Cover image for Mrs. Sartoris
Mrs. Sartoris
Schmitter, Elke, 1961-
Personal Author:
Uniform Title:
Frau Sartoris. English
First American edition.
Publication Information:
New York : A.A. Knopf, [2003]

Physical Description:
143 pages ; 20 cm
Added Author:
Format :


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X Adult Fiction Central Closed Stacks

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An explosive first novel--Madame Bovaryset in modern Germany--about a wife and mother whose failed love affairs have driven her to the edge of sanity, and to a startling attempt at vindication. After being jilted by a rich boyfriend, Margaret Sartoris, eighteen and heartbroken, throws herself into a comfortable but stifling marriage to Ernst, a war veteran with a penchant for routine and order, who still lives with his mother in a small German village. It's not a bad life, considering Margaret's psychological scars, but neither Ernst's adoration nor the birth of a daughter can reawaken her frozen emotions. It's not until she slides into an affair with a married man with whom she plans to run away that her passions are stirred, but these plans are a fantasy that cannot possibly come true. The repercussions nevertheless will explode with unimaginable force in these astonished lives. A remarkable psychological portrait, an oustanding debut novel.

Reviews 2

Booklist Review

Suppose a reader knew nothing about Flaubert's masterpiece, Madame Bovary. Such an individual would blithely read Schmitter's sleek novel about a provincial postwar German beauty, Margarethe, in a vacuum, relishing the tension of its adulterous sexuality and subtle murder mystery. But Schmitter's seemingly heartless and sensual protagonist is in fact an updated and altered variation on the indelible Emma Bovary. A working woman, Margarethe revels in glamorous clothing and fast cars. On the rebound after the betrayal of a wealthy lover and a subsequent nervous breakdown, she marries a dull and grateful man for status and security. She cares little for his company and evinces scant affection for their daughter, who is so much like her, until events conspire to induce Margarethe not to turn on herself, as Flaubert's suicidal heroine did, but rather on a man who embodies the most sinister sort of sexual power. Schmitter's tale provides a shivery pleasure, but it is merely an intellectual exercise compared to the revolutionary and passionate work it draws on. --Donna Seaman Copyright 2003 Booklist

Library Journal Review

Set in a nameless town in post-World War II Germany, this debut novel by German journalist Schmitter presents a disturbing psychological portrait of Margarethe Sartoris, a woman who has a "talent for being able, at will, to seem healthy or sick, energetic or frail, aggressive or sweet, as circumstances required." After a first love's rejection precipitates a nervous breakdown, Margarethe marries strictly for safety. Over time, her need for stability and bourgeois respectability is at odds with an increasingly uncontrolled restlessness. She has an affair that, by its nature, requires duplicity. But Margarethe is not the only one in her family who lives a secret sex life; she watches helplessly as daughter Daniela's teenage rebelliousness takes a perverse and frightening turn. The story is told in Margarethe's cool, detached voice, and we witness her slow unraveling as she teeters on the edge of sanity, driven by fear and fury, while leading us to a horrific conclusion. The result is admittedly grim, but Schmitter spins a compelling, unsettling tale. Recommended for collections of literary fiction.-Janet Evans, Pennsylvania Horticultural Soc. Lib., Philadelphia (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



