Cover image for Aunties : thirty-five writers celebrate their other mother
Aunties : thirty-five writers celebrate their other mother
Sturgis, Ingrid.
First edition.
Publication Information:
New York : Ballantine Books, [2004]

Physical Description:
xiii, 204 pages ; 24 cm
Added Author:
Format :


Call Number
Material Type
Home Location
Item Holds
PS135 .A94 2004 Adult Non-Fiction Non-Fiction Area
PS135 .A94 2004 Adult Non-Fiction Open Shelf

On Order



An aunt is not just another mother--and aunts defy any sort of archetypal image. Like humanity, they span the spectrum, from down-home Auntie Em to the uninhibited Auntie Mame. Some aunts are smart, others are crazy. Some act bravely, others downright foolish. Now in Ingrid Sturgis's marvelous Aunties , she gives these extraordinary women their due, sharing a wonderful, eclectic collection of thirty personal essays that explore the complex, seldom-profiled bond between aunts and their nieces and nephews.

Profiling a variety of aunts from different cultures, temperaments, and walks of life--the surrogate mother, the wild aunt, the eccentric aunt, the mentor--the essays are written by well-known journalists and authors such as Pearl Cleage and M.J. Rose, as well as everyday people . . . all of whom bring their subjects to stirring life in their own unique ways.

"Tia Sonia" made her living as an old-world witch in Honduras, providing her niece, Beverly James, with a tenuous connection to the country of her birth--and imparting a valuable lesson after she fails to predict her own tragic demise; the dramatic and glamorous "Tropical Aunts"--also known as Aunt Debs and Aunt Ava--ventured north from Florida only twice, but left an indelible mark on Enid Shomer's ideas about being an independent woman; in the heartwarming "Bloodsense," Mark Holt-Shannon's magical Aunt Lolly, a woman with a heart as big as the ocean, provided unconditional love--and a bridge between three boys and the father who left them all behind.

A wonderful celebration of family, Aunties is a labor of the heart and a show of reverence to the women whose intangible gifts of love and respect often pass without recognition. Through the vivid memories of real relationships, these narratives pay tribute to aunts everywhere.

Author Notes

A lifetime member of the New York Association of Black Journalists, Ingrid Sturgis is the editor of The former managing editor of BET Weekend and Savoy magazine, Sturgis has also worked for The Philadelphia Inquirer and Emerge . She is the author of The Nubian Wedding Book . Sturgis was born and raised in New York City and lives with her husband in New Jersey.

Reviews 3

Booklist Review

Aunts have always held a special place\b in the hearts and minds of their nieces and nephews. Able to dispense love, spoil children, stand in for absent parents, be friendly confidantes, and be willing conspirators, they are an indispensable thread in the fabric of extended family life. Keeping that in mind, Sturgis has gathered and collected a series of 35 essays authored by a multicultural cross section of writers representing a variety of social, economic, religious, and racial backgrounds. Individually, each anecdote is a gem; collectively, these stories are a treasure trove of life, love, laughter, and tears. From the tender to the downright\b hilarious, these\b tributes to the second mothers most of us have known and loved constitute a heartwarming contribution to the literature and lore of the American family. --Margaret Flanagan Copyright 2004 Booklist

Publisher's Weekly Review

"Second mothers," "independent spirits," "New York aunts," "role models," "avenging angels"-aunties of all sorts get their due in this medley of personal essays on the bond between aunts, nieces and nephews. The contributors-who are, for the most part, lesser-known journalists, poets, artists, novelists, professors and critics-represent a diverse range of cultures, from African American to Irish Catholic to South Asian. Sturgis, who edits, writes of her "special connection" with her Aunt Mildred, a woman who "helped to validate my aspirations when I wasn't sure I was entitled to them." In another essay, "Aunt Moe Gets Reborn," elementary school teacher Dennis Donoghue writes about his newly widowed aunt's determination to find love again. A few of the authors share poems and recipes. Although some of the contributions are more saccharine than poignant, the best pieces do an impressive job of celebrating the important roles aunts play in family life. (On sale Apr. 13) Copyright 2004 Reed Business Information.

