Cover image for Cuba 15
Title:
Cuba 15
Author:
Osa, Nancy.
Personal Author:
Publication Information:
New York : Delacorte Press, [2003]

©2003
Physical Description:
277 pages ; 22 cm
Summary:
Violet Paz, a Chicago high school student, reluctantly prepares for her upcoming "quince, " a Spanish nickname for the celebration of an Hispanic girl's fifteenth birthday.
Language:
English
Reading Level:
750 Lexile.
Program Information:
Accelerated Reader AR UG 4.9 9.0 74753.

Reading Counts RC High School 5.6 15 Quiz: 34585 Guided reading level: NR.
ISBN:
9780385730211

9780385900867
Format :
Book

Available:*

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Call Number
Material Type
Home Location
Status
Central Library X Young Adult Fiction Central Closed Stacks
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Summary

Summary

Violet Paz has just turned 15, a pivotal birthday in the eyes of her Cuban grandmother. Fifteen is the age when a girl enters womanhood, traditionally celebrating the occasion with a quinceañero. But while Violet is half Cuban, she's also half Polish, and more importantly, she feels 100% American. Except for her zany family's passion for playing dominoes, smoking cigars, and dancing to Latin music, Violet knows little about Cuban culture, nada about quinces, and only tidbits about the history of Cuba. So when Violet begrudgingly accepts Abuela's plans for a quinceañero--and as she begins to ask questions about her Cuban roots--cultures and feelings collide. The mere mention of Cuba and Fidel Castro elicits her grandparents'sadness and her father's anger. Only Violet's aunt Luz remains open-minded. With so many divergent views, it's not easy to know what to believe. All Violet knows is that she's got to form her own opinions, even if this jolts her family into unwanted confrontations. After all, a quince girl is supposed to embrace responsibility--and to Violet that includes understanding the Cuban heritage that binds her to a homeland she's never seen. This is Nancy Osa's first novel.


Reviews 3

Booklist Review

Gr. 6-10. Violet Paz, growing up in suburban Chicago, barely knows Spanish, and her dad refuses to talk about his Cuban roots, so it's a real surprise when Abuela insists that Violet have a grand quinceanero, the traditional Latina fifteenth-year coming-of-age ceremony. But Violet insists that she is an American. After all, she looks a lot like her Polish American mother. What's more, she wouldn't be caught dead in any onstage ceremony wearing a ruffled pink dress and a tiara. As wonderfully specific as this first novel is to one immigrant family, many teens will recognize the cross-generational conflict between assimilation and the search for roots. Violet's hilarious, cool first-person narrative veers between slapstick and tenderness, denial and truth, as she shops for her party dress, attends a Cuban peace rally, despairs of her dad's values and his taste in clothes, sees that her American friends are also locked in crazy families, and finds the subject for her school comedy monologue in her own wild home, where she is sentenced to life. There's no message, unless it's in the acceptance that resolution doesn't happen and that Dad is still worth loving--even if he comes to the elegant quinceanero in his favorite sunshine-yellow shirt with multicolored monkeys printed on it. --Hazel Rochman Copyright 2003 Booklist


Publisher's Weekly Review

Violet Paz, the charismatic narrator of this funny first novel, doesn't know much about her Cuban heritage when her grandmother offers to throw her a quincea?ero, a traditional coming-of-age party for a 15-year-old girl. By party time, however, Violet has learned not only about Cuban culture but even "what is true" about her family and herself. Osa spins a host of story lines: Violet joins the speech team, performing an ever-evolving comedy routine about "the Loco Family" (she bases her material on a multi-day domino party that the police broke up); she fights with her father, who refuses to talk about Cuba (his parents fled to America with him when he was a baby); and she even finds her first boyfriend. The author can't quite flesh out all these characters and plot points to their full potential (the intimidating speech coach, for instance, seems exaggerated for no reason). Mostly, though, Violet and her wacky family and friends-including a pun-loving mother and a vegetarian who breaks up with her boyfriend when he wears leather to a PETA meeting-keep the fiesta moving at a lively clip. As a bonus, readers get some exposure to Cuban history and culture, including a smattering of Spanish words and phrases. Ages 12-up. (June) (c) Copyright PWxyz, LLC. All rights reserved


