Cover image for Seven dials
Title:
Seven dials
Author:
Perry, Anne.
Personal Author:
Edition:
Library edition.
Publication Information:
Grand Haven, MI : Brilliance Audio, [2003]

â„—2003
Physical Description:
10 audio discs (11 hr.) : digital ; 4 3/4 in.
Summary:
Thomas Pitt, mainstay of Her Najesty's special Branch, is summoned to Connaught Square mansion where the body of a junior diplomat lies huddled in a wheelbarrow. Nearby stands the tenant of the house, the Egyptian woman Ayesha Zakhari, who falls under suspicion. Pitt's orders are to protect, at all costs, the good name of the third person in the garden: senior cabinet minister Saville Ryerson. This distinguished public servant, insists that Ayesha is as innocent as he is himself. Pitt's only hope is the dead man's less-than-stellar reputation.
General Note:
Unabridged.

Compact discs.
Language:
English
ISBN:
9781590865019

9781455842865
Format :
Audiobook on CD

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Summary

Summary

Thomas Pitt, mainstay of Her Majesty's Special Branch, is summoned to Connaught Square mansion, where the body of a junior diplomat lies huddled in a wheelbarrow. Nearby stands the tenant of the house, the beautiful, notorious Egyptian woman Ayesha Zakhari, who falls under the shadow of suspicion. Pitt's orders are to protect--at all costs--the good name of the third person in the garden: senior cabinet minister Saville Ryerson. The distinguished public servant, whispered to be Ayesha's lover, insists that she is as innocent as Pitt himself. Pitt's journey to uncover the truth takes him from Egyptian cotton fields to the insidious London slum called Seven Dials--and ultimately to a packed London courtroom in which shocking secrets will at last be revealed.


Author Notes

Anne Perry was born Juliet Hume on October 28, 1938 in Blackheath, London.

Sent to Christchurch, New Zealand to recover from a childhood case of severe pneumonia, she became very close friends with another girl, Pauline Parker. When Perry's family abandoned her, she had only Parker to turn to, and when the Parkers planned to move from New Zealand, Parker asked that Perry be allowed to join them. When Parker's mother disagreed, Perry and Parker bludgeoned her to death. Perry eventually served five and a half years in an adult prison for the crime.

Once she was freed, she changed her name and moved to America, where she eventually became a writer. Her first Victorian novel, The Cater Street Hangman, was published in 1979. Although the truth of her past came out when the case of Mrs. Parker's murder was made into a movie (Heavenly Creatures), Perry is still a popular author and continues to write. She has written over 50 books and short story collections including the Thomas Pitt series, the William Monk series, and the Daniel Pitt series. Her story, Heroes, won the 2001 Edgar Award for Best Short Story. Her title's Blind Justice and The Angel Court Affair made The New York Times Best Seller List.

(Bowker Author Biography)


Reviews 3

Booklist Review

Perry, selected by the London Times as one of the twentieth century's "100 Masters of Crime," is still knocking them dead in the twenty first. Her latest, a Thomas and Charlotte Pitt caper, is a typical blend of Victorian social history (Perry's research extends even to the cleaning agents--sorrel juice, chalk, horse-hoof parings--used in wealthy Victorian homes), political intrigue, and exemplary detective work. What gives this particular series added punch is the character of Charlotte, an aristocrat with a social conscience, who descends into London's netherworld to help fallen women and lost souls. This time, Charlotte goes undercover to find a disappeared servant. Thomas Pitt, of Her Majesty's Special Branch, is faced with an exquisitely sensitive case. A junior diplomat has been found murdered in the garden of a notorious Egyptian woman, with her current lover, a very powerful senior Cabinet minister, found at the scene as well. Pitt is asked to untangle the mystery without bringing down the government. As usual with Perry, the mystery ripples out in complications and new dangers. A fine puzzle. --Connie Fletcher


