Cover image for Ikiru To live
Ikiru To live
Motoki, Sōjirō.
[DVD version].
Publication Information:
[Irvington, N.Y.] : Criterion Collection, [2004]

Physical Description:
2 videodiscs (143 min.) : sound, black and white ; 4 3/4 in.
Discovering that he is in the terminal stages of cancer, a clerk spends his last months in search of the meaning to life. After his pursuit of pleasure has failed, he finds self-realization in bringing about the building of a children's playground in the slums and dies quiety fulfilled.
General Note:
Originally released as a Japanese motion picture in 1952.

Special features: audio commentary by Stephen Price, author of The warrior's camera : the cinema of Akira Kurosawa; "A message from Akira Kurosawa" (2000); documentary on Ikiru from the series "Akira Kurosawa, it is wonderful to create"; original theatrical trailer.

Some credits from insert.

"Presented in its original theatrical aspect ratio of 1.33:1"--Insert.

Program notes by Donald Richie inserted in container.

Recorded in Dolby digital mono.

Second series from container.

For specific features see interactive menu.
Format :


Call Number
Material Type
Home Location
Item Holds
DVD 7447 Adult DVD Foreign Language
DVD 7447 Adult DVD Media Room-Foreign Language Video
DVD 7447 Adult DVD Audio Visual

On Order



Akira Kurosawa's Ikiru details the existential struggle of one ordinary man in his desperate search for purpose. Upon learning he has terminal stomach cancer, a low-level government bureaucrat (Takashi Shimura) leaves his job of thirty years without a word to find meaning in the year he has left to live. He is completely alone in the world -- his wife is dead, his son is practically estranged, and his co-workers (the people with whom he has more contact than any others) are little more than strangers. Rather than face a death alone in pathos, Shimura opts to make up for lost time by going to the bar (for the first time in his life), spending every last yen in his wallet and drinking himself to death. There he meets a black-clad artist (a Mephistopheles to his Faust) who leads him on a hellish (and darkly humorous) tour of the city after dark as the two crawl through every booze-soaked juke-joint in town (Kurosawa's classical training as a painter surfaces in this sequence; many critics have noted the striking similarity of the crowded dance hall scenes to the paintings of Hieronymous Bosch, (particularly Walpurgis Night ). Realizing he has missed nothing, Shimura then sets his sight on a pretty young girl from the office to divert his attention from his looming mortality. Although the girl fails to serve as a lifebuoy, she does give him the inspiration to do something meaningful -- to leave a legacy, however small, that makes the world a better place. A synopsis of Ikiru cannot serve the film justice; it simply must be seen. ~ Jeremy Beday, Rovi