographical: scholars generally associate the birth of Bulgarian culture with the foundation of the Bulgarian state, in the seventh century A.D. True, folk music, particularly in the Balkans, retains characteristic vestiges of ancient pre-Christian traditions, but the fact remains that musicologists, who started recording Bulgaria's musical folklore in the early 20th century, cannot date the music with any certainty. In his imaginative, even daring, arrangements, Krassimir Kyurkchiyski attempts to present the songs in an altogether modern key, sometimes adding an unexpected sonic sheen, with the help of choral and orchestral accompaniment, to the music's natural simplicity. What sets this disc apart from similar compilations, however, is the supreme, soulful, deeply satisfying musicianship of Vesselina Kasarova. To take one example, in "Give Me, Oh God, the Wings of a Swan," her voice, which effortlessly leaps from quiet inwardness to operatic intensity, miraculously expresses the mysteriously vast feeling of nostalgia. Kasarova's subtle, sometimes almost imperceptible, changes of timbre illuminate her song, enabling the listener to discern the nuanced richness of feelings, a richness that words often fail to convey. ~ Zoran Minderovic