Cover image for Death of a thousand cuts
Death of a thousand cuts
D'Amato, Barbara.
Personal Author:
First edition.
Publication Information:
New York : Forge, 2004.
Physical Description:
350 pages ; 24 cm
General Note:
"A Tom Doherty Associates book."
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The first winner of the Mary Higgins Clark Award, Barbara D'Amato has been widely praised for her engrossing novels of crime and suspense. Now she opens the case file on a singularly savage murder, set in a uniquely disturbing setting.

The Hawthorne House School for the Treatment of Autistic Children was once known for its pioneering educational approach and remarkable success rate. Now, fifteen years after this celebrated institution closed its doors for the last time, staffers and former residents have returned to Hawthorne House for its first-ever reunion. The gala event turns into a bloody nightmare when the school's revered founder, Dr. Jay Schermerhorn, is found tortured to death in the mansion's basement.

Teacher, healer, and bestselling author, Schermerhorn enjoyed a worldwide reputation for his innovative therapeutic methods and compassionate treatment of autistic children. How could anyone have hated him enough to kill him? As Chicago detectives probe deeply into the history of Hawthorne House, a troubling picture emerges - of a man who inspired both fear and hatred in the children and families who came to him for help.

Death of a Thousand Cuts is a provocative and compelling thriller that exposes the insidious evil behind a facade of false benevolence. Like Mary Higgins Clark or James Patterson, Barbara D'Amato offers up a gripping tale that will chill and captivate readers long into the night.

Author Notes

Barbara D'Amato is a playwright, novelist, and crime researcher. She was born in Michigan.

D'Amato held jobs as a carpenter on magic shows, assistant surgical orderly, assistant to a wild animal act, stage manager, and legal researcher. She is a past president of Sisters in Crime International and serves on the board of the Mystery Writers of America.

D'Amato wrote a children's musical, The Magic of Young Houdini, and two musical comedies for adults. She was nominated for the Anthony award for her novel On My Honor and was the runner-up for the Nero Wolfe Award for the novel Hard Women. The Doctor, The Murder, The Mystery won the Anthony and Agatha Awards for Best True Crime and was used as the basis for a segment on the TV show, Unsolved Mysteries.

(Bowker Author Biography)

Reviews 2

Booklist Review

D'Amato does a riff on paranoid thrillers like Agatha Christie's And Then There Were None in this ingenious suspense procedural. The story is told in a same-time, double narrative: that of the omniscient narrator, describing a spooky Queen Anne mansion and the ill-fated party hosted there, and that of a Chicago cop, Detective Emily Folkestone. Fifteen years after a renowned center for treating children with autism, housed in a sprawling Queen Anne mansion, has closed, a reunion is held for staff and former residents. The longtime director of the center is found murdered on the cellar floor, naked, limbs splayed apart, slashed with dozens of knife cuts. The first mystery: Who would do this to the beloved, charismatic founder, lecturer, and author? Other mysteries abound, including the ways the residents respond to each other and to the staff. A wonderful feature here is the way the house itself serves as trap, puzzle, and character. --Connie Fletcher Copyright 2004 Booklist

Publisher's Weekly Review

Set in Chicago during the heat wave of 1995, D'Amato's absorbing new stand-alone (after 2002's White Male Infant) draws the reader into the uncomfortable and strange world of autistic children. Hawthorne House, a mansion that was once home to a residential school for autistic children, is the setting for a reunion-cum-workshop 15 years after the school's closing. Jeffrey Clifford, a limited but successful computer systems engineer, apprehensively mingles with other former patients, therapists and staff members, including the school's celebrated and charismatic director, Dr. Jay Schermerhorn. When Schermerhorn's body is found brutally mutilated in a pool of blood in the school basement, detectives Emily Folkestone and Oliver Park get on the high-profile case amid a hue and cry from police headquarters and the mayor. Wry humor and characters with real depth help propel the plot to its poignant conclusion. As the further reading list in her author's note suggests, D'Amato has thoroughly researched her subject, raising some strong arguments against Freudian theory and practice that reflect the current debate over Freud in the psychiatric community. Agent, Deborah Schneider at Gelfman Schneider Literary Agents, Inc. (June 15) FYI: D'Amato's 2000 novel, Authorized Personnel Only, won the first annual Mary Higgins Clark Award. (c) Copyright PWxyz, LLC. All rights reserved