Library Journal Review

This is an anthology of essays written by people about their relationships with their most memorable aunts. Although many books already celebrate the role of the aunt, this one offers a distinctive treatment of the subject. Some essays are heartwarming tales of a second mother, while others are harsher, depicting aunts who are tough, flamboyant, or just plain difficult. All of the essays are, however, memorable, relating experiences that have had a lasting effect on the lives of the nieces and nephews writing. The writers are representative of many different cultures and ethnic groups, and they vary in background and experience. Some are professionals, journalists, authors, and poets, while others have never before been professionally published. This may explain the unevenness in quality and writing style. Recommended for larger public libraries and as an optional purchase for academic libraries supporting women's studies programs.-Angela M. Weiler, Morrisville State Coll. Lib., NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Chapter 1 Laundry SANDE BORITZ BERGER My great aunt Irene is the oldest living relative in our family, the only link to a past that began in a tiny shtetl in Lithuania over a century ago. A petite Clairol blonde nearing ninety, Irene is visiting my home on Long Island for the weekend. It's a little past nine on this Friday night, when she taps on my bedroom door, simultaneously apologizing for the intrusion. "Come in, come in," I say, hoping to convince her she's welcome. She approaches my bed balancing a leaning tower of clean laundry she has finished folding. Somehow, laundry touched by my aunt's warm hands never needs pressing. There is something magical in the way she arranges all things domestic, never a loose thread or speck of dust to be found in the tidy world she inhabits. "Tired, Mommele?" she asks, using an endearment I remember from childhood. I see her gazing around my disheveled room as if searching for survivors of a twister. A week's worth of clothing is strewn over the backs of chairs, and books stacked like dominoes sit on the night table. But I don't feel judged by her: not now, not ever. I relax back on my corduroy reading pillow and motion for her to come sit near me on the edge of the bed. "Why is he so late?" my aunt asks, still standing, squinting at the digital clock radio. I tell her that my husband had a dinner meeting and she shouldn't worry so much. I stifle a laugh when instantly reminded of the roots of my own paranoia. There is doom and disaster stamped into her light brown pupils. "Do you want I should put away the clothing?" "No thank you, just plop it all on top of the dresser. And please, sit down." She walks slowly, kneeling with the pile as if she were bearing gifts to royalty. I wonder what makes her so comfortable with servitude as she carefully creates a temporary home for the laundry at the edge of my dresser. Again, her eyes peruse the room. I think she is stalling and really wants to talk. I shimmy my body over to make more room for her. She slips off a beautiful pair of beige leather pumps, and examines them. As a child, I was constantly trying on her shoes and begging her to save them for me. She promised, but one summer my feet grew two sizes larger than hers. "Will you save those for my Jenny?" I ask, grinning. But she's distracted and doesn't seem to connect to my wave of nostalgia. "Auntie, do you need a pair of slippers?" "No, darling, I'm fine." She's come prepared for this visit with her chintz housecoat, a relic from the 1950s, terry-cloth slippers, pink plastic hair rollers, and several washcloths. She knows my two teenage girls and I walk around in our underwear, and use cotton balls to clean our faces and noisy hair blowers to dry our hair. It's only a few hours since her arrival, and already she's emptied the refrigerator of fuzzy unrecognizable objects, polished the flatware, and refolded every towel in the linen closet. Her pink mottled hands look years older than her face, and her fingers are gnarled from years of fixing and touching. My aunt has the soul of an immigrant, always anxious to earn her keep. I imagine this stems from the many years she spent living under the roof of her brother (my grandfather), after he sent the money for her and her older and only sister to come to America. When she was still just a teenager, in his home, she baked, cleaned, and cooked, helping to prepare elaborate Sabbath dinners, which were a family ritual every Friday evening. "I miss him," she says, unexpectedly bursting into tears. "Who?" I ask, dazed, thinking of my husband, still at the office, and why his being late would make her cry. "My Fred," she whimpers, pulling a tissue from her sleeve before I grab one from the box. It's nearly ten years since her husband passed away. They'd married just months after being fixed up by a family friend. Uncle Fred was in the army; he had the job of recruiting men and women for the Reserves because he spoke several languages. Already well into their forties, they decided not to have children. Instead they filled their lives with work and doted on their three nieces and six nephews, whom they visited often. Every August, they traveled abroad to see Uncle Fred's relatives, who lived in