Cover image for Halloween : from pagan ritual to party night
Halloween : from pagan ritual to party night
Rogers, Nicholas.
Personal Author:
Publication Information:
Oxford ; New York : Oxford University Press, 2003.

Physical Description:
x, 198 pages : illustrations ; 21 cm
General Note:
Reprint. Originally published: c2002.
Samhain and the Celtic origins of Halloween -- Festive rites : Halloween in the British Isles -- Coming over : Halloween in North America -- Razor in the apple : the struggle for a safe and sane Halloween, c. 1920-1990 -- Halloween goes to Hollywood -- Stepping out -- Border crossings -- Halloween at the millennium.
Subject Term:
Format :


Call Number
Material Type
Home Location
Item Holds
GT4965 .R634 2002C Adult Non-Fiction Holiday
GT4965 .R634 2002C Adult Non-Fiction Open Shelf
GT4965 .R634 2002C Adult Non-Fiction Non-Fiction Area-Holiday
GT4965 .R634 2002C Adult Non-Fiction Open Shelf
GT4965 .R634 2002C Adult Non-Fiction Holiday

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Boasting a rich, complex history rooted in Celtic and Christian ritual, Halloween has evolved from ethnic celebration to a blend of street festival, fright night, and vast commercial enterprise. In this colorful history, Nicholas Rogers takes a lively, entertaining look at the cultural originsand development of one of the most popular holidays of the year. Drawing on a fascinating array of sources, from classical history to Hollywood films, Rogers traces Halloween as it emerged from the Celtic festival of Samhain (summer's end), picked up elements of the Christian Hallowtide (All Saint's Day and All Soul's Day), arrived in North America as anIrish and Scottish festival, and evolved into an unofficial but large-scale holiday by the early 20th century. He examines the 1970s and '80s phenomena of Halloween sadism (razor blades in apples) and inner-city violence (arson in Detroit), as well as the immense influence of the horror film genreon the reinvention of Halloween as a terror-fest. Throughout his vivid account, Rogers shows how Halloween remains, at its core, a night of inversion, when social norms are turned upside down, and a temporary freedom of expression reigns supreme. He examines how this very license has promptedcensure by the religious Right, occasional outrage from law enforcement officials, and appropriation by Left-leaning political groups. Engagingly written and based on extensive research, Halloween is the definitive history of the most bewitching day of the year, illuminating the intricate history and shifting cultural forces behind this enduring trick-or-treat holiday.

Author Notes

Nicholas Rogers is Professor of History at York University

Reviews 1

Publisher's Weekly Review

If America is a melting pot, then Halloween is the stew that simmers in our national cauldron. In this fascinating study, Rogers shows how the holiday is a hodgepodge of ancient European pagan traditions, 19th-century Irish and Scottish celebrations, Western Christian interpretations of All Souls' Day and thoroughly modern American consumer ideals. At its heart, he says, Halloween is a celebration of the inversion of social codes-children have power over adults, marauders can make demands of established homeowners and anyone may assume a temporary disguise. Canadian professor Rogers is a fine cultural historian, who carefully sifts through complex social and religious data to tease out meanings and trajectories. One excellent chapter illuminates Halloween and Hollywood, while a chapter entitled Border Crossings discusses Halloween observance among non-Anglo populations in North America, including Mexico's "Dia de los Muertos." Rogers's is the best study to date of the history and growing significance of Halloween. (Oct. 31) (c) Copyright PWxyz, LLC. All rights reserved

Table of Contents

Introductionp. ix
Acknowledgmentsp. 3
1. Samhain and the Celtic Origins of Halloweenp. 11
2. Festive Rites: Halloween in the British Islesp. 22
3. Coming Over: Halloween in North Americap. 49
4. Razor in the Apple: The Struggle for a Safe and Sane Halloween, c. 1920-1990p. 78
5. Halloween Goes to Hollywoodp. 103
6. Stepping Outp. 125
7. Border Crossingsp. 139
8. Halloween at the Millenniump. 158
Notesp. 173
Indexp. 195