Chapter 1 Chicago, Friday, July 14, 1995 Jeffrey Clifford sat in the passenger seat of his sister's Mazda, hesitating to open the door. He stared across the wide expanse of heat-seared lawn at Hawthorne House, the huge nineteenth-century mansion looming fifty yards away. Walls of bloodred brick rose from a stone substructure, with three stories of narrow arched windows like squeezed eyes. There were gable eyebrows over the third-story windows. On top of each gable was a sharp wrought-iron point. A steep roof of black slate rose from the third floor. Along its peak ran a wrought-iron railing crest topped with alternating spearpoints and balls. At the tip of the roof ends--there were four because the building was cross shaped like a cathedral--iron lightning rods rose up, each ten feet tall. The five brick chimneys that also shared the roof were funnel shaped, with the widest portion flaring out at the top. There were eighteen bedroom gables on the third floor. Jeffrey liked to count. He always felt better when he knew just how much there was of everything. As Jeffrey knew from experience, there were also four little servants' cells huddled up under the roof on the attic floor. Twelve bedrooms occupied the second floor, along with a gigantic ballroom in the center. Jeffrey had not seen the mansion in years, but he knew it by heart. What sort of family would ever have believed themselves so important that they needed a pile like this for a home? "I can not. Go in there," he said in his stiff, oddly patterned voice. His sister, Catherine, said, "Then don't. You don't have to." "I do. Though." The mansion faced west. On this hot day in mid-July, the sun was still quite high at 6:00 P.M., but the light was taking on an orange tinge of late afternoon. The red brick burned in the light. Maybe this would be the end of his life. It was going to destroy him in some way, he knew. It had damaged him before. Twenty-two years ago, he thought, this was a toxic place. Twenty-two years ago, when he was seven years old and terrified, his parents had left him here, and he was just as terrified now as he had been then. "You've never been back since you were a child, have you, Jeffy?" Catherine asked. "No." "You've never even been driven by?" "No." With a rising note of hope in her voice, she said, "So you must see it now as a grown-up. It must look smaller. And less scary." She paused. He said, "No." He couldn't explain. He was never good at explaining himself, anyway. This hideous, dangerous, poisonous house of the sharp points and narrow windows--a facade like a headache--had only grown uglier over the years. The massive walls of meat-color bricks would crush him. The air inside would be foul. The rooms would be dark and the carpets dredged in dust. And inside, relishing the foulness, would be the toxic warlock who wanted to eat young children, bite by eager bite. In his halting way, he said, "It was not. An ennobling idea to come here." "Jeffy, I told you. You don't have to do this. We can go home." "No. That is the difficulty. I do have. To do this." He put the duffle bag on the curb and got out of the car. He slammed the door, which made a tinny, cheap-car thwack. The air conditioner hadn't worked in years, so Catherine kept all the windows rolled down. The temperature had reached a hundred and one degrees in Chicago today, the radio had told them, the third day in a row over a hundred. Trembling, Jeffrey hung the duffle bag strap over the crook of his arm. His other arm was bent too, the elbow held next to his body. He said carefully, "Thank you for. Driving me." "No problem." "Mom always said you. Could never park anyplace within ten. Blocks of the University of Chicago." "You're going to be hot in that tight vest." He ran a hand over his chest. In addition to his shirt, he wore an old leather vest he'd owned for years. He liked familiar things, never wanted anything new. The vest strained at the seams even though Jeffrey was slender, and that, plus its scruffy appearance, bothered Catherine. She wanted him to look good, especially this weekend, seeing people he had not seen in years. He said, "I like things. To be tight." "Well--" Catherine paused. "Well, shall I pick you up on Sunday, then?" He didn't dare look back at her. If he did, he'd turn right around and get in the car. "That is the present plan." * * * Jane Macy walked slowly toward Hawthorne House. She'd had to park five blocks away, but that didn't bother her. She liked hot weather, even really hot weather like this, and as she approached the building, she felt pleasantly warmed rather than uncomfortable. Her little overnight case hung by its strap from her hand. She was rather proud of it. It was powder blue with stitching in a contrasting navy, soft-sided top-grain leather, round, like a huge pocket watch, and filled with thoughtfully designed compartments. At the junction of the sidewalk and the Hawthorne House walkway, she paused. The mansion rose up before her in the late afternoon light. It was so large that from her place on the walk