School Library Journal Review

Gr 6-10-Violet Paz, a 10th grader in suburban Chicago, spends the better part of a year preparing for her quincea-ero, the celebration of her womanhood, that her Cuban grandmother longs for her to experience. While her attention to the plans and her understanding of what the event means wax and wane in her consciousness, she turns her family's personal foibles and social extravagances into fodder for her speech team's Original Comedy competition. She wittily points up the bizarreness of her father's sartorial choices, her little brother's peskiness, her mother's quest to open her own restaurant, and the family's devotion to dominoes. She also struggles to make sense of traditions-including formal gown and waltzing-that are foreign to her life. Violet's father, born in Cuba and brought to the U.S. as a baby, refuses to discuss his native culture with his children, and Violet becomes increasingly anxious to learn more about her roots. Her two best friends are more than simply foils; they provide texture, humor, and tension to the story. In addition to speech team and family affairs, Violet's year includes a first crush and first date, each of which resolves pleasantly. Among the many strengths of this book are its likable and very real protagonist and her introduction to the nexus of politics and family. Too much goes on in this first novel, but the characters are so charming that while readers are in their company, the experience is interesting and engaging rather than frustrating.-Francisca Goldsmith, Berkeley Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

1 What can be funny about having to stand up in front of everyone you know, in a ruffly dress the color of Pepto-Bismol, and proclaim your womanhood? Nothing. Nada. Zip. Not when you're fifteen--too young to drive, win the lottery, or vote for a president who might lower the driving and gambling ages. Nothing funny at all. At least that's what I thought in September. My--womanhoods--hadn't even begun to grow; I wore a bra size so small they'd named it with lowercase letters: aaa. Guys avoided me like the feminine hygiene aisle at the grocery store. And I never wore dresses. Not since I'd left school uniforms behind. Not ever, no exceptions. You'd think my own grandmother would remember that. She didn't. "Eh, Violet, m'ija. I want buy you a gown and make you a 'keen-say' party," my grandmother said early that September morning in her customized English, shrewdly springing her idea on me at breakfast. "Sounds good, Abuela," I said as I buttered my muffin. "Except for the dress." Just Abuela, my little brother, Mark, and I were up; Abuelo, tired from traveling, was sleeping in, and Mom never got up until after Mark and I had left for school. Thrift store worker's hours. Mom ran the Rise & Walk Thrift Sanctuary, a used-clothing shop in the church basement that operates on donations. Their motto is "The Threads Shall Walk Again." Dad was on the early shift at the twenty-four-hour pharmacy inside the Lincolnville Food Depot, a combination grocery store/bank/hairdresser/veterinary hospital/pharmacy/service station. All they needed now was a tattoo parlor. "What's 'keent-sy'?" Mark asked, adding, "I want one too!" "The quince," said Abuela, "this is short for quincea-ero, the fifteenth birthday in Cuba." She pronounced it "Coo-ba," the Spanish way. "Is a ceremony only for the girls," she added, shaking a finger at Mark, who tipped his cereal bowl toward his mouth to get the last of the sugary milk at the bottom. He swallowed. "That's sexist, Abuela. Only for girls." He tried another pass at his cereal bowl, but it was empty. "I know, because last year in my school on Take Your Daughters to Work Day, Father Leone said sons got to go to work too. So I got out of school!" Abuela, looking starched somehow in one of Mom's old terry cloth robes, her silver hair in a bun, raised an eyebrow and gave a wry smile. "This is equality, yes?" She often says yes when she means no, and vice versa. "The quincea-ero, m'ijo, this is the time when the girl becomes the woman." Mark, who was eleven then, shied away from any discussion that even hinted at having to do with body parts or workings. He turned corpuscle red, a nice counterpoint to his royal blue Cubs baseball cap, which he wore all day every day during the pro season, except in school and church, until the end of the last game of the World Series. The fringe of his dark hair stuck out in a ragged halo