Publisher's Weekly Review

In her 23rd Victorian mystery featuring Thomas and Charlotte Pitt (after 2002's Southampton Row), Perry uses a pending economic crisis to good effect. Now firmly ensconced in his job with Special Branch, Thomas looks into the murder of a junior diplomat, whose corpse turns up in a wheelbarrow in a garden belonging to a mysterious and beautiful Egyptian woman, Ayesha Zakhari. Pitt travels to Egypt for answers, but the more he learns about Miss Zakhari the more he suspects that she's the pawn in some ugly political game. The Pitts' maid, Gracie, involves Charlotte in the search for a missing valet. Gracie also enlists the aid of Thomas's former subordinate, Sergeant Tellman, and in one of the charming subplots of the book, their romance develops further. The trail leads Charlotte into the dark and dangerous alleys of London's Seven Dials district, and eventually she and Thomas discover that the two cases intersect in a horrifying way. Perry once again delivers a complex and satisfying tale that fans of the series will devour. (Feb. 4) Forecast: With a big promotional push including national print ads and a sample chapter in the paperback edition of Southampton Row (Feb.), this should hit some bestseller lists. The London Times selected Perry as one of the 20th century's "100 Masters of Crime." (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

The beautiful Egyptian Ayesha Zakhari is the primary suspect when Lt. Edwin Lovat, her former lover, is found murdered at her London mansion. Also present when police arrive is cabinet minister Saville Ryerson, whose involvement prompts Prime Minister Gladstone to ask Special Branch to solve the case. While Thomas Pitt journeys to Egypt in search of the truth, his wife, Charlotte, and their plucky maid, Gracie, look for a missing valet. Thomas learns that Ayesha is far from the notorious woman everyone assumes her to be. He also uncovers Lovat's part in a horrifying crime in Egypt 12 years earlier. Perry once again ingeniously combines a lively mystery with a harsh portrait of a society devoted to covering up unpleasantness, though her character development is a bit thinner than usual. Michael Page perhaps tries to overcome this weakness by making much of the dialog melodramatic. Recommended where Perry is popular.-Michael Adams, CUNY Graduate Ctr. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Pitt opened his eyes but the thumping did not stop. The first gray of mid-September daylight showed through the curtains. It was not yet six, and there was someone at the front door. Beside him, Charlotte stirred a little in her sleep. In a moment the knocking would waken her too. He slid out of bed and moved quickly across the floor and onto the landing. He ran down the stairs in his bare feet, snatched his coat off the rack in the hall, and with one arm through the sleeve, unbolted the front door. "Good morning, sir," Jesmond said apologetically, his hand still in the air to knock again. He was about twenty-four, seconded from one of the local London police stations to Special Branch, and he considered it to be a great promotion. "Sorry, sir," he went on. "But Mr. Narraway wants you, straightaway, like." Pitt saw the waiting hansom just beyond him, the horse fidgeting a little, its breath hanging vapor in the air. "All right," he said with irritation. It was not a particularly interesting case he was on, but he had it nearly solved; only one or two small pieces remained. He did not want a distraction now. "Come in." He gestured behind him towards the passage to the kitchen. "If you know how, you can riddle the stove and put the kettle on." "No time, sir, beggin' your pardon," Jesmond said grimly. "Can't tell you wot it's about, but Mr. Narraway said ter come right away." He stood firmly on the pavement as if remaining rooted to the spot would make Pitt leave with him even sooner. Pitt sighed and went back in, closing the door to keep the damp air out. He climbed the stairs, doffing his coat, and by the time he was in the bedroom, pouring water out of the ewer into the basin, Charlotte was sitting up in bed pushing her heavy hair out of her eyes. "What is it?" she asked, although after more than ten years of marriage to him, first when he was in the police, now the last few months in the Special Branch, she knew. She started to get out of bed. "Don't," he said quickly. "There's no point." "I'll get you a cup of tea, at least," she replied, ignoring him and standing on the rug beside the bed. "And some hot water to shave. It'll only take twenty minutes or so." He put down the ewer and went over to