Wiesbaden, Germany. It was their only real luxury, since Uncle Fred made a modest living working in the royalties department of a publishing company. When I was young, I imagined them as the couple you'd see on top of a wedding cake, nearly perfect. They lived snug and content in a studio apartment for more than thirty years. Even now, my aunt sleeps on the same Castro convertible they opened every night before going to bed. "Oh, Auntie, I know you do," I say, taking her trembling hand in mine. Has she waited weeks or months to cry with someone she feels close to? My aunt has always been too proud to share her grief with neighbors or casual friends. There was a time during my highly emotional, misunderstood teenage years when she was there for me while I cried. Whenever possible, my aunt shielded me from my mother's quick temper or my father's tough-love discipline. Either by telephone or in person, when hearing of my minor misdeeds, she would quietly interfere, spouting off my good virtues as if she was reading the ingredients of a favorite recipe. Sometimes just her words were enough to get me a reduced sentence in my punishments, which were usually because I talked back--which I always thought talking was all about. My mother, a social butterfly of the postwar era, often left me in Aunt Irene's meticulous care. I was a toddler when we walked hand in hand on busy Brooklyn streets, stopping at fish markets and butcher shops with the distinctive aroma of sawdust floors. We'd sit for hours on splintery wooden benches in tree-lined parks, my aunt introducing me to people who only smiled. She bought me special gifts with the money she earned working in my grandfather's knitting plant, showing each new season's line to the out-of-town buyers, and taking orders: white cotton gloves, felt hats, and expensive velvet-collared dresses, perfect for taking me to a matinee performance of the Rockettes at Radio City Music Hall. With her compassionate words, she has painted pictures of a childhood happier than I remember. Even now, over forty, I hunger for the retelling of those stories, the insatiable need to glimpse again at that joyful child. She stops crying as quickly as she began, then reaches out for an oversized neon-colored sweatshirt I'd thrown over the bedpost. "Can you get me one like this?" she asks. It's so electrically bright, I can't believe she likes it. "Sure," I say, straight-faced. "I'll ask my girlfriend who makes them." "Maybe in a softer shade of green," she says, taking another deep sigh. A few seconds later she says, "Ach, I should probably move to Florida." My mother has been badgering her, for years, to move down south. But I know my aunt. Unlike the Dodgers she once worshiped, she will never, ever leave Brooklyn, or the antiques-laden apartment she has rented all these years. "I don't know how your mother can stand those ceramic classes with all those yentas . . . sitting there, day after day, making those ridiculous ashtrays and clowns, breathing in all that powdery dust," she says, shielding her nose and mouth. I can't help but laugh. She's got a point. I, myself, am overstocked with faux Lladros and misshapen serving bowls. But my mother is protected by the banality of ceramic making. It gives her something to look forward to. She still has my father, a sometimes-amicable companion. Though she may be lonely, unlike my aunt, she's not alone. "I can talk to you," I say. "I never talked to Mom this easily." "Your mother means well, honey," she answers, now defending her elder niece. "It's just that she has nothing really important to discuss." She turns both her palms up like a magician. "Nothing." "She can still drive me crazy." I'm sulking like a five-year-old, wishing that this little old woman on the edge of my bed were my mother. "Are you sure you're not my real mother?" She giggles. Then gets sullen, her mouth quivering. "You were like my child; I took you everywhere. People would stop me in elevators, talk to you, and say, What a personality! Uncle Fred, he knew, he said you'd be someone special." Tears fall on my cheeks. And I wonder if there will ever be a time when I no longer hunger for this kind of validation, whether my aunt was the true giver of unconditional love. "Oh, I didn't mean to upset you," she says. "It's okay, really. I'm fine." The front door slams. We hear my husband's loud footsteps downstairs in the kitchen. My aunt picks up her shoes and scurries toward the bedroom door. "Good night," I say, blowing my nose, afraid that saying "I love you" would cause me to choke on the hard lump forming at the back of my throat. I wish I could give her something, anything, as she reaches the threshold of my bedroom door. "Take this, Auntie, please," I say, jumping from the bed and draping the neon sweatshirt over her arm. It occurs to me that she has never asked me for anything--that she takes pride in her independence now more than ever. To my surprise, she takes the shirt and clutches it to her chest. Falling back on my pillow, I memorize my aunt's fading silhouette. She leaves behind a faint aroma of lilacs, much like the clean sweetness of freshly folded laundry. Excerpted from Aunties: Thirty-Five Writers Celebrate Their Other Mother by Ingrid Sturgis All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.