The street was empty. It was drizzling, as it often did in this region, and twilight was giving way to darkness--so you can't say that the visibility was good. Perhaps that's why I was so late in spotting him, but it was also probably because I was deep in thought. I'm often deep in thought. Not that anything comes of it. I was on the way home. I had been shopping in the town and had met Renate, who had come over to L. for the afternoon. We had a drink, really just one--two at the most. I knew I would be driving, and besides, Ernst checks my breath. Sometimes he does it for some reason that may have nothing to do with me. He comes out to meet me before I reach the front door, to relieve me of the shopping bags or some other excuse. He strokes my cheek with a kiss, inhaling deeply along the way. He doesn't know I figured it out long ago, because he prides himself on using his knowledge discreetly. This means he doesn't reproach me immediately. He bides his time, even if it's only for a minute--however long it takes me to make an excuse and get through the door. Or skip the excuse, if we're alone. So I didn't drink a lot. Maybe one, two sherries. If you're a wine drinker, the only thing they serve in Hirmer's Café is a Moselle, because Hirmer Senior, when he opened the place more than ninety years ago, was a Moselle fanatic, which was quite common back then. It's a big wine, and too sweet for us these days, and sweet isn't even the right word. There's something too full-bodied about it, it's too heavy to drink with anything except meat in aspic, and they no longer serve meat in aspic at Hirmer's either. So when we're there, Renate and I drink sherry. It tastes okay going down, and it's cheap compared with Campari or other respectable drinks. We can hardly drink schnapps, because we're in L. after all, and I live here, and when a lady lives here, if she ever feels like having a drink for no reason and she's not part of some group, she orders sherry. The first time I saw her was in Dr. Lehmkuhl's waiting room. Dr. Lehmkuhl's grandfather still had a big farm outside town, his father had been the first interim mayor after the war, and he himself had a major repu- tation as a neurologist. I was there because my nerves were in a state--or more precisely, because Irmi and Ernst had noticed. I set off in the car to buy bread and soap powder and came back with cigarettes, which Ernst gave up ten years ago. I forgot my godchildren's birthdays and pulled up the marigolds I'd sowed in the garden myself, because I mistook the stalks for weeds. Twice I suffered every housewife's nightmare of leaving the burner of the stove on with an empty pot on top. There are apparently electric stoves you can get now that switch themselves off before the pot melts and there's a catastrophe. But we had an old one, because that's what Irmi manages best. She has her head together as well. The two of them decided something was the matter with me. And they were right. That I slept badly at night and sometimes dozed off in the early evening on the sofa was nothing new. I could even make Ernst believe it had always been like that. He didn't know that I often woke up at one-thirty in the night and lay awake till morning, doggedly watching the peregrinations of the hands round the face of the alarm clock. The hands glow in the dark; the clock was a honeymoon present from Irmi. Things like that were incredibly modern back then and also much better made. The clock will outlive us all. But the state of my nerves was something new to them. Both of them claimed they were worried about me, and I actually believed it of Irmi. Their conversations would sometimes break off when I came into the living room, or Irmi would lower her voice when she was talking to Ernst in her room. Eventually their verdict was unanimous: I was going to harm myself. They couldn't very well involve Daniela; she was already quite independent for her age and didn't let herself be told much anyway--unless she wanted to get permission to spend the night at a friend's house. So an appointment was made with Dr. Lehmkuhl, and I went--I didn't even put up a fight. When it came right down to it, I didn't care one way or the other, and the thought of someone taking care of me was an appealing one. There was a woman sitting in the waiting room who was around my age, clothes a little loud, expensive jewelry on both wrists, and the kind of subtle tan that signals regular skin care and sessions with a sunlamp. I didn't know her by sight, which in a town like L. is quite a surprise. Sooner or later you meet someone like that at the theater, or at a coffee morning or one of Ernst's club evenings. She thumbed through magazines, glancing up periodically at the clock, and then sighed so heavily that it would almost have been impolite not to react. We exchanged a glance, and she asked in a deep, very attractive voice if one always had to wait so long here. I said this was my first visit too, and that's how we fell into conversation. Although she didn't know anyone in town, she didn't seem to be lonely or afflicted in any way, on the contrary she radiated energy. When the nurse finally came into the waiting room to make apologies for Dr. Lehmkuhl--he had been called out on an emergency and unfortunately would not be back at the practice before the end of the day--she collected her things abruptly, put a wonderful lightweight pale summer coat over her arm, and invited me to a cup of coffee: the afternoon was wasted anyway, so why didn't we make something out of it? And so we did. When I came home after dinner, Irmi and Ernst stared at me in amazement. They were probably asking themselves if Dr. Lehmkuhl had dispensed neat alcohol by way of a prelude to his treatment. But it wasn't Dr. Lehmkuhl, it was my friend Renate. And it wasn't neat alcohol, it was a very good red wine. Good for the blood vessels, at least. Further appointments were made, of course. I liked Dr. Lehmkuhl right away. A sinewy man, obviously a tennis player; he emanated self-control and rigor, which impressed me. I immediately told him more about myself than Irmi and Ernst will ever know; he listened patiently and without emotion, but in such a way that I knew I was understood. He did some tests--tapping the kneecaps, tickling the soles of the feet, etc.--with care but a lack of enthusiasm that conveyed a belief, which I shared, that there was nothing to be learned from them. He asked me about drinking--perhaps Ernst had put him onto this--and I lied to him with an equanimity born of long practice. Much later, I poured him red wine, straight up. It was fun to watch him shake his head and to know that his helplessness was tinged with fellow-feeling. He had certainly noticed my talent for being able, at will, to seem healthy or sick, energetic or frail, aggressive or sweet, as circumstances required, and yet he also sensed that I didn't want to play games with him. I didn't want to lose his attention, and that involved being honest with him--up to a point. He gave me pills. He did it unwillingly, as he told me, but because I refused to switch to one of his colleagues who was a psychotherapist--I was perfectly aware why this would be a bad idea--it seemed to him the only way to help me for the moment. I took the first dose in his office, and I can still remember the feeling of armor-plated protection I had when I got home. I was more alert than usual; I emptied the ashtrays, said good night to Daniela in her room, and left the car key in the exact place where Ernst always wanted it left. I was enjoying myself along the way, watching myself doing all this and congratulating myself the way we used to congratulate the poodle when he came to us carrying his bowl in his mouth. My imperturbability seemed strange even to me, and when Ernst asked me how I felt, I said: the same way our car feels right after it's been inspected. For him, my visit to the doctor had its desired effect: I was functioning again. If only for that first evening. Because I didn't get the prescription filled. I decided to pull myself together, and it went reasonably well. I wanted to go back to Dr. Lehmkuhl, but I wanted to get through the days without some official inspection sticker saying I was okay. There were times when I dealt with the whole daily round--getting my child to kindergarten and the school, making two meals a day and serving them at set times, shopping, doing the garden, organizing children's birthdays, appearing at club evenings, doing holidays, doing bookkeeping and finances, hairdresser's appointments and obedience school for the dog, doing Easters and Christmases and on and on--I dealt with the whole thing as if it went without saying. And that wasn't really the problem anyway. Excerpted from Mrs. Sartoris by Elke Schmitter All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.