Cover image for The Marshall Mathers LP
Title:
The Marshall Mathers LP
Author:
Eminem, 1972-
Personal Author:
Edition:
Edited version.
Publication Information:
Santa Monica, CA : Interscope, [2000]

â„—2000
Physical Description:
1 audio disc (70 min.) : digital ; 4 3/4 in.
General Note:
Title from container.
Language:
English
Contents:
Public service announcement 2000 -- **** you -- Stan / featuring Dido -- Paul (skit) -- Who knew -- Steve Berman -- The way I am -- The real Slim Shady -- Remember me? / feauring RBX and Sticky Fingaz -- I'm back -- Marshall Mathers -- Ken Kaniff (skit) -- Ballad -- Amityville / featuring Bizarre from D-12 -- ***** please II / featuring Dr. Dre, Snoop Doog, Xzibit and Nate Dogg -- The Kids -- Under the influence / featuring D-12 -- Criminal.
Subject Term:
Added Corporate Author:
UPC:
606949063221
Format :
Music CD

Available:*

Library
Call Number
Material Type
Home Location
Status
Dudley Branch Library XX(1244709.1) Compact Disc Audio Visual
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Lackawanna Library RAP .E53 M-1 Compact Disc Branch Audiobook CD
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On Order

Summary

Summary

It's hard to know what to make of Eminem, even if you know that half of what he says is sincere and half is a put-on; the trick is realizing that there's truth in the joke, and vice versa. Many dismissed his considerable skills as a rapper and social satirist because the vulgarity and gross-out humor on The Slim Shady LP were too detailed for some to believe that it was anything but real. To Eminem's credit, he decided to exploit that confusion on his masterful second record, The Marshall Mathers LP. Eminem is all about blurring the distinction between reality and fiction, humor and horror, satire and documentary, so it makes perfect sense that The Marshall Mathers LP is no more or no less "real" than The Slim Shady LP. It is, however, a fairly brilliant expansion of his debut, turning his spare, menacing hip-hop into a hyper-surreal, wittily disturbing thrill ride. It's both funnier and darker than his debut, and Eminem's writing is so sharp and clever that the jokes cut as deeply as the explorations of his ruptured psyche. The production is nearly as evocative as the raps, with liquid basslines, stuttering rhythms, slight sound effects, and spacious soundscapes. There may not be overpowering hooks on every track, but the album works as a whole, always drawing the listener in. But, once you're in, Eminem doesn't care if you understand exactly where he's at, and he doesn't offer any apologies if you can't sort the fact from the fiction. As an artist, he's supposed to create his own world, and with this terrific second effort, he certainly has. It may be a world that is as infuriating as it is intriguing, but it is without question his own, which is far more than most of his peers are able to accomplish at the dawn of a new millennium. ~ Stephen Thomas Erlewine


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