her, touching her gently. "I'd have had the constable do it, if there were time. There isn't. You might as well go back to sleep . . . and keep warm." He slid his arms around her, holding her close to him. He kissed her, and then again. Then he stepped back and returned to the basin of cold water and began to wash and dress, ready to report to Victor Narraway, as far as he knew, the head of the Secret Service in Queen Victoria's vast empire. If there was anybody above him, Pitt did not know of it. Outside, the streets were barely stirring. It was too early for cooks and parlor maids, but tweenies, bootboys, and footmen were about, carrying in fresh coal, taking deliveries of fish, vegetables, fruit, and poultry. Areaway doors were open and sculleries were brightly lit in the shadows of the widening dawn. It was not very far from Keppel Street, where Pitt lived in a modest but very respectable part of Bloomsbury, to the discreet house where Narraway currently had his offices, but it was already daylight when Pitt went in and up the stairs. Jesmond remained below. He had apparently finished his task. Narraway was sitting in the big armchair he seemed to take with him from one house to another. He was slender, wiry, and at least three inches shorter than Pitt. He had thick, dark hair, touched with gray at the temples, and eyes so dark they seemed black. He did not apologize for getting Pitt out of bed, as Cornwallis, Pitt's superior in the police, would have done. "There's been a murder at Eden Lodge," he said quietly. His voice was low and very precise, his diction perfect. "This would be of no concern to us, except that the dead man is a junior diplomat, of no particular distinction, but he was shot in the garden of the Egyptian mistress of a senior cabinet minister, and it seems the minister was unfortunately present at the time." He stared levelly at Pitt. Pitt took a deep breath. "Who shot him?" he asked. Narraway's eyes did not blink. "That is what I wish you to find out, but so far it unfortunately looks as if Mr. Ryerson is involved, since the police do not seem to have found anyone else on the premises, apart from the usual domestic servants, who were in bed. And rather worse than that, the police arrived to find the woman actually attempting to dispose of the body." "Very embarrassing," Pitt agreed dryly. "But I don't see what we can do about it. If the Egyptian woman shot him, diplomatic immunity doesn't stretch to cover murder, does it? Either way, we cannot affect it." Pitt would have liked to add that he had no desire or intention of covering the fact that a cabinet minister had been present, but he very much feared that that was exactly what Narraway was going to ask him to do, for some perceived greater good of the government or the safety of some diplomatic negotiation. There were aspects of being in Special Branch that he disliked intensely, but ever since the business in Whitechapel he had had little choice. He had been dismissed from his position as head of the Bow Street station, and had accepted secondment to Special Branch as protection for himself from the persecution that had followed his exposure of the Inner Circle's power and its crimes. His new assignment was the only avenue open to him in which he could use his skills to earn a living for himself and his family. Narraway gave a slight smile, no more than an acknowledgment of a certain irony. "Just go and find out, Pitt. She's been taken to the Edgware Road police station. The house is on Connaught Square, apparently. Somebody is spending a good deal of money on it." Pitt gritted his teeth. "Mr. Ryerson, I presume, if she is his mistress. I suppose you are not saying that loosely?" Narraway sighed. "Go and find out, Pitt. We need the truth before we can do anything about it. Stop weighing it and judging, and go and do your job." "Yes, sir," Pitt said tartly, standing a little straighter for an instant before turning on his heel and going out, thrusting his hands into his jacket pockets and pushing the entire garment out of shape. He set out along the street westward towards Hyde Park and the Edgware Road, intending to pick up a hansom as soon as he saw one. There were more people around now, more traffic in the streets. He passed a newsboy with the earliest edition, headlining the threat of strikes in the cotton mills of Manchester. This problem had been grumbling on for a while, and looked like it was getting worse. Processing cotton was the biggest industry in the whole of the West Midlands, and tens of thousands of people made their living from it, one way or another. The raw cotton was imported from Egypt and woven, dyed and manufactured into goods there, then sold again all over the world. The damage of a strike would spread wide and deep. There was a woman on the corner of the street selling hot coffee. The sky was calm and still, shredded with ragged clouds, but he was chilled enough to find the prospect of a hot drink welcome. There could well be no time for breakfast. He stopped. "Mornin', sir," she said cheerfully, grinning to show two missing teeth. "Lovely day, sir. But a nip in the air, eh? 