Cover image for Girls in trouble
Title:
Girls in trouble
Author:
Leavitt, Caroline.
Personal Author:
Publication Information:
New York : St. Martin's Press, [2004]

©2004
Physical Description:
356 pages ; 25 cm
Summary:
Abandoned by her boyfriend and at odds with her parents for choosing open adoption, Sara, a sixteen-year-old honor student, is sustained by her relationship with her daughter's adoptive parents until they become threatened by her increasing obsession with the baby and make a decision that has devastating consequences for everyone.
Language:
English
ISBN:
9780312271220
Format :
Book

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Summary

Summary

Sara is sixteen and pregnant. Her once-devoted boyfriend seems to have disappeared, so she decides her best and only option is an open adoption with George and Eva, a couple desperate for a child. After the birth it's clear Sara has a bond with the child that Eva can't seem to duplicate. When it seems that Sara cannot let go, Eva and George make a drastic decision, with devastating consequences for all of them.


Author Notes

Caroline Leavitt has written several books including Girls in Trouble, Coming Back to Me, Living Other Lives, Family, Jealousies, Lifelines and Pictures of You. She won First Prize in Redbook Magazine's Young Writers Contest for her short story, Meeting Rozzy Halfway, which grew into the novel and the 1990 New York Foundation of the Arts Award for Fiction for Into Thin Air. Her essays, stories, and articles have appeared in numerous publications including New York magazine, Psychology Today, Parenting, The San Francisco Chronicle, The Chicago Tribune, and The Washington Post. She is a book critic for The Boston Globe and People and a writing instructor at UCLA online.

Leavitt is the author of the bestseller, It this Tomorrow.

(Bowker Author Biography)


Reviews 3

Booklist Review

By the time 16-year-old Sara acknowledges her pregnancy, she is well into her second trimester. When her boyfriend disappears and her parents push her toward adoption, she chooses an open, loving couple, Eva and George, who make Sara feel like part of the family. After her baby's birth, though, Sara becomes increasingly unstable and attached to her child, and her visits to Eva and George's home become difficult and intrusive. A wild crisis separates the families: Eva and George leave town without notice; Sara moves to New York City, where she tries to finish college, start a career, and build adult relationships. A decade later, she realizes that she must reconcile her past and find her daughter before she can move forward. In this wrenching exploration of parent-child relationships, Leavitt captures the tensions and rhythms of family attachments--the unspoken language, the simmering resentments and sweet hopes, the blinding, protective love that can both damage and heal. Ripe for movie adaptation, this will appeal to fans of Jacqueline Mitchard's novels. --Gillian Engberg Copyright 2003 Booklist


Publisher's Weekly Review

Leavitt's uneven but earnest eighth novel examines the emotional price a bright Massachusetts teen pays when she chooses "open" adoption for a baby she gives birth to at 16. It's 1987, and smart Sara Rothman has fallen in love with "black sheep" Danny Slade. When he vanishes after learning she's pregnant, Sara gives the baby up. Leavitt (Coming Back to Me) poignantly depicts the consequences of that choice for everyone concerned: Sara, who misses her baby and Danny both; Abby and Jack, Sara's well-meaning parents; Danny, the young father; George and Eva Rivers, the attentive but naive adoptive couple; and Anne, the child. At first, Sara visits the Riverses daily-she loves Anne, and the Riverses had cared for her while she was pregnant. But her presence becomes intrusive, and eventually, Eva takes a stand: "We adopted Anne," she tells Sara. "We didn't adopt you." Sara then makes a desperate attempt to steal the infant, and when she's found, the Riverses move and deny Sara visiting rights ("Open adoptions are only enforceable in Oregon," a lawyer tells her). Fifteen years pass, and Leavitt's focus wavers; a fuzzy reunion between Danny and Sara is particularly unconvincing. The novel's portrait of dreamy, adolescent Anne and her relationship with the older Riverses is sharper, as is the realistic, bumpy reunion of birth mother and daughter. An unflinching depiction of maternal need and the dynamics of adoption, this tale is a sharp reminder of the importance of honesty in life decisions. Agent, Gail Hochman. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

