Cover image for Ancestral images : the iconography of human origins
Title:
Ancestral images : the iconography of human origins
Author:
Moser, Stephanie.
Personal Author:
Publication Information:
Ithaca, N.Y. : Cornell University Press, [1998]

©1998
Physical Description:
xxiv, 200 pages : illustrations (some color) ; 25 cm
Language:
English
Contents:
The artist's eye and the mind of science -- Mythological visions of human creation -- Religious and secular visions of human creation -- Historical visions of national origins -- The scientific vision of prehistory -- Popular presentations -- Conclusions.
ISBN:
9780801435492
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Item Holds
Searching...
GN746 .M67 1998 Adult Non-Fiction Central Closed Stacks
Searching...
Searching...
GN746 .M67 1998 Adult Non-Fiction Central Closed Stacks
Searching...

On Order

Summary

Summary

The influence of visual imagery on perceptions of prehistoric archaeology and of the creation myth comes under close scrutiny in this book, with particular focus on the scientific reconstructions of the nineteenth century, which brought contemporary evolutionary theory to life for the general public. From these images Moser extracts reflections of current social theory and views on human behaviour. Arresting, and at times amusing, illustrations accompany the text.


Reviews 1

Choice Review

Moser argues that the iconography used for depicting prehistoric humans has deep historical roots and that, despite new data and changing interpretive frames, a number of iconic elements and narrative schemes have endured for centuries. Starting with mythical visions of the classical era, Moser notes the early appearance of such key iconic elements as clubs, hairiness, and the use of animal skins to signal primitiveness and distant past. Two opposing explanatory schemes are also found early on: a nostalgic, "primitivist" view of an idyllic existence in the distant past and a progressive, "anti-primitivist" narrative of technological advances and progress. Moser then discusses early Christian and medieval thinkers and their biblical and secular depictions of human history, antiquarian scholars' artistic explorations of national origins, 18th- and 19th-century efforts to visually account for geological and fossil findings, and 19th- and 20th-century attempts by artists/scientists to create images for museums and school texts. While images do reflect changes in contemporary scholarship and social goals of depiction, Moser makes a strong argument for the enduring nature of long-held visual icons in the depiction of early humans. Recommended for undergraduate and graduate collections. C. Hendrickson; Marlboro College