Cover image for Good Muslim, bad Muslim : America, the Cold War, and the roots of terror
Good Muslim, bad Muslim : America, the Cold War, and the roots of terror
Mamdani, Mahmood, 1946-
Personal Author:
First edition.
Publication Information:
New York : Pantheon Books [2004]

Physical Description:
xii, 304 pages ; 22 cm
Format :


Call Number
Material Type
Home Location
Item Holds
E840 .M346 2004 Adult Non-Fiction Non-Fiction Area
E840 .M346 2004 Adult Non-Fiction Open Shelf

On Order



In this brilliant look at the rise of political Islam, the distinguished political scientist and anthropologist Mahmood Mamdani brings his expertise and insight to bear on a question many Americans have been asking since 9/11: how did this happen? Mamdani dispels the idea of "good" (secular, westernized) and "bad" (premodern, fanatical) Muslims, pointing out that these judgments refer to political rather than cultural or religious identities. The presumption that there are "good" Muslims readily available to be split off from "bad" Muslims masks a failure to make a political analysis of our times. This book argues that political Islam emerged as the result of a modern encounter with Western power, and that the terrorist movement at the center of Islamist politics is an even more recent phenomenon, one that followed America's embrace of proxy war after its defeat in Vietnam. Mamdani writes with great insight about the Reagan years, showing America's embrace of the highly ideological politics of "good" against "evil." Identifying militant nationalist governments as Soviet proxies in countries such as Nicaragua and Afghanistan, the Reagan administration readily backed terrorist movements, hailing them as the "moral equivalents" of America's Founding Fathers. The era of proxy wars has come to an end with the invasion of Iraq. And there, as in Vietnam, America will need to recognize that it is not fighting terrorism but nationalism, a battle that cannot be won by occupation. Good Muslim, Bad Muslimis a provocative and important book that will profoundly change our understanding both of Islamist politics and the way America is perceived in the world today.

Reviews 3

Booklist Review

Many of the many post-September 11 books probing the causes of Islamic terrorism invoke Samuel Huntington-esque notions about clashes of culture; many of the same books would like to dissociate the war on terrorism of the twenty-first century from the more conventional conflicts of the late twentieth century. Both these notions are Mamdani's targets in this book. Politicizing notions of Islam by differentiating between secular, Westernized (good ) Muslims and fanatical, medieval (bad ) Muslims, Mamdani argues, misrepresents the often apolitical character of Islam. It also dangerously ignores cold war-era American complicity in the turbulence of the Muslim world through the waging of proxy wars, particularly the one in Afghanistan in which, says Mamdani, the CIA created Osama bin Laden. Those familiar with Noam Chomsky's recent work will likely find some of Mamdani's arguments familiar, particularly his discussion of imperialistic political violence, racism, and the modern state. Where Mamdani is unique and particularly compelling, however, is in drawing on his African-studies background to back up his assertions about violence, terrorism and Islam. --Brendan Driscoll Copyright 2004 Booklist

Publisher's Weekly Review

Osama bin Laden?s pronouncements are rarely published in full in the United States, but transcripts of his messages?often available overseas?provide startling insight into the political, rather than religious, nature of his thinking. ?Labeling us, and our acts, as terrorism is also a description of you and your acts,? bin Laden said recently. ?Our acts are a reaction to your acts.? In this meandering rumination on modern-day terrorism, Mamdani takes a controversial step by agreeing with bin Laden, at least on this point; he argues that groups like al-Qaeda are generally motivated by legitimate political grievances with U.S. foreign policy. ?In a nutshell,? Mamdani writes, ?the U.S. government decided to harness and even to cultivate terrorists? during the latter half of the Cold War as it sought to roll back the Soviet Union?s global influence. Now, with that legacy coming back to haunt its creators, Mamdani concludes that ?no Chinese wall divides ?our? terrorism from ?their? terrorism. Each tends to feed the other.? These ideas evolved from a series of talks the author gave at New York?s Riverside Church in the weeks after 9/11, and the book retains the informality of those discussions. There are flashes of inspiration, among them a thoughtful distinction between ?political Islam? and ?Islamic fundamentalism,? two terms that are frequently and wrongfully used synonymously. There are also frustrating digressions, and Mamdani makes few attempts to address potential dissenters. Still, readers who can overlook these drawbacks will find that this study does make provocative connections across disciplines and continents?finding similarities, say, between Liberian and Zionist settlers. Mamdani is searching for big ideas, not nuances, and in this he is successful, making his book an important contribution to the national discussion on terrorism and Islam. (May) Copyright 2004 Reed Business Information.