'Ow abaht an 'ot cup ter start the mornin'?" "Yes, please." "That'll be tuppence, sir." She held out a gnarled hand, fingers dark with the stain of the beans. He gave her the money, and accepted the steaming coffee in return. He stood on the pavement, drinking slowly and thinking how he could approach the police when he reached the Edgware Road station. They would resent his interference, even if the case threatened to be so ugly they would be glad to pass the blame on to someone else. He knew how he had felt when he was in charge of Bow Street. Good or bad, he wanted to handle cases himself, not have his judgment overridden by senior officers who knew less of the area, of the details of the evidence, and who had not even met the people concerned, let alone questioned them, seen where they lived, who they cared for, loved, feared, or hated. The cases he had handled so far in Special Branch were largely preventative: matters of finding men likely to incite violence and stir up the cold, hungry, and impoverished into riot. Occasionally he had been involved in the search for an anarchist or potential bomber. The Special Branch had been formed originally to combat the Irish Problem, and had had a certain degree of success, at least in keeping violence under control. Now its remit was against any threat to the security of the country, so possibly the fall of a major government figure could be scraped into that category. He finished the coffee and handed the mug back to the woman, thanking her and continuing along the pavement. He took the last few yards at a run as he saw an empty hansom stop at the intersection, and he hailed the driver. At the Edgware Road station an Inspector Talbot was in charge of the case and received Pitt in his office with barely concealed impatience. He was a man of middle height, lean as a whippet, with sad, slightly faded blue eyes. He stood behind his desk, piled with neatly handwritten reports, and stared at Pitt, waiting for him to speak. "Thomas Pitt from Special Branch," Pitt introduced himself, offering his card to prove his identity. Talbot's face tightened, but he waved a hand for Pitt to sit down in one of the rigid, hard-backed chairs. "It's a clean case," Talbot said flatly. "The evidence is pretty hard to misunderstand. The woman was found with the body, trying to move it. It was her gun that shot him, and it was in the barrow beside the body. Thanks to someone's quick thought, we got her in the act." The expression in his face was a challenge, daring Pitt to contradict such blatant facts. "Whose honesty?" Pitt asked, but his stomach knotted up with foreknowledge of a kind of hopelessness already. This was going to be simple, ordinary and ugly, and as Talbot said, there was no way of evading it. "Don't know," Talbot replied. "Someone raised the alarm. Heard the shots, they said." "Raised the alarm how?" Pitt asked, a tiny prickle of curiosity awakened in him. "Telephone," Talbot answered, catching Pitt's meaning instantly. "Narrows it down a bit, doesn't it? Before you ask, we don't know who. Wouldn't give a name, and apart from that, the caller was so alarmed the voice was hoarse-and so up and down the operator couldn't even say for sure whether it was a man or a woman." "So the caller was close enough to be certain it was shots," Pitt concluded immediately. "How many houses have telephones within a hundred yards of Eden Lodge?" Talbot pulled his mouth into a grimace. "Quite a few. Within a hundred and fifty yards, then, probably fifteen or twenty. It's a very nice area, lot of money. We'll try asking, of course, but the fact the caller didn't give a name means he or she wants to keep well out of it." He shrugged. "Pity. Might have seen something, but I suppose more likely they didn't. Body was found in the garden, well concealed by shrubbery, all leaves still on the trees, barely beginning to turn color. Laurels and stuff on the ground, evergreens." From the Hardcover edition. Excerpted from Seven Dials: A Charlotte and Thomas Pitt Novel by Anne Perry All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.