Cover image for Autobiography
Newton, Helmut, 1920-2004.
Personal Author:
First edition.
Publication Information:
New York : Nan A. Talese/Doubleday, 2003.

Physical Description:
289 pages : illustrations ; 25 cm
General Note:
"Autobiography was first published in 2002 under the title Autobiographie by C. Bertelsmann Verlag, Munich"--T.p.verso.
Personal Subject:
Format :


Call Number
Material Type
Home Location
Item Holds
TR140.N313 A3 2002 Adult Non-Fiction Non-Fiction Area

On Order



Famous for his decadent photography, Newton shares his life and times in a tell-all that reveals as much about his narcissism as his artistry.

Reviews 3

Booklist Review

A woman kneels on a bed wearing a saddle. An elegant nude leans on a cane, her neck in a surgical collar, one leg in a thigh-high cast. These are the sort of disturbing yet sexy images that made photographer Helmut Newton famous. The sultan of glossy erotica now tells his genuinely amazing and entertaining life story, decoding, along the way, the iconography of his stylishly risque oeuvre. The spoiled son of wealthy Berlinews, he was equally passionate about girls and photography, and lucky to escape Nazi Germany at age 18. He found refuge in Singapore, where he lived well as a gigolo, then was shipped to Australia, where he was drafted by the army and got married. Given his unabashed chronicling of carefree sexual exploits, his happy marriage and his wife's essential role in his work come as a pleasant surprise. Blunt about his sexuality, self-centeredness, and driving ambition, and generous in his chronicling of his radical approach to fashion photography, Newton is a beguiling and provocative autobiographer clearly grateful for his fabulous good fortune. --Donna Seaman Copyright 2003 Booklist

Publisher's Weekly Review

Famous for his decadent photography, Newton shares his life and times in a tell-all that reveals as much about his narcissism as his artistry. A German Jew whose family was ruined by the Nazis, Newton, born in 1920, has lived an exciting and terrifying life. The product of a privileged Berlin childhood, he bought his first camera at 12 and was hooked. Apprenticed to Yva, a noted fashion photographer, Helmut learned his craft, all the while dreaming of becoming a photographer for Vogue. But once the Nuremberg Laws were passed, coupled with the horrors of Kristallnacht, his family fled. Young Helmut went to Singapore; his parents sailed to South America. This rupture forced him into an independent, nomadic existence that continued throughout his life. A handsome, dashing figure, he is honest about his tenure as a gigolo, his time in an Australian prison camp (holding an expired German passport meant he was considered an enemy alien), his years in the Australian army and his ongoing passion for photography. Proposing to his wife, June, he warned her: "My work will always come first." His big break came in 1961, when he joined French Vogue. Newton was renowned for his erotic, risqu? shots of models and nudes recalling the racy cabarets of his youth. In 1976, he published White Women, a controversial book that established him as the agent provocateur of fashion photography. So distinct were Newton's images, they became a Vogue hallmark. His autobiography recounts everything from his numerous affairs to his artistic inspirations. It is a remarkably candid and revealing look at the man behind the camera. (On sale Sept. 16) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Newton's name is synonymous with trouble in the world of photography. The 1976 publication of his White Women ensured his status as a creator of visually stunning and erotic images of women. His photographs and personality together have cemented his image as a man who has pushed the envelope of his chosen medium for the last 50 years. So, with the publication of his autobiography, readers will be curious to discover the narrative of his own life. How much of his personality will he reveal? This book delivers on many levels. Newton, who was born in Berlin in 1920 and got his first camera at age 12, tells his fascinating and entertaining life story with remarkable candor. Unlike so many celebrities who present sanitized views of themselves, Newton lets us see what makes his brain tick and, therefore, what motivates his photography. One will be hard-pressed to look at his photographs the same after reading this book. A strong companion piece to his photography, best seen in the retrospective Helmut Newton Work, this is highly recommended for public and academic libraries. [Previewed in Prepub Alert, LJ 7/03.]-Sheila Devaney, Univ. of Georgia Libs., Athens (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.