Cover image for Beautiful blackbird
Title:
Beautiful blackbird
Author:
Bryan, Ashley.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Atheneum Books for Young Readers, [2003]

©2003
Physical Description:
1 volume (unpaged) : color illustrations ; 28 cm
Summary:
In a story of the Ila people, the colorful birds of Africa ask Blackbird, whom they think is the most beautiful of birds, to decorate them with some of his "blackening brew."
Language:
English
Reading Level:
540 Lexile.
Program Information:
Accelerated Reader AR LG 3.7 0.5 66794.

Reading Counts RC K-2 2.8 1 Quiz: 34593 Guided reading level: J.
ISBN:
9780689847318
Format :
Book

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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Childrens Area-Black History
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Picture Books
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction On Display
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction On Display
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Fairy Tales
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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PZ8.1.B838 BG 2003 Juvenile Non-Fiction Open Shelf
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On Order

Summary

Summary

Black is beautiful, uh-huh!

Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day.
Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia reso-nates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.


Reviews 3

Booklist Review

K^-Gr. 2. In this simple adaptation of a tale from the Ila-speaking people of Zambia, the message is clear: "Black is beautiful." Once upon a time, Blackbird was the only bird of Africa who wasn't brightly colored. When Ringdove asks who is the most beautiful bird, the other birds name Blackbird. At Ringdove's request, Blackbird brings blackening from his medicine gourd to decorate Ringdove's colored neck; the other birds also want trimming, so Blackbird paints dots and brushes lines and arcs until his gourd is empty. Using a more vivid palette than usual, Bryan employs boldly colored, cut-paper artwork to dramatize the action. The overlapping collage images fill the pages with energy as the songlike responses of the birds tap out a rhythm punctuated with "uh-huhs." In an author's note, Bryan explains that the scissors pictured on the endpapers, which Bryan used to create the collages, were once also used by his mother. Ready-made for participative storytelling. --Julie Cummins


Publisher's Weekly Review

Storyteller Bryan's (What a Wonderful World) singular voice provides rhythm and sound effects throughout this musical adaptation of a Zambian tale. When gray Ringdove calls the other monotone birds together and asks, "Who of all is the most beautiful?" they all reply, "Blackbird." They then encircle Blackbird, dancing and singing, "Beak to beak, peck, peck, peck,/ Spread your wings, stretch your neck./ Black is beautiful, uh-huh!/ Black is beautiful, uh-huh!" At the birds' request, Blackbird agrees to paint black markings on them (with the blackening brew in his medicine gourd), but he warns Ringdove that it's not the color black that will make them beautiful. "Color on the outside is not what's on the inside..... Whatever I do/ I'll be me and you'll be you." The message about inner beauty and identity becomes somewhat diluted by the closing song, in which the birds triumphantly sing, "Our colors sport a brand-new look,/ A touch of black was all it took./ Oh beautiful black, uh-huh, uh-huh/ Black is beautiful, UH-HUH!" But if the ending creates a bit of confusion, Bryan's collages make up for it with their exhibition of colorful splendor and composition. Scenes of the rainbow of wings are outdone only by a lakeside view of their colors intricately "mirrored in the waters." And Bryan's lilting and magical language is infectious. Ages 3-7. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved


School Library Journal Review

K-Gr 2-Because they haven't got a spot of black on their bodies, the colorful birds of Africa envy Blackbird. They extol his feathers that "gleam all colors in the sun" in their songs and dances. And although he assures them that "Color on the outside is not what's on the inside," he generously shares the blackening brew in his gourd. First he adds a necklace of midnight to Ringdove, then markings of black to every feathered creature large and small, causing them to finally sing, "Oh beautiful black, uh-huh, uh-huh/Black is beautiful, UH-HUH!" Adapted from an Ila tale from Zambia, this story delivers a somewhat contradictory message. Blackbird frequently affirms that it's what's inside that counts but his avian friends are certainly fixated on adding some black to their feathered finery. The story line is simple and the rhythmic chants of the flock frequently interspersed throughout the text add drama and a rapper's cadence. The cut-paper silhouettes are colorful but static, effectuating a stylized formality. The endpapers include an image of the scissors used to create the collages and reinforce the physical process behind the art. This unusual and little-known pourquoi tale may supplement larger collections and serves as a thoughtful and entertaining addition to units on self-esteem.-Carol Ann Wilson, Westfield Memorial Library, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.