Cover image for Basket case
Title:
Basket case
Author:
Hiaasen, Carl.
Personal Author:
Edition:
Unabridged.
Publication Information:
Prince Frederick, MD : Recorded Books, [2002]

â„—2002
Physical Description:
11 audio discs (13 hrs.) : digital ; 4 3/4 in.
Summary:
Jack Tagger, once an investigative reporter now writes only obituaries. One of his death notices says Jimmy Stoma, lead singer of the once notorious Slut Puppies died in a scuba-diving accident. Sensing foul play he begins to investigate as the rest of the Slut Puppies begin dying.
General Note:
Compact disc.
Language:
English
Geographic Term:
Added Author:
ISBN:
9781402529016
Format :
Audiobook on CD

Available:*

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Call Number
Material Type
Home Location
Status
Kenilworth Library XX(1187249.20) Adult Audiobook on CD Audiobooks
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Summary

Summary

Jack Tagger, a onetime investigative reporter reduced to writing obituaries, lives by the motto, "Always be halfway prepared." Tagger catches the scent of a real news story in the death notice for Jimmy Stoma, lead singer of the once-notorious Jimmy and the Slut Puppies. Hoping to regain his status in the world of journalism, he follows the trail to the not-so-grieving widow, Cleo Rio, who is attempting to give her own career a jump-start


Author Notes

Carl Hiaasen was born in Fort Lauderdale, Florida on March 12, 1953. He received a degree in journalism from the University of Florida in 1974. He has