Cover image for Blues in the night
Blues in the night
Krich, Rochelle Majer.
Personal Author:
First edition.
Publication Information:
New York : Ballantine Books, [2002]

Physical Description:
x, 337 pages ; 25 cm
"Sunday, July 13. 1:45 A.M. Near Lookout Mountain and Laurel Canyon. An unidentified woman in her twenties, wearing a nightgown, was the victim of a hit-and-run accident that left her unconscious and seriously injured. There were no witnesses"--Dust jacket.
Format :


Call Number
Material Type
Home Location
Item Holds
X Adult Fiction Mystery/Suspense
X Adult Fiction Open Shelf
X Adult Fiction Open Shelf

On Order



The bestselling author of Shadows of Sin debuts a thrilling new suspense series starring the intrepid Molly Blume, the crime writer for a Los Angeles tabloid.

Author Notes

Rochelle Majer Krich was born in Germany to Holocaust survivors. She received a master's degree in English from U.C.L.A. and taught high school English for eighteen years. During this time, she received the Milken Families Foundation Award for Distinguished Educator of the Year and the Samuel Belkin Memorial Award for professional achievement. In 1990, she published her first novel, Where's Mommy Now?, which won the Anthony Award. She also writes the Jessie Drake series and the Molly Blume series. Dead Air won the Romantic Times Reviewers' Choice Award for Best Mystery or Suspense and Grave Endings won the Mary Higgins Clark and Calavera Awards.

(Bowker Author Biography)

Reviews 2

Booklist Review

Molly Blume is a modern Orthodox Jew who just happens to be a true-crime writer. It's an unusual combination, perhaps, but Molly (and Krich) makes it work--as well here as in past Blume mysteries. In this one, about devotion misplaced and forgiveness well earned, the mysterious circumstances surrounding a hit-and-run victim force the inquisitive Molly to reexamine a past tragedy that involves the same players as the current conundrum. As Blume fans have come to expect, no matter how tantalizing the mystery, dedicated Molly always finds time to celebrate her faith and visit with her family. This time she also takes an opportunity to wrestle with the possibility that the new rabbi, who broke her heart when they were teens, is worthy of another chance. By the close, the villains, of course, come to light, but the romance with the rabbi, though promising, still isn't a done deal. Give this engaging mystery to patrons who like a milder sort of suspense, with ample religious context. --Stephanie Zvirin

Publisher's Weekly Review

With Los Angeles true-crime writer Molly Blume (yes, she gets teased about that a lot), Agatha Award winner Krich (Shadows of Sin and four other Jessie Drake mysteries) introduces a smart new heroine in a new suspense series. Molly finds her stories everywhere and has learned to respect that tingle that tells her she's onto something. When a newspaper snippet about a young woman nearly killed by a hit-and-run driver snags her attention, Molly plunges headfirst into the story. It's a bit like falling into the rabbit hole, for the more she learns about the victim, the less she understands. The young woman may have been a tragic figure who killed her infant son while suffering a postpartum psychosis, or a very clever manipulator who planned the murder even before the child was born. She may have committed suicide in the hospital, or she may have been murdered. Molly's onion-peeling investigation will appeal to those who read mysteries for the pleasure of solving an intricate puzzle. Equally appealing, enough to make us wish for more, is the affectionate portrait of a large, boisterous Jewish family. Everyone needs a wise grandmother like Molly's. A sideline love story is a bit of a throwaway, but the fascinating look inside the culture and rituals of Orthodox Judaism more than makes up for it. Krich nicely captures the sense of community that religious faith can create, and she skillfully paints the special beauty of the desert landscape outside L.A. Agent, Sandra Dijkstra. (Oct. 1) Forecast: With blurbs from Sue Grafton and Harlan Coben, plus a five-city author tour and appearances at Jewish book fairs, Krich's new publisher is making a fair bid to win her the kind of audiences commanded by Faye Kellerman and Susan Isaacs. With a little extra magic, based more on prose quality than publicity and promotion, this new series could do it for her down the road. (c) Copyright PWxyz, LLC. All rights reserved



