Cover image for Alone in IZ world
Alone in IZ world
Kamakawiwoʻole, Israel, performer.
Publication Information:
[Hawaii] : Big Boy ; Honolulu, HI : Excusively distributed by The Mountain Apple Co., [2001]

Physical Description:
1 audio disc (52 min., 25 sec.) : digital ; 4 3/4 in. + 1 container insert ([8] pages : illustrations) + 1 folded sheet (23 cm)
General Note:
Big Boy: BBCD 5907.

Title from container.

"New songs, enhanced arrangements, unplugged performances"--Container.

Enhanced CD.

Compact disc.
Mona Lisa -- Kaleohano -- ʻUlili e -- Hanohano wale nō nā cowboy and ka huila wai -- Hiʻilawe -- Henehene kou ʻaka -- Ahi wela/Twinkle twinkle little star -- ʻOpae ē -- Starting all over again -- Over the rainbow -- Panini puakea -- Lā ʻelima -- In this life.
Format :
Music CD


Call Number
Material Type
Home Location
Item Holds
XX(1195029.2) Compact Disc Open Shelf
FOLKOCEA .K15 A Compact Disc Central Library
FOLKOCEA .K15 A Compact Disc Central Library

On Order



The late Israel Kamakawio'ole, known to his many fans simply as Iz, was a consummate Hawaiian with a wonderful voice and accomplished ukulele technique. This posthumous release of some unplugged performances, enhanced arrangements, and previously unreleased songs is definitely for his legion of admirers. While best known for his native Hawaiian songs, Iz covered a lot of ground, and three of the most affecting tracks here are standards: his take on "Mona Lisa," starting alone, then with a full arrangement behind him; the nursery rhyme "Twinkle Twinkle Little Star"; and a most unusual version of "Somewhere Over the Rainbow" which shouldn't work in his style, but quite stubbornly does. His angelic pipes seem capable of working around any material and doing it justice (although it should be noted "Starting All Over Again" and "In This Life," with full-on synths behind him, definitely go for saccharine overkill). But he's perhaps at his best when he's at his simplest -- just him and his ukulele -- whether on the strummed "Panini Puakea" or the delicate and mysterious "La Elima," which relies on his gentle picking. On the classic Hawaiian song "Opae E," the guitar backing fleshes out his work without overpowering it, a gentle filigree around his voice. To those who love Iz's albums, whether his solo work or as part of the Makaha Sons of Ni'ihau, this stands -- certainly for the most part -- as a wonderful, thoughtful addition to his catalog, highlighting most the stunning purity of his voice. ~ Chris Nickson