Cover image for Fault line
Title:
Fault line
Author:
Tashjian, Janet.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Henry Holt, 2003.
Physical Description:
248 pages ; 22 cm
Summary:
When seventeen-year-old Becky Martin, an aspiring comic, meets Kip Costello, she is caught in a mentally and physically abusive relationship.
Language:
English
Reading Level:
750 Lexile.
Program Information:
Accelerated Reader AR UG 5.1 6.0 73386.

Reading Counts RC High School 6.7 11 Quiz: 34095 Guided reading level: NR.
Electronic Access:
Publisher description http://www.loc.gov/catdir/description/hol032/2002038888.html
ISBN:
9780805072006
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Central Library X Young Adult Fiction Central Closed Stacks
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Summary

Summary

In this powerful novel, the author of The Gospel According to Larry tackles the difficult and complex subject of teen relationship abuse from the viewpoints of both the victim and the perpetrator.


Author Notes

Janet Tashjian is the author of acclaimed books for young adults, including The Gospel According to Larry , Vote for Larry ,  Multiple Choice and My Life as a Book . Disney adapted Tru Confessions into a television movie starring Clara Bryant and Shia LaBeouf. Tashjian studied at the University of Rhode Island and Emerson College. She lives in Needham, Massachusetts, with her family.


Reviews 3

Booklist Review

Gr. 8-12. Tashjian, who made a splash with The Gospel According to Larry (2002), goes high concept once more, this time recounting the story of 17-year-old Becky, an aspiring comic. Becky findsip at the clubs, where he is also looking for laughs. At first he seems to be the ideal boyfriend. Soon, however, he's pulling her hair and throwing her down. Tashjian is such a strong writer that this comedy-tragedy almost works, but certain things never ring true.ip's background in an abusive family makes it possible that he has similar tendencies, but he never really seems the type. Perhaps this is because he keeps a diary (though he writes on paper towels) and comes across as too insightful and earnest. That Becky takes the abuse for a time, breaks up withip, and then is sucked back in seems more plausible. It's Becky's career choice that seems most unlikely. She's hardworking, but certainly not amusing enough to land a big MTV tour. Whatever its flaws, this will still garner plenty of readers, who will be taken with the story of a good boyfriend who goes bad. --Ilene Cooper Copyright 2003 Booklist


Publisher's Weekly Review

A 17-year-old stand-up comic, Becky gets involved with a guy she meets at a comedy club. "Becky's growing awareness that her relationship isn't `intense' but, instead, unhealthy is developed well," according to PW. Ages 14-up. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved


School Library Journal Review

Gr 7 Up-Clara Bryant and Jason Harris give voice to Janet Tashjian's moving novel (Holt, 2003) about Becky, a teenage comedienne, who is drawn into an abusive relationship with her boyfriend, Kip. The teens' insecurities and Kip's possessiveness and anger develop slowly and realistically as they tell their stories. Both readers are very comfortable with the teen vernacular and the verbal asides. Most of the story is told from Becky's point of view, but there is enough input from Kip for listeners to feel his pain and frustration when he looses control. Bryant's voice is light and airy, and she speaks somewhat rapidly, but uses pauses to heighten the mood. Harris speaks in moving, resonant, slightly nasal tones. In the author's note, Tashjian explains that she wrote the book to draw attention to the high rate of teen date abuse and to include a plea for understanding for both parties involved. An excellent choice for teens.-Claudia Moore, W.T. Woodson High School, Fairfax, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Fault Line By Janet Tashjian Henry Holt & Company ISBN: 9780805072006 Fault Line Take my life ... please. L aughter is one of the only things in life you can count on to bail you out of anything. Even when you're grief-stricken, shocked, or petrified, laughter can bring you back to that place deep inside that knows there's life beyond your pain. I remember the day I learned this in my bones: my uncle Danny had just died, and my mother had spent most of the morning sobbing at the kitchen table. I was maybe four at the time, feeling more helpless than usual. My father had brought up some extra chairs from the basement for all the relatives who would be coming in from out of town. I didn't notice when I sat on one that it was missing its cane seat. PLOP--I went right through the frame of the chair onto the floor. I didn't cry; I grinned--the shock of the fall was a welcome surprise from all the sadness. My mother burst into laughter at the sight of her little girl sprawled on the rug, smiling. Which of course made me fall through the chair again. And again. It was as if I hadwaved a magic wand. Before my very eyes, she was transformed from a broken-hearted woman back into good old Mom. Because of my actions, because of me. Humor was something thunderous from the heavens, with a power to change things in an instant. Of course, bottling something as formidable as lightning is a tricky thing. Trickier still to do it night after night. Most of the time when I'm onstage, I feel like an alchemist: mixing a little bit of this story, a slice of that detail to come up with a fresh and humorous aha for the crowd to enjoy. But sometimes you fall flat, with a joke so inert you want to hang your coat on it. Those nights, it's back to the drawing board, pure and simple. Here's what I want more than anything: not to headline the Improv, not to join the cast of SNL. (Okay, you nailed me. OF COURSE I WANT THOSE THINGS. I'd be lying if I said I didn't.) But more than those--much more--I want to learn how to trust my instincts. It's the part of comedy I haven't gotten a handle on yet, although I work on those skills all the time. Where I intuitively come up with some thought on the spot that binds me and the audience together for a brief moment--I get goose bumps just thinking about it. During each performance, there's some connection with the audience, but I'm talking about the cathartic,spontaneous kind. The search for that link keeps me writing jokes, keeps me auditioning, keeps me hoping lightning can strike. I'm like Ben Franklin in a storm, holding a kite, a key, and ajar. Waiting to connect. Copyright © 2003 by Janet Tashjian Excerpted from Fault Line by Janet Tashjian All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher. Excerpted from Fault Line by Janet Tashjian All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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