Cover image for Boyz n the hood
Title:
Boyz n the hood
Author:
Fishburne, Laurence, III, 1961- , actor.
Edition:
Anniversary edition.
Publication Information:
[United States] : Columbia TriStar Home Entertainment, 2003.
Physical Description:
2 videodiscs (112 min.) : sound, color ; 4 3/4 in.
Summary:
Three friends struggle to survive in South Central Los Angeles where friendship, pain, danger and love form a true picture of life in the 'hood in this critically acclaimed, action-filled story.
General Note:
Originally released as a motion picture in 1991
Language:
English
Reading Level:
MPAA rating: R for violance and language.
ISBN:
9780767876513
UPC:
043396073197
Format :
DVD

Available:*

Library
Call Number
Material Type
Home Location
Status
Audubon Library DVD 6535 Adult DVD Open Shelf
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Summary

Summary

Director John Singleton's debut chronicles the trials and tribulations of three young African-American males growing up in South Central Los Angeles. When young Tre (Cuba Gooding Jr.), a bright underachiever, begins to show signs of trouble, his struggling professional mother (Angela Basset) sends him to live with his father (Lawrence Fishburne), a hard-nosed, no-nonsense disciplinarian. There he befriends Ricky (Morris Chestnut), a burgeoning football star, and Doughboy (Ice Cube, in a standout performance), a would-be gang banger. Over the years, each chooses his own path: Tre seems bound for college; Ricky is a blue-chip running back with his pick of schools; Doughboy is a dope dealer and bona fide gangster who drifts in and out of the county juvenile facility. All is well until, without warning, a rival gang chases down Tre and Ricky with tragic results. Doughboy immediately prepares for revenge, forcing Tre to decide whether to jeopardize his future and, perhaps, his life for the price of revenge and self-respect. Sometimes riveting, Boyz'N the Hood is not without its problems. The film tries to cram every single issue facing the black community into an hour and a half of screen time, making the film seem at times forced. The symbolism seems forced as well, and the film is often unbearably heavy-handed. Also, the characterization often relies on cardboard cut-outs; every white character in the film is a one-dimensional bigot, and the black police officer with whom Tre and his father deal is even worse than his Caucasian counterparts. Still, the unevenness of the film is redeemed by some moments of true brilliance. ~ Jeremy Beday, Rovi


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