around his face. He immediately lost interest in the quince party. "Nevermind, countmeout," he mumbled. Abuela didn't notice. "The quince is the time when all the resto del mundo ass-cepts your dear sister as an adult in the eyes of God and family. And she, in turn, promises to ass-cept responsabilidad for all the wonders in the world of adults." Responsabilidad. This sank in as deeply as the Country Crock into the nooks and crannies of my half-eaten English muffin, and raised a red flag. This quince party could be some sort of trap. "What if I don't want to--ass-cept more responsibilities?" I asked, mindlessly mimicking Abuela's pronunciation. Mark slipped away, leaving his empty cereal bowl and milk glass on the table. Abuela sat down with a tiny cup of sweet, black coffee. "Responsabilidades--how do you say? These come with the territory, chiquitica." She downed her coffee in one shot. I pointed to Mark's dirty bowl. "How about his responsibilities?" She shrugged and motioned for me to clear his place. "Now that's sexist," I grumbled, stomping off to the sink with Mark's dishes and my own. Abuela said something that rhymed in Spanish, then translated: "The bull cannot make the milk, and the cow alone cannot make the bull." I kissed her, shaking my head, and left for school. There's no sense arguing with the fundamentals. Leda Lundquist stood waiting for me outside Spanish class. My friend Leda is as slim as a sunflower and admirably as tall, though not quite as seedy. She has long, straight, pale-pale blond hair and white-white skin with just the faintest glow to indicate that blood does run through her veins. "Yo, Paz," she said to me at the door, with her usual lack of finesse. "Come away with me this weekend." "Don't you have a boyfriend for that, Leed?" I asked, sweeping past her and into the last row of seats. Leda set down her gym duffel and books and sat beside me, braiding her hair into an orderly rope. She wore a giant turquoise tie-dyed T-shirt as a dress, belted with a rolled-up bandana. Rubber flip-flops and a pink plastic Slinky on one arm for a bracelet completed her back-to-school look. "I have got the perfect fund-raiser for you--for us--to go to Saturday afternoon." I groaned. "No way," I said, before she had a chance to state her case. "C-U-B-A" was all she said, and she waited for my reaction. I raised my eyebrows in a let-me-have-it look. "The Cuba Caravan's coming through town. Isn't your dad going? There's gonna be a dance, and a send-off, and--" I shook my head no, and harder for no way. I didn't want to stir up that kettle of Caribbean fish. The subject of Cuba was best left unmentioned around Dad. "Forget it, Leda," I said, wondering how many times I'd been caught up in this constant refusal of invitations since we'd first met. With the Lundquists' raft of causes, most weekends offered at least one political demonstration for the family to enjoy. "--and even a raffle, Paz, what could be better than that? Besides . . ." She paused. "Besides what?" "Well . . . if we stand around long enough, you might meet some hunky Cuban guys at the salsa dance . . . and I could top a thousand bucks in the walkabout fund." Aha. The true motive. Leda was speaking of the European adventure fund that her parents pay into every time she goes to some activist thing with them--double if she brings a friend. By the time she turns eighteen, Leda plans to have enough money to traipse across Europe and several other continents, solo. Which was why we, lofty sophomore creatures that we were, presently found ourselves in the back row of Se-ora Wong's freshman Spanish class, trying not to be noticed. It had been Leda's idea to take the first year of each language offered at Tri-District High so she'd be able to speak a little of the native tongue no matter where she roamed. Last year, merci beaucoup, it had been French. I didn't care which language I learned, so I tagged along for the fun of it. Se-ora Wong, diminutive but not fragile, ruled with an ironic fist. "Leona, Violeta, could you find it in your hearts to join the rest of us?" she asked, calling us by our Spanish-class names, hitting just the right note of sarcasm. She went on to show the class the same list of easy nouns that Leda and I learned last year at this time: casa, sombrero, estudiante--only last year it was in French. Excerpted from Cuba 15 by Nancy Osa All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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