Cover image for The Master Butchers Singing Club : a novel
Title:
The Master Butchers Singing Club : a novel
Author:
Erdrich, Louise.
Personal Author:
Edition:
First edition.
Publication Information:
New York : HarperCollins Publishers, [2003]

©2003
Physical Description:
389 pages ; 24 cm
Language:
English
Program Information:
Accelerated Reader AR UG 7.1 25.0 68642.
Geographic Term:
ISBN:
9780066209777
Format :
Book

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Summary

Summary

From National Book Award-winning, New York Times-bestselling author Louise Erdrich, a profound and enchanting new novel: a richly imagined world "where butchers sing like angels."

Having survived World War I, Fidelis Waldvogel returns to his quiet German village and marries the pregnant widow of his best friend, killed in action. With a suitcase full of sausages and a master butcher's precious knife set, Fidelis sets out for America. In Argus, North Dakota, he builds a business, a home for his family--which includes Eva and four sons--and a singing club consisting of the best voices in town. When the Old World meets the New--in the person of Delphine Watzka--the great adventure of Fidelis's life begins. Delphine meets Eva and is enchanted. She meets Fidelis, and the ground trembles. These momentous encounters will determine the course of Delphine's life, and the trajectory of this brilliant novel.


Author Notes

Karen Louise Erdrich was born on June 7, 1954 in Little Falls, Minnesota. Erdrich grew up in Wahpeton, North Dakota, where both of her parents were employed by the Bureau of Indian Affairs. She is a member of the Turtle Mountain Band of Chippewa. Erdrich graduated from Dartmouth College in 1976 with an AB degree, and she received a Master of Arts in creative writing from Johns Hopkins University in 1979.

Erdrich published a number of poems and short stories from 1978 to 1982. In 1981 she married author and anthropologist Michael Dorris, and together they published The World's Greatest Fisherman, which won the Nelson Algren Award in 1982. In 1984 she won the National Book Critics Circle Award for Love Medicine, which is an expansion of a story that she had co-written with Dorris. Love Medicine was also awarded the Virginia McCormick Scully Prize (1984), the Sue Kaufman Prize (1985) and the Los Angeles Times Award for best novel (1985).

In addition to her prose, Erdrich has written several volumes of poetry, a textbook, children's books, and short stories and essays for popular magazines. She has been the recipient of numerous awards for professional excellence, including the National Magazine Fiction Award in 1983 and a first-prize O. Henry Award in 1987. Erdrich has also received the Pushcart Prize in Poetry, the Western Literacy Association Award, the 1999 World Fantasy Award, and the Scott O'Dell Award for Historical Fiction in 2006. In 2007 she refused to accept an honorary doctorate from the University of North Dakota in protest of its use of the "Fighting Sioux" name and logo.

Erdrich's novel The Round House made the New York Times bestseller list in 2013. Her other New York Times bestsellers include Future Home of the Living God (2017).

(Bowker Author Biography)


Reviews 3

Booklist Review

Although death looms large in Erdrich's emotionally powerful, richly detailed new novel, it does so in a "world where butchers sing like angels." The indomitable Fidelis Waldvogel walks home from World War I and marries Eva, the pregnant widow of his best friend, who was killed in combat. Carrying a suitcase full of butcher knives, he immigrates to America and settles in Argus, North Dakota (a fictional town familiar from Erdrich's previous novels). Endlessly resourceful Delphine Watzka has attempted to put Argus and her childhood (devoted to ministering to her father, Roy, a hopeless alcoholic) behind her by joining the circus as a human table for a balancing act. Although she deeply loves her balancing partner, Cyprian, she senses a barrier between them that prevents them from truly connecting. Returning to Argus, she takes a job at Fidelis' butcher shop, where she makes a friend for life in the hardworking Eva, eventually nursing her through a death by cancer and finally finding the love of her life in Fidelis. Erdrich gives us one of her finest characters in the radiant Delphine, who is possessed of an immense generosity of spirit, while also creating a host of truly remarkable secondary characters: loyal Cyprian, mournful Roy, the eccentric ragpicker Step-and-a-Half. In mesmerizing prose, Erdrich meticulously re-creates the brutal work of the slaughterhouse and the lithe grace of the circus troupe and then counterpoints this physical world with transcendent moments of human connection. It's clear that Erdrich, one of our finest writers, is working at the very peak of her considerable powers. --Joanne Wilkinson


Publisher's Weekly Review

All of the virtues of Erdrich's best works-her lyrical precision, bleakly beautiful North Dakota settings, deft interweaving of characters and subplots, and haunting evocation of love and its attendant mysteries-are on full display in this superb novel. Drawing on her paternal German ancestry, Erdrich tells the story of Fidelis Waldvogel, a WWI sniper and master butcher with a "talent for stillness" and for singing. After marrying Eva, the pregnant fiance of his best friend, who was killed in the war, he emigrates to America. Settling in Argus, N.Dak., he and Eva establish a butcher shop known for its Old World expertise and for housing Fidelis's beloved singing club. The focus then shifts to Delphine Watzka, a performer in a traveling vaudeville act, who has recently returned to Argus to care for her alcoholic father, Roy. Roy's health problems pale beside his legal problems: the predatory Sheriff Hock is investigating how the Chavers family came to perish in Roy's basement. Not willing to abandon Roy, Delphine and her vaudeville partner, Cyprian Lazarre, a homosexual Ojibwa, set up house in Argus, where Delphine soon befriends Eva and develops a disturbing attraction to Fidelis. Erdrich's plot spans 36 years, covering two world wars, several violent deaths, near-deaths, illnesses, accidents and crimes-"awful things occurring to other humans," but somehow not to Delphine, who draws on reserves of toughness and compassion to sustain herself as well as the surprisingly vulnerable Waldvogel family. Some readers may be disappointed by the trajectory of the Fidelis-Delphine love story, which is consummated without quite the fireworks display Erdrich seems to promise, but many others will be deeply moved by the complicated romance. With its lush prose, jolts of wisdom and historical sweep, this story is as rich and resonant as any Erdrich has told. BOMC alternate selection; 6-city author tour. (Feb. 7) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