In this pull-at-your-heart novel, Leavitt (Coming Back to Me) once again proves how adept she is at creating fully fleshed characters. Sixteen-year-old Sara is pregnant, abandoned by her boyfriend, and desperately wanting to do what's right. Enter George and Eva, an older couple unable to have a child and desperate to make their family complete. The three decide on an open adoption, and soon Sarah is spending an increasing amount of time with George and Eva, much to the dismay of her parents, who want her to move on with her life. After the baby's birth, Sara is surprised at the immediate bond she feels with her child. She is even more surprised when she finds that she is no longer welcome in George and Eva's home, as she had been promised. The consequence is a rash act that ultimately bars Sara from her child for years. This is a wonderful story of family relationships, the choices we make, and whom we can count on. Recommended for all public libraries.-Nanci Milone Hill, Lucius Beebe Memorial Lib., Wakefield, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Sara's pains are coming ten minutes apart now. Every time one comes, she jolts herself against the side of the car, trying to disappear. Everything outside is whizzing past her from the car window because Jack, her father, is speeding, something she's never seen him do before. Sara grips the armrest, her knuckles white. She presses her back against the seat and digs her feet into the floor, as if any moment she will fly from the car. Stop, she wants to say. Slow down. Stop. But she can't form the words, can't make her mouth work properly. Can't do anything except wait in terror for the next pain. Jack hunches over the wheel, beeping his horn though there isn't much traffic. His face is reflected in the rearview mirror, but he doesn't look at her. Instead, he can't seem to keep himself from looking at Abby, Sara's mother, who is sitting in the back with Sara. His face is unreadable. He keeps pushing back his hair, thick and brown, dimmed with grey. He punches the radio dial from station to station, smearing the sound. "Jack, for God's sake," says Abby. "Just pick a station." Abby hands Sara a hard lemon candy to suck on. She rubs Sara's shoulders, helps her wedge the pink rubber ball into the small of her back to press against the pain. The dress Sara's been living in for months, a blue denim that's two sizes bigger than the one she used to wear, soft from many washings, is soaked with sweat, pasted to her. Her hair snarls to her shoulders, the same rust red as her mother's short, styled cut, only hers is damp, frizzy with curls. No matter how frosty the car gets, Sara can't stop sweating. "Nineteen eighty-seven and it's the worst heat wave in Boston in fifty years!" the radio announcer says. He keeps saying his name, which is Wild Bill, and every time he says it, he laughs, and the laughter gets under Sara's skin, crawling like some sort of insect. "We've never seen a July like this one!" He's got a crackling, gleeful voice that pops and snaps as if it were carbonated. "Keep inside, keep cool, keep tuned in. There's a health hazard warning for elderly and pregnant women." Sara feels a small shock of recognition, as if the announcer were talking directly to her, but Abby keeps rubbing her bare shoulders as if she hasn't heard anything, and Jack purposefully zips into another lane. Abby's face is coated with sweat. Perspiration beads on Jack's neck. "Two people have died already," Wild Bill says and Sara thinks, amazed, I'm dying, too. He talks about drought and blackouts and crime waves because people are 0going crazy from the heat. No one can be counted on to behave reasonably. An elderly woman was found by a neighbor, panting on her floor by her open refrigerator. A white teacup poodle has nearly suffocated in a car left in a parking lot, but was revived when his desperate owner gave him mouth to mouth. "Even Wild Bill isn't wild enough to do that!" Wild Bill says. Sara swears his voice is growing louder and bigger, crowding out all the room in the car, all the air, and she can't stand listening to it another moment and she's about to say so when another pain grabs at her and instead she cries out. "Oh, honey," Abby says, turning to her, trying to push back Sara's hair, which is so wet now it's strings. "It's almost over. Almost over now." Pain crunches down on Sara. "No," she gasps. "No, it's not." "Soon," her mother promises. "Soon." Her mother's hands float over her. Jack punches in another station. A long, itchy slide of jazz comes on, making Sara flinch. "Here's the turn," Jack says. His voice is low and determined. Jack has taken a day off. He's an accountant and his cell phone sits beside him on the seat, and the only reason he's brought it is in case they need to call the doctor, or the car breaks down, or any number of disasters that surely couldn't be any worse for everybody than this one. Abby's a dental hygienist in Belmont