Choice Review

Mamdani (political science and anthropology, Columbia Univ.) challenges the simplistic conception prominent in the Bush administration that the Muslim world can be divided into "good" and "bad" Muslims. The former are modern, Western, secularized; the latter, premodern fanatics. Instead he explains the development of political Islam and its terrorist component not as endemic but as a response to and product of American policy in the late Cold War years. He places particular emphasis on the Reagan administration's backing and support of terrorist movements as agents of proxy wars against the Soviet Union. The long conflict in Afghanistan was the prime theater of such proxy action. The book is sharply critical of Bush administration neoconservative policies that Mamdani characterizes as moralistic campaigns based on a faulty understanding of world realities. Like Imperial Hubris, by Anonymous (2004), Jeffrey Record's Dark Victory (2004), Richard Clarke's Against All Enemies (2004), and Steve Coll's Ghost Wars (CH, Oct'04), the book depicts the Bush administration as misunderstanding al Qaeda and misguided in its war in Iraq. Although Mamdani has much to offer, his volume is more theoretical, eclectic, idiosyncratic, and discursive and thus less accessible for general readers than the books above. ^BSumming Up: Recommended. Upper-division undergraduates and above. J. P. Dunn Converse College



Chapter One Culture Talk; or, How Not to Talk About Islam and Politics This moment in history after the Cold War is referred to as the era of globalization and is marked by the ascendancy and rapid politicizing of a single term: culture. During the Cold War, we discussed socioeconomic or political developments, such as poverty and wealth, democracy and dictatorship, as mainly local events. This new understanding of culture is less social than political, tied less to the realities of particular countries than to global political events like the tearing down of the Berlin Wall or 9/11. Unlike the culture studied by anthropologists--face-to-face, intimate, local, and lived--the talk of culture is highly politicized and comes in large geo-packages. Culture Talk assumes that every culture has a tangible essence that defines it, and it then explains politics as a consequence of that essence. Culture Talk after 9/11, for example, qualified and explained the practice of "terrorism" as "Islamic." "Islamic terrorism" is thus offered as both description and explanation of the events of 9/11. It is no longer the market, (capitalism) nor the state, (democracy) but culture (modernity) that is said to be the dividing line between those in favor of a peaceful, civic existence and those inclined to terror. It is said that our world is divided between those who are modern and those who are premodern. The moderns make culture and are its masters; the premoderns are said to be but conduits. But if it is true that premodern culture is no more than a rudimentary twitch, then surely premodern peoples may not be held responsible for their actions. This point of view demands that they be restrained, collectively if not individually--if necessary, held captive, even unconditionally--for the good of civilization. In post-9/11 America, Culture Talk has come to focus on Islam and Muslims who made culture only at the beginning of creation, as some extraordinary, prophetic act. After that, it seems Muslims just conformed to culture. According to some, our culture seems to have no history, no politics, and no debates, so that all Muslims are just plain bad. According to others, there is a history, a politics, even debates, and there are good Muslims and bad Muslims. In both versions, history seems to have petrified into a lifeless custom of an antique people who inhabit antique lands. Or could it be that culture here stands for habit, for some kind of instinctive activity with rules that are inscribed in early founding texts, usually religious, and mummified in early artifacts? We need to distinguish between two contrasting narratives of Culture Talk. One thinks of premodern peoples as those who are not yet modern, who are either lagging behind or have yet to embark on the road to modernity. The other depicts the premodern as also the antimodern. Whereas the former conception encourages relations based on philanthropy, the latter notion is productive of fear and preemptive police or military action. The difference is clear if we contrast earlier depictions of Africans with contemporary talk about Muslims. During the Cold War, Africans were stigmatized as the prime example of peoples not capable of modernity. With the end of the Cold War, Islam and the Middle East have displaced Africa as the hard premodern core in a rapidly globalizing world. The difference in the contemporary perception of black Africa and Middle Eastern Islam is this: whereas Africa is seen as incapable of modernity, hard-core Islam is seen as not only incapable of but also resistant to modernity. Whereas Africans are said to victimize themselves, hard-core Muslims are said to be prone to taking others along to the world beyond. There is an interesting parallel between the pre-9/11 debate on terrorism in Africa and the post-9/11 debate on global terrorism. As in the current global debate, African discussions, too, looked mainly or exclusively for internal explanations for the spread of terror. In a rare but significant example that lumped African "tribalists" and Muslim "fundamentalists" together as the enemy, Aryeh Neier, former president of Human Rights Watch and now president of the George Soros-funded Open Society Institute, argued in an op-ed piece in the Washington Post that the problem is larger than Islam: it lies with tribalists and fundamentalists, contemporary counterparts of Nazis, who have identified modernism as their enemy. Premodern peoples are said to have no creative ability and antimodern fundamentalists are said to have a profound ability to be destructive. The destruction is taken as