A German soldier straggles home from World War I, marries his best friend's pregnant widow, then picks up a set of butcher knives and heads for North Dakota, where he founds a singing club and encounters the passionate Delphine Watzka. If anyone can make a butcher sing, it's Erdrich. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

The Master Butchers Singing Club A Novel Chapter One The Last Link Fidelis walked home from the great war in twelve days and slept thirty-eight hours once he crawled into his childhood bed. When he woke in Germany in late November of the year 1918, he was only a few centimeters away from becoming French on Clemenceau and Wilson's redrawn map, a fact that mattered nothing compared to what there might be to eat. He pushed aside the white eiderdown that his mother had aired and restuffed every spring since he was six years old. Although she had tried with repeated scrubbings to remove from its cover the stains of a bloody nose he'd suffered at thirteen, the faint spot was still there, faded to a pale tea-brown and shaped like a jagged nest. He smelled food cooking--just a paltry steam but enough to inspire optimism. Potatoes maybe. A bit of soft cheese. An egg? He hoped for an egg. The bed was commodious, soft, and after his many strange and miserable beds of the past three years, it was of such perfect comfort that he'd shuddered when first lying down. Fidelis had fallen asleep to the sound of his mother's quiet, full, joyous weeping. He thought he still heard her now, but it was the sunlight. The light pouring through the curtains made a liquid sound, he thought, an emotional and female sound as it moved across the ivory wall. After a while he decided that he heard the light because he was clean. Disorientingly clean. Two nights ago, before he'd entered the house, he begged to bathe in a washtub out in the tiny roofed courtyard, beneath the grape arbor. They built a fire to warm the water. His sister, Maria Theresa, picked the lice from his hair and his father brought fresh clothing. In order to endure all that the war necessitated, including his own filth, Fidelis had shut down his senses. As he opened to the world again, everything around him was distressingly intense and all things were possessed of feeling, alive, as in a powerful dream. Quietness reverberated in his head. Ordinary sounds, people outside in the streets, seemed marvelous as the chatter of rare monkeys. A thrill of delight crashed through him. Even to put on his clean and vermin-free clothing was a task so full of meaning that the fastening of his grandfather's gold boar's-head cuff-links nearly made him weep. Breathing low, he collected himself, and stilled his tears with the power of his quietness. Ever since he was a child, when sorrow had come down upon him, he'd breathed lightly and gone motionless. As a young soldier, he'd known from the first that in his talent for stillness lay the key to his survival. It had carried him through the war as a pitifully green recruit of whom it was soon discovered that, from a sniping post, he could drill a man's eye at 100 meters and make three of five shots. Now that he was home, he understood, he must still be vigilant. Memories would creep up on him, emotions sabotage his thinking brain. To come alive after dying to himself was dangerous. There was far too much to feel, so he must seek, he thought, only shallow sensations. Now he tried to adjust. He must slowly awaken even to this childhood room he knew so well. He sat down at the edge of the bed. On a thick shelf set into the wall, his books stood in lines, or stacked as he'd left them, marked with thin strips of paper. For a time, though his occupation was assured, he'd cherished the vision of himself as a poet. Therefore his shelves were stacked with volumes of his heroes, Goethe, Heine, Rilke, and even Trakl, hidden behind the others. He looked at them now with dull curiosity. How could he ever have cared what such men said? What did their words matter? His childhood history was also in this room, his toy soldiers still arranged on the sill. And his young man's pride: his diplomas and his guild papers framed on the wall. These things did matter. These papers represented his future. His survival. In the closet, his bleached, starched, and pressed white shirts hung ready to embrace him. His polished shoes waited on the shelf beneath for the old Fidelis to put his feet into them. Gingerly, Fidelis tried to slide his feet into the open maws of the stiff shoes, but they wouldn't go. His feet were swollen, tender from frostbite, peeling, painful. Only his hobnailed boots fit, and they were green inside and stank of rot. Slowly, he turned to contemplate the day. His bedroom window was a long, golden rectangle. He rose and opened the window, using the ram's-horn curl of its handle, and looked out, over Ludwigsruhe's slow, brown river, over the roofs and dead late-fall gardens on its opposite bank, across a patchwork of tender, gray fields, and then a tiny complex of roofs and chimneys beyond. Somewhere in that next town's maze lived the woman he had never met before, but had promised to visit. He found himself thinking about her with a complex intensity. His thoughts formed questions. What was she doing now? Had she a garden? Was she gathering the final few dusty potatoes from a small, raised, straw-covered berm? Was she hanging out her laundry fresh and white on a piece of icy rope? Was she talking, over tea, to her sister, her mother? Was she singing to herself? And his own presence, what he had promised to tell her. How could he go through with it, and also, how could he not? Eva Kalb, 17 Eulenstrasse. Fidelis stood before the blond-brick walkway, frowning at the frail cast-iron arbor that marked the entrance. The ironwork was threaded with the tough overgrowth of climbing rose stalks . . . The Master Butchers Singing Club A Novel . Copyright © by Louise Erdrich. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Master Butchers Singing Club by Louise Erdrich All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.