and she's taking off a week, something unheard of for her. Usually she's so concerned with everyone else's teeth, she neglects her own when she comes home, but now it's different. "Everyone can take care of their own pearly whites for a change," she says. Every time Abby looks at Sara, Abby changes into something Sara's stopped recognizing. Abby's beauty leaves her. Her eyes, usually blue and soft as felt, become distant. Her mouth takes on a funny slope. And sometimes, when Sara least expects it, Abby's face saddens with regret. Sara has a lawyer Abby had found, a woman at a Newton adoption agency named Margaret Robins. Every time Margaret talks to Sara, she asks pointedly, "Do you understand?" Abby asks that same question, too, but Jack won't discuss anything with Sara anymore, not even a thing as simple as how he feels. Instead, he's gone mute. The car bumps, like a reproach from her father, and Sara winces at the flash of pain. Abby rubs her back. "It'll be over soon. Think of your future. Think of school." Sara is an honor student. Sixteen years old and her guidance counselor already is pushing early admission to Columbia. To Harvard. She loves to say Sara can write her own ticket, which is something Abby repeats like a mantra. "You're smart," she says, but what Sara hears is that Sara may be smart, but she isn't smart enough not to be pregnant. Sara used to have her life planned. She used to want to be a doctor-a psychiatrist-a decision she made the first time she picked up an issue of Psychology Today and couldn't stop reading it. When she was twelve, Abby gave her her own subscription, which Sara devoured, saving all her issues on a special shelf, highlighting the articles that caught and held her interest. Abby loved to leaf through the issues herself. "Nothing wrong with improving my mind, too," she told Sara. "It's terrific you know what you want now. A girl has to know what she wants early and stick to it, or she can get robbed of her life." "Robbed?" Sara had looked up from the article she was reading, "Body Talk!" She glanced at herself in the mirror to try and decipher her own string-bean build. "Oh, I'm just being melodramatic," Abby said, waving her hand, but Sara studied her mother. Abby was folding towels, her prim white lab coat over a shocking-pink dress with a ruffled hem. Her back was hunched, her mouth tense. Abby used to want to be a dentist; she had finished a whole year of dental school when she met Jack. She had shown Sara the photograph of her in school, standing in front of a big brick building, her arms loaded with books, her red hair flying, her face flushed with joy. "Why'd you give that up?" Sara had asked her, and Abby had continued folding. "Easier," she said. "I met your father and got married, then you came along, and who else was going to stay home and raise you? Your father didn't trust anyone else but me." "You could go back," Sara said, and Abby shrugged. "Now? How could I do that?" Sara looked at Abby with interest. "Why are you looking at me like that?" Abby asked. Sara held up the magazine. "I was just trying to read your body language." "I'll translate for you," Abby said, rubbing at her temple. "I'm fluent in headache." Sara no longer knows what her future holds. Psychology Today comes in the mail, the cover so glossy it reflects light back at her, and she doesn't even open it to see what's in the table of contents, because, really, what does it have to do with her now? Shortly before her stomach started to swell, she went to a fortune-teller, one of those five-dollar places with a turbaned woman on a ratty couch. All Sara wanted was to be told good news. She walked inside and sat on the edge of the couch and the woman gave her a cup of tea that tasted like dishwater and then dumped the cup upside down on a plate. "Ah," she said, poking a finger into the leaves. "Seventy dollars and misfortune is gone." "I don't have seventy dollars," Sara said and the woman shrugged. "Then you have misfortune," she said, but Sara didn't need a fortune-teller to tell her that. "Grab on to me," Abby says now, offering her arm. Sara wrenches away. If she touches her mother's arm, she's afraid she'll beg for help, she'll scream, she'll do whatever it is Abby wants if Abby will just take this pain from her. She looks at the locks on the car, the windows sealed shut, the way she's so trapped. There's no air. She can't breathe. Surely, she's dying. She concentrates on the slow whomp, whomp, whomp, inside of her, like some strange animal coming closer, biding its time to strike. It's the most astonishing feeling she's ever had. She suddenly thinks of this movie she once saw called It's Alive! Babies born with teeth, vicious killers who devoured their parents. Whomp. Another pain and Sara starts feeling more afraid. She starts thinking, What was that? What have I done? What's going to happen? She's been so stupid about her own body. She kept telling herself, If I don't think