proof that they have no appreciation for human life, including their own. This is surely why Culture Talk has become the stuff of front-page news stories. Culture is now said to be a matter of life and death. This kind of thinking is deeply reminiscent of tracts from the history of modern colonization. This history stigmatizes those shut out of modernity as antimodern because they resist being shut out. It assumes that people's public behavior, particularly their political behavior, can be read from their habits and customs, whether religious or traditional. But could it be that a person who takes his or her religion literally is a potential terrorist? And that someone who thinks of a religious text as metaphorical or figurative is better suited to civic life and the tolerance it calls for? How, one may ask, does the literal reading of sacred texts translate into hijacking, murder, and terrorism? Two Versions of Culture Talk Contemporary Culture Talk dates from the end of the Cold War and comes in two versions. It claims to interpret politics from culture, in the present and throughout history, but neither version of Culture Talk is substantially the work of a historian. If there is a founding father of contemporary Culture Talk, it is Bernard Lewis, the well-known Orientalist at Princeton who has been an adviser to the U.S. policy establishment. The celebrated phrase of contemporary Culture Talk--"a clash of civilizations"--is taken from the title of the closing section of Lewis's 1990 article "The Roots of Muslim Rage." Lewis's text provided the inspiration for a second and cruder version, written by Samuel Huntington, a political scientist at Harvard, whose involvement with the U.S. policy establishment dates from the era of the Vietnam War. Whereas Lewis confined his thesis to historical relations between two civilizations he called "Islamic" and "Judeo-Christian," Huntington's reach was far more ambitious: he broadened Lewis's thesis to cover the entire world. "It is my hypothesis," Huntington proclaimed in an article called "The Clash of Civilizations?" (1993) in Foreign Affairs, that the fundamental source of conflict in this new world will not be primarily ideological or primarily economic. The great divisions among humankind and the dominating source of conflict will be cultural. Nation-states will remain the most powerful actors in world affairs, but the principal conflicts of global politics will occur between nations and groups of different civilizations. The clash of civilizations will dominate global politics. The fault lines between civilizations will be the battle lines of the future. Huntington's argument was built around two ideas: that since the end of the Cold War "the iron curtain of ideology" had been replaced by a "velvet curtain of culture," and that the velvet curtain had been drawn across "the bloody borders of Islam." Huntington cast Islam in the role of an enemy civilization. From this point of view, Muslims could be only bad. Huntington was not alone. Several others joined in translating his point of view into a vision broadly shared in hawkish circles of the policy and intellectual establishment. The thrust of the new vision was that the ideological war we have come to know as the Cold War was but a parochial curtain-raiser for a truly global conflict for which "the West" will need to marshal the entire range of its cultural resources. For William Lind, the Cold War was the last in a series of "Western civil wars" that started in seventeenth-century Europe; with the end of the Cold War, he argued, the lines of global conflict become cast in cultural terms. Régis Debray, himself an active participant in the ideological struggles of the Cold War, saw the new era as sharply defined by a "Green Peril"--the color green presumably standing for Islam--far more dangerous than the red scares of yesteryears because it lacks rational self-restraint: "Broadly speaking, green has replaced red as the rising force. . . . The nuclear and rational North deters the nuclear and rational North, not the conventional and mystical South." The idea of a clash of civilizations, with civilizations marching through history like armed battalions--with neither significant internal debates nor significant exchanges--has been widely discredited. Edward W. Said, the late Palestinian literary scholar who was University Professor at Columbia, forcefully argued for a more historical and less parochial reading of culture, one informed by the idea that the clash is more inside civilizations than between them: "To Huntington, what he calls 'civilizational identity' is a stable and undisturbed thing, like a room full of furniture in the back of your house." It is Bernard Lewis who has provided the more durable version of Culture Talk. Lewis both gestures toward history and acknowledges a clash within civilizations. Rather than claim an ahistorical global vision of a coming Armageddon, Lewis thinks of history as the movement of large cultural blocs called civilizations. But Lewis writes of Islamic civilization as if it were a veneer with its essence an unchanging doctrine in which Muslims are said to take refuge in times of crisis. "There is something in the religious culture of Islam," Lewis noted in "The Roots of Muslim Rage," which inspired, in even the humblest peasant or peddler, a dignity and a courtesy toward others never exceeded and rarely equaled in other civilizations. And yet, in moments of upheaval and disruption, when the deeper passions are stirred, this dignity and courtesy toward others can give way to an explosive mixture of rage and hatred which impels even the government of an ancient and civi- lized country--even the spokesman of a great and ethical religion--to espouse kidnapping and assassination, and try to find, in the life of their Prophet, approval and indeed precedent for such actions. Excerpted from Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror by Mahmood Mamdani All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.