Cover image for The adventures of Pinocchio
The adventures of Pinocchio
Collodi, Carlo, 1826-1890.
Personal Author:
Publication Information:
Philadelphia, PA : Courage Books, [2003]

Physical Description:
56 pages : illustrations (chiefly color) ; 34 cm
The adventures of a mischievous wooden puppet, who wants more than anything else to become a real boy.
General Note:
"The classic tale"--at the head of title.
Added Author:
Format :


Call Number
Material Type
Home Location
Item Holds
J FICTION Juvenile Fiction Open Shelf
X Juvenile Fiction Central Closed Stacks
J FICTION Juvenile Fiction Picture Books
J FICTION Juvenile Fiction Open Shelf
J FICTION Juvenile Fiction Fairy Tales

On Order



During the 1970s, the collaborative art of twin brothers Greg and Tim Hildebrandt captivated a generation with vivid depictions of characters from J.R.R. Tolkien's Lord of the Rings trilogy. Today, both are acclaimed fantasy and comic book illustrators, and Greg Hildebrandt has turned his focus to children's books. His gorgeous images bring to life the story of Pinocchio, the marionette who longs to be a real boy. This new illustrated classic edition is closely adapted from the most widely accepted translation of the enchanting folk tale by the 19th-century Italian journalist Carlo Collodi, first published in 1883.

Author Notes

Carlo Collodi was born Carlo Lorenzini in Florence, Italy on November 24, 1826. He joined a seminary as a young man, but Collodi found politics more interesting, as the movement for Italian national unification spread. At the age of 22, he became a journalist to work for the Italian independence struggle. In 1848 he founded the satirical journal Il Lampione, which was suppressed in 1849. His next periodical, La Scaramuccia, was more fortunate, and in 1860 he revived Il Lampione again. Collodi also wrote comedies and edited newspapers and reviews. He took the pseudonym Collodi from the name of the town, where his mother was born and where he spent time as a boy.

In 1861, when Italy became a united nation, Collodi gave up journalism. After 1870 he settled down as a theatrical censor and magazine editor. He turned to children's fantasy, translating Italian versions of the fairy tales of the French writer Charles Perrault's. Collodi also began to write his own children's stories, including a series about a character named Giannettino. The first chapter of Pinocchio appeared in the Giornale dei bambini in 1881, and became an immediate success. He died in Florence on October 26, 1890.

(Bowker Author Biography)

Reviews 3

Booklist Review

Gr. 2-4, younger for reading aloud. This retelling of a classic story raises a question: does modernizing and truncating the story to popularize it, lose the essence and charm of the original? The answer, of course, is, It depends on how it's done. The classic, illustrated by Attilio Mussino, is 310 pages. For his picture-book-size, 96-page version, the editors have cut episodes, minimized details, and abbreviated the dialogue. Eliminated are such elements as the Land of the Busy Bees and notes to the reader, and nicknames have been updated (the Lovely Maiden with Azure Hair is now the Blue Fairy). The emphasis is on the magical aspects of the tale, and the heavy moral tone of the original has been replaced by a more child-friendly approach. The new full-page, turn-of-the-century-style illustrations, in watercolor, ink, and paint wash, are lively, spirited, and appealing. Certainly, the editorial changes bring a smooth flow to the story, and the attractive new look, with large print, will entice the young audience to whom Pinocchio's escapades most appeal. Isn't that what retellings should do? --Julie Cummins Copyright 2003 Booklist

Publisher's Weekly Review

Innocenti's luminous interpretation of Collodi's tale carves the action out of 19th century Italian landscapes. Clearly shown as a mocking marionette, this Pinocchio races through cobbled city scenes and then throws himself prostrate at the personor fairywhom he has most recently wronged by his hasty, thoughtless behavior. And when he becomes a real boy, the transformation is resounding: left slumped on a chair is the body of a puppet; readers may marvel that what lies so lifeless in that scene was the source of so much trouble earlier on. Enchantment reigns in the pictures, each a perfect elaboration of the text. Innocenti and Collodi are equally at home in a place where puppets have life beyond human hands, and where souls may die and live again, resurrected by the power of love. All ages. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Gr 4 Up-This volume is a revision of Innocenti's version of the classic tale (Creative Co, 1988; o.p.). Although the majority of the artwork can be found in the earlier edition, the layout and design have been modified and some new scenes have been added. The book retains the 19th-century European setting, and the careful composition, use of perspective, and dark earth tones are an apt visual expression of this complex moral tale. A more delicate font and text framed on subtly shaded paper give the book a more classic look. Murray's new translation employs more lyrical phrasing and use of language than the earlier edition. Libraries owning the 1988 book needn't replace it, but those looking for a traditional treatment of Pinocchio should consider this handsome revision. Robert Ingpen's version (Purple Bear, 2005) offers a similar traditional flavor, but his portrayal of Pinocchio is more playful than mocking. Sara Fanelli's (Candlewick, 2003) offers a contemporary visual interpretation featuring collage.-Heide Piehler, Shorewood Public Library, WI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.