about it, it won't exist. A contraction buckles Sara over, banding her stomach with fire. Panicked, Sara grips the seat. "Mom," she says uneasily. "Mommy-" If she hadn't bitten her fingernails, she would have dug them into the vinyl. "Pant," Abby orders, sucking in her own breath, but Sara can't. All she can do is ride the pain, hold on fast, and pray it will end. Sara had never actually believed she would give birth, and now there's no escape. "First births can take eighteen hours," one doctor has told her, and Sara had thought he was just trying to scare her, to punish her, even. Another pain, deeper this time. Whomp. She winces and Abby grips her hand. Sara presses her hands along her back and the pain stops a little. Or maybe it just tightens, like a steel garrote. Jack skids, flinging Sara against the side of the car. "Everyone all right?" he asks. "Jack, for God's sake!" Abby says. And then something happens, a wave of pain shoots down Sara's back. It has a life of its own, an unstoppable force. She gasps and she's suddenly drenched from her waist on down. Something is pouring out of her, uncontrollably, like pee, like bathwater. The floor of the car is suddenly soaked. Sara locks eyes with Abby. "It's okay," Abby says, taking her hand, speaking calmly, but Sara can feel how her mother's hand trembles. She feels the sound of the road deep within her skin. She hears the whisper of the other drivers, flowing through her like river water. Her grip tightens. She makes a sound, harsh, scraped from her throat, and Abby stiffens. "Jack, can you please just go fast," Abby says. fs20Jack's hands tighten on the wheel. The pain zigzags down Sara's spine, stronger, more intense, making her suck in a breath like Jell-O through a straw. She tries to roll herself into a ball, to get away from the pain, but she's too big, and anyway, she knows there's no escape from this. "Hurry," Abby tells Jack. She touches his shoulder with one hand, and there's something new in her voice, something urgent that makes Jack look at Sara for the first time. There's sweat beaded on his lip even though the car is so cold it's practically freezing. His lips are chapped and his shirt is unpressed. "Okay, baby girl," he says. Baby girl. She hears it in wonder and for a moment the pain fades. Baby girl. He used to call her that all the time, making her groan, making her friends giggle. He wouldn't let her pick up anything heavy or go anywhere by herself because he'd worry what might happen. Once, he even reached out to hold her hand when they were crossing a street, just as if she were six. Baby girl. At sixteen, she's no baby, but still, hearing him call her one now is comfort. Now she wishes he would call her that again, but instead, he's hunkered over the wheel, weaving in and out among the other cars, like an accident getting ready to happen. A new bolt of pain shoots along her spine and Sara feels like laughing because her doctor is clearly wrong. Her baby isn't going to take eighteen hours to be born. Her baby is coming now and there's nothing anyone can do about it. There ahead of them is the hospital. There's St. Elizabeth's. Big and squat and brown and full of traffic, people, and doctors. Jack pulls up by the ER. "I'll let you get out, park, and find you," he says. His voice sounds like someone she no longer knows. Sara squints out at the front door, panic rising in her throat. She can't breathe. She can't move. She can't survive. Frantic, she tries to speak. "I don't see them," she suddenly rasps. "Where's Eva and George?" Abby tightens; Jack snaps the wheel around. It's the first time she's spoken those names in the car because of the way Jack and Abby react, but she can't help it now. It feels like there's too much at stake for her. Another bolt of pain curls her over. Sara tries to sit up, and finds, to her surprise, that the pain won't let her. "Easy, honey," Abby soothes, jumping out of the car, opening Sara's door. It's a shock to feel all that heat. Things waver in the shiny air and for a moment Sara is listing. For a moment she thinks her whole life is a mirage about to pass. She tries to arc her legs out of the car and the pain forces her down, insistent and angry, a line of pure fire making her still. I can't survive this, she thinks in wonder. "Sara?" Abby bends toward Sara. "Honey, here's a hand," Abby says, and Sara grasps at her mother's fingers. She holds on tight and pulls herself up and she's suddenly dizzy, and another cramp grabs her, whomp. And whomp again and whomp, and she tries to breathe, to stand, and she can't do either. She buckles over. "Sara?" says Jack, his voice cracking. Huh-huh, hee-hee, ho-ho, Sara pants and the pain, insistent as a fist, suddenly collapses her into Abby's arms. Copyright 2004 by Caroline Leavitt Excerpted from Girls in Trouble: A Novel by Caroline Leavitt All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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