it occupied almost all her visual field. The building wrapped its arms around her. The red brick glowed warm and inviting. Even the antique glass in its windows gave back a mellow amber shine. She smiled at Hawthorne House. It wasn't just the warmth of the old building that pleased her so much. She craned her head back and smiled at the whimsical pagoda points of the lightning rods, the funny wrought-iron decorative railing that ran along the roof peak. A wrought-iron fence, similar in style, surrounded the property on the sides and back. Then there were the gables, each with its own fancy little pagodalike peak, and the slate roof tiles, scalloped like cookies at the edges. And the tall brick chimneys, five of them, that flared out at the top, almost as if they were upside down. Whoever saw chimneys like that these days? The architect must have had such fun designing them. Of course, she was well aware that her feelings toward the building were heavily colored by her warm feelings toward the six years of her life she had spent there. Psychiatric counseling had trained her to be conscious of the effect of emotion on perception. She was good at watching for these connections. Almost, she said to herself, doing it automatically by now. With a little bounce in her step, swinging her overnight case in expectation of a delightful weekend, she sashayed up the walk to Hawthorne House. * * * A hand-waxed black limo, longer than two Mazdas, slid to a stop in front of Hawthorne House, tires sighing on the pavement. The driver, wearing a two-piece gray uniform suit, got out and marched around to the right rear passenger door. "Dr. Schermerhorn," he said, opening the door with a white-gloved hand. Although the limo was air-conditioned, the driver had started to sweat the instant he stepped out of it into the street. The man who exited the passenger seat was tall, with silver hair and a neatly trimmed silver Van Dyke beard. He wore a light summer-weight three-piece English suit. While the driver extracted the deerskin valises from the trunk, Dr. Schermerhorn studied the building before him. Commanding , he thought. Elegant. A wonderful example of midwestern faux Queen Anne. I knew the first moment I saw it that this was the place to establish my institute . Hawthorne House had been the home of the Cyrus Hawthornes. Built in 1881 by the Chicago architectural firm Treat and Foltz, it had been ahead of its time in conveniences--modern plumbing and steam heat--even if a bit excessive in design. The Hawthornes lived at Hawthorne House through two and a half generations, until Frederick Hawthorne lost his fortune in the crash of 1929, and moved out of the house forever in 1931. A white elephant as a family home, it became a finishing school for young ladies in 1933, after lying empty for two years. Its nearness to the University of Chicago helped its recruiting efforts. Hawthorne House housed thirty young ladies at a time and graduated fifteen of them each year after a two-year course. They learned deportment, penmanship, sewing, how to speak properly, how to set a table properly, and how to entertain with grace. But by 1960 young ladies did not want to be "finished." They wanted to be educated in a profession. Hawthorne House struggled along as a collection of offices. Several doctors practiced there, a few lawyers, and on the third floor were the editorial offices of a small but highly regarded academic press that turned out well-regarded but rarely read books. Hawthorne House had not succeeded as offices. It was too far from the business district of the Hyde Park area of Chicago. When Dr. Schermerhorn saw it in 1968, only seven of a possible twenty office suites were occupied. He knew the instant he laid eyes on it that it was perfect for his residential treatment center. Big enough for two dozen patient bedrooms, plus offices and schoolrooms, it was massive and therefore conveyed the solidity and respectability he wanted to express. The woodwork inside was elegant, despite some vandalism done by driving doors through several interior walls to produce office suites. There had been cheap remodeling performed on the beautiful ballroom to subdivide it into small office cubicles. Hawthorne House would become Hawthorne House School, residential treatment for autistic children. Wundershön, Schermerhorn thought as he looked at the building now, twenty-seven years later. Those tall, stately windows. The assertive roof treatment. And that muscular brick, a wonderful masculine color as rich as aged mahogany. A building in charge of itself. There would be reporters here within an hour, an hour and a half at most. Time enough to get to his room and change into the new Brioni suit. His publisher had said Susan Somebody from Time magazine would be here. And early yesterday his office had received calls from Dateline NBC. Good. Let them come. And confusion to my enemies . Copyright © 2004 by Barbara D'Amato Excerpted from Death of a Thousand Cuts by Barbara D'Amato All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.