Chapter One It was the nightgown that hooked me: Sunday, July 13. 1:46 a.m. Near Lookout Mountain and Laurel Canyon. An unidentified woman in her mid- to late-twenties, wearing a nightgown, was the victim of a hit-and-run accident that left her unconscious and seriously injured. There were no witnesses. That's how my copy would read in next Tuesday's edition of the Crime Sheet. We're not talking Chandler or Hammett--just the facts, ma'am. There would be no speculation about the nightgown mentioned in the police report, or about the woman wearing it. Had she been in distress? I wondered. Desperate, maybe, her hair flying behind her like a banner as she dashed across the serpentine road, oblivious of the oncoming car? Had she been running for help, or away from something or someone? Had she been looking behind her in that final moment before the car slammed into her, several tons of metal crushing muscle and delicate bone, or paralyzed by the headlights, feral eyes gleaming menace in the dark, moonless night? My editor, who constantly carps about lack of space, would probably cut the nightgown. People don't care what she was wearing, Molly, he'd argue. For me, the nightgown was key. And in my opinion, it's details like this that give the Crime Sheet its quirky flavor. I'm a freelance reporter and I collect data from the Los Angeles Police Department for a section in the local independent throwaways that people read to find out what crimes are taking place in their neighborhoods and figure out how nervous they should be. I also write books about true crime under the pseu- donym Morgan Blake. I've always been inquisitive ("Excellent grades marred by interrupting class with too many questions"), and ever since I can remember, I've been drawn to crime stories, true and fictional. So with a journalism degree from UCLA, I set about channeling my curiosity into a career. As to my love of crime fiction, I inherited that from my maternal grandmother, Bubbie G (the G is for Genendel, a name Bubbie has forbidden any of us to mention although I think it's cute). Bubbie, who immigrated to Los Angeles from Europe with my late grandfather in 1951, taught herself English and cut her teeth on Erle Stanley Gardner. Soon she was devouring four or five mysteries a week--cozies, hardboiled, Agatha Christie to Elmore Leonard--and whenever she babysat us kids, she'd read to us from Dr. Seuss and a few chapters from the latest mystery she'd picked up from the book sale table at the library. Of course, she skipped some of the choice words, something I didn't discover until I became addicted myself. None of my siblings (there are seven kids in the Blume mishpacha; I'm number three) share Bubbie G's love of mystery, which gives Bubbie and me a special bond. The mystery gene skipped over my mom, Celia, who, aside from teaching high school English, has published one romance novel under the pen name of Charlotte D'Anjou, my father's favorite pear. (Bartlett came in second.) I suppose it's funny that we both use pseudonyms, though our motives are different, and there's nothing funny about mine. My mom does it because it fits her romantic sensibilities, and I suspect she's not ready to test the reactions of her students and principal. I do it to protect myself from the criminals I write about, people for whom I have a healthy fear and from whom I'd like to keep my identity and address secret. Because mystery fiction is different from true crime. There are experiences Bubbie won't talk about, ever. There are events I choose not to remember that worm their way into my consciousness despite my efforts to keep them out. It's those events and Bubbie's unspoken past, not curiosity, that compel me to try to find out the why of the horrible things people do to each other. And there are moments when the sadness of the fractured lives I'm investigating makes me wonder whether my mother doesn't have the right idea. Lookout Mountain, the spot where the woman was hit, is about half a mile south of Mulholland, which is halfway between the city and the San Fernando Valley. I added the information to my hollywood computer file and, with a stack of note-filled pages and several photocopies of police reports in front of me (some divisions will give me photocopies, others will allow me to take notes "under scrutiny"), I proceeded to enter the details of other misdemeanors and felonies in the Hollywood area: Sunday, July 13. 3:37 a.m. 8400 block of Fountain. A man broke into a woman's home and raped her. Sunday, July 13. 8:08 a.m. 8500 block of Beverly Boulevard. A suspect, angry about his cellular phone service, threatened his service consultant, saying, "I'm going over there to shoot and kill you." Monday, July 14. 9:58 p.m. 5700 block of San Vicente Boulevard. Sometime during the morning a thief removed money from a woman's artificial leg. You get the picture. I had finished inputting half the police data and was returning to my office with a refilled coffee mug when the phone rang. The Caller ID on my desk phone told me it was my mother, who knows I generally don't take calls when I'm writing. It's so easy to destroy the gossamer filaments of creative thought, so hard to spin them. I'm an excellent worrier, and my mind ran through several dire possibilities as I picked up the receiver. "Is everything okay, Mom?" "Everything's fine," she said, panting. "I hate to interrupt you, Molly, but Edie wanted me to call right away." For my sister Edie, everything has "right away" significance. "You're not interrupting, Mom. Why are you so out of breath?" "Edie let us have a five-minute break from class," she said, referring to the weekly Israeli dance lessons my sister gives. "She wants to set you up with someone. He's very special. Brilliant, funny, sensitive, handsome." One of Bubbie G's favorite jokes is about a shadchan (matchmaker) who raves to a young man's parents about a girl who has everything: beauty, intelligence, a sterling character, wealth. What doesn't she have? ask the skeptical parents. A long pause before the shadchan replies: Teeth. It's even better in Yiddish. "What's the hitch?" I asked now, sandwiching the cordless phone receiver between my head and shoulder as I stirred artificial sweetener into my coffee. "There's no hitch. He's thirty, just a year older than you are. Never married." "What does he do?" My mother hesitated. Teeth, I thought, and then I heard her say, "He's a rabbi." I laughed out loud. "I don't date rabbis. I don't even like most of them." An exaggeration, but the idea was too ridiculous. "What was Edie thinking?" "She says he's a real catch, Molly. She wants to set this up quickly, before someone else grabs him." "Let them grab." Ever since my divorce two years ago, my sister Edie has made it her mission to find my true bashert--my destined love. It's probably easier to find a Kate Spade bag on a clearance table. "One date can't hurt. Edie says you know him, by the way." "Edie probably booked the Century Plaza for the wedding and ordered the flowers for the chuppa." The wedding canopy. "What's his name?" I took a long sip. "Zachary Abrams. He's--" I coughed violently, spraying mocha droplets over my laptop and the papers on my desk. "I went out with Zack Abrams my junior year in high school, Mom. Don't you remember? He French-kissed me." All of which Edie knew. No wonder she hadn't called me herself. "That's more than I care to know," my mother, the romance writer, said dryly. "Zack's a rabbi? You're sure?" I was back in his parents' gray Pontiac, steaming up the windows with stuff that would be rated G today, and the memory was quite pleasant, to tell you the truth. "The rabbi at B'nai Yeshurun is retiring," my mom said, referring to a modern Orthodox synagogue about half a mile from my parents' home. "Zachary Abrams is his replacement. Edie's friend Harriet is a member. She thought of you and phoned Edie this morning." "You know that's the Hoffmans' shul." The Hoffmans are my ex-in-laws. Since the divorce I've bumped into them several times--the Orthodox Jewish world in L.A. is small--and the encounters have been polite but strained. "I can see that it might be awkward, Molly. But you shouldn't let that get in the way." "Get in the way of what?" Way too small, I decided. My mother sighed. "So should I tell Edie no?" "Tell her yes," I said, surprising myself and my mother, whose "Really?" conveyed the relief of a hostage negotiator braced for failure. "Just for old times' sake." I had no intention of hooking up with a rabbi, or with Zack, with whom I had unfinished business, but I was curious to see what twelve years had done to him. They had added the hint of a few lines around my brown eyes, an inch to my five feet four, and five or six pounds that, like the tide, ebb and flow but make no discernible change to my topography. After mopping up the coffee from my keyboard and papers, I refastened my unruly blond hair with a banana clip and tackled the rest of the police reports. An hour later I was done, and after stretching my cramped neck and back muscles and flexing my fingers, I sat down again and accessed the piece I was writing, an update on the chromium six some of us Angelenos are apparently sipping with our lattes. Yes, just like Erin Brockovich--life imitating art based on life--but I guess our city council members hadn't seen the movie, because they were planning to study the effects of the chromium for five years before deciding what to do, if you can believe it. Excerpted from Blues in the Night by Rochelle Majer Krich All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.