Cover image for Tattooed bodies : subjectivity, textuality, ethics, and pleasure
Title:
Tattooed bodies : subjectivity, textuality, ethics, and pleasure
Author:
Sullivan, Nikki, 1962-
Personal Author:
Publication Information:
Westport, Conn. : Praeger, 2001.
Physical Description:
203 pages : illustrations ; 24 cm
Language:
English
ISBN:
9780275966751
Format :
Book

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GN419.3 .S85 2001 Adult Non-Fiction Non-Fiction Area
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Summary

Summary

Drawing on the works of a number of postmodern theorists, this study suggests that the tattooed body is symptomatic of a general process of marking and being marked and is a social production of identity and difference. Shifting the focus away from what the tattooed body means to what it does, this work analyzes how it functions and what effects it produces. It challenges the ways in which identity and difference are discursively produced, particularly in psychological, criminological, and counter-cultural discourses. The writings of such theorists as Foucault, Levinas, Barthes, and Lingis are scrutinized to reveal how their discourse interprets the tattooed body as simply an aberrant threat to the body or simply a positive counter-cultural challenge. These theories are supplanted with this unique approach to notions of subjectivity, textuality, ethics, and pleasure and to the relationships among them.

This examination of the role of the body in social, political, and ethical relations will attract scholars from a number of disciplines, including cultural studies, gender studies, philosophy, visual arts, sociology, and English. It will also appeal to critics and practitioners in contemporary practices of body modification.


Author Notes

NIKKI SULLIVAN is a lecturer in Critical and Cultural Studies at Macquarie University./e She has published articles on body modification, self-mutilation, and queer theory.


Table of Contents

Introduction The Subject in/of Tattooing (Re)Writing Subjectivity
A Different Economy of Bodies and Pleasures? Encountering the Other
Ontological (In)Difference and the Metaphysics of Alterity Reading Body Writing
An Ethics of (Inter)Textual Pleasure Bodily Inscription
Figuration and the Discursive Production of Imaginary Bodies and Social Imaginaries
Conclusion
Bibliography