Cover image for Light in August : the corrected text
Title:
Light in August : the corrected text
Author:
Faulkner, William, 1897-1962.
Edition:
2002 Modern Library edition.
Publication Information:
New York : Modern Library, 2002.
Physical Description:
vii, 512 pages ; 21 cm
Language:
English
Geographic Term:
ISBN:
9780679642480
Format :
Book

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Call Number
Material Type
Home Location
Status
Central Library FICTION Adult Fiction Central Library
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Lancaster Library FICTION Adult Fiction Open Shelf
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City of Tonawanda Library FICTION Adult Fiction Open Shelf
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Summary

Summary

Selected by the Modern Library as one of the 100 best novels of all time

From the Modern Library's new set of beautifully repackaged hardcover classics by William Faulkner--also available are Snopes, As I Lay Dying, The Sound and the Fury, Absalom, Absalom!, and Selected Short Stories

One of William Faulkner's most admired and accessible novels, Light in August reveals the great American author at the height of his powers. Lena Grove's resolute search for the father of her unborn child begets a rich, poignant, and ultimately hopeful story of perseverance in the face of mortality. It also acquaints us with several of Faulkner's most unforgettable characters, including the Reverend Gail Hightower, plagued by visions of Confederate horsemen, and Joe Christmas, a ragged, itinerant soul obsessed with his mixed-race ancestry. Powerfully entwining these characters' stories, Light in August brings to life Faulkner's imaginary South, one of literature's great invented landscapes, in all of its unerringly fascinating glory. Along with a new Foreword by C. E. Morgan, this edition reproduces the corrected text of Light in August as established in 1985 by Faulkner expert Noel Polk.


Author Notes

Born in an old Mississippi family, William Faulkner made his home in Oxford, seat of the University of Mississippi. After the fifth grade he went to school only off and on-lived, read, and wrote much as he pleased. In 1918, refusing to enlist with the "Yankees," he joined the Canadian Air Force, and was transferred to the British Royal Air Force. After the war he studied a little at the University, did house painting, worked as a night superintendent at a power plant, went to New Orleans and became a friend of Sherwood Anderson, then to Europe and back home to Oxford. By this time he had written two novels.

The Sound and the Fury followed in 1929. Financial success came with Sanctuary in 1931, which he assisted in filming. Faulkner 's novels are intense in their character portrayals of disintegrating Southern aristocrats, poor whites, and African Americans. A complex stream-of-consciousness rhetoric often involves Faulkner in lengthy sentences of anguished power. Most of his tales are set in the mythical Yoknapatawpha County, Mississippi, and are characterized by the use of many recurring characters from families of different social levels spanning more than a century. His best subjects are the old, dying South and the newer materialistic South.

As I Lay Dying (1930), is a grotesquely tragicomic story about a family of poor southern whites. With Absalom, Absalom! (1936); the difficult parts of his famous short novel "The Bear" (published in Go Down, Moses, 1942); and the allegorical A Fable (1954), a non-Yoknapatawpha novel set in France during World War I; Faulkner returned to an innovative and difficult style that most readers have trouble with. Yet, interspersed among such works are collections of easily read stories originally published in popular magazines. There seems to be a growing sentiment among critics that the Snopes trilogy-The Hamlet (1940), The Town (1957), and The Mansion (1959)-for the most part an example of Faulkner's "moderate" style, could well be among his most important works.

Faulkner was awarded the 1949 Nobel Prize for literature "for his powerful and artistically independent contribution to the new American novel," but it would appear now that he also deserved to win that honor for his contribution to world literature. When reporting his death, the Boston Globe quoted Faulkner's having once told an interviewer: "Since man is mortal, the only immortality for him is to leave something behind him that is immortal since it will always move. That is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must some day pass."

In addition to the Nobel Prize, Faulkner received the Howells Medal of the American Academy of Arts and Letters in 1950, and in 1951 he was given the National Book Award for his Collected Stories Collected Stories. For his novel A Fable he received the National Book Award for the second time, as well as the Pulitzer Prize in 1955. The Reivers (1962) was awarded the Pulitzer Prize in 1963. In 1957 and 1958, he was the University of Virginia's first writer-in-residence, and in January 1959 he accepted an appointment as consultant on contemporary literature to the Alderman Library of that university.

Although Faulkner was not without honors in his lifetime and has received world recognition since then, it is surprising to learn that, when Malcolm Cowley edited The Portable Faulkner in 1946, he found that almost all of Faulkner's books were out of print. By arranging selections from the works to form a continuous chronicle, Cowley deserves much of the credit for making readers aware of the way in which Faulkner was creating a fictive world on a scale grander than that of any novelist since Balzac.

William Faulkner died in Oxford, Mississippi, in 1962.

(Bowker Author Biography)


Reviews 1

Publisher's Weekly Review

Narrator Will Patton delivers a compelling performance in this audio version of Faulkner's classic novel of tangled racial and sexual relations in the American South that traces the stories of pregnant Lena Grove, searching for the father of her unborn child; a bootlegger named Joe Christmas; and the Rev. Gail Hightower. Capturing the spirit of the text, Patton's narration is expertly paced, rich, and hypnotic. He ably handles the tricky cadence of Faulkner's prose-and the racial slurs that riddle the story-narrating with a honeyed drawl that is undercut by brutal frankness. There are a few moments when Patton overacts and fails to allow the author's words to take center stage. However, Faulkner fans will likely overlook what amounts to a minor flaw in this otherwise enjoyable listen. A Random House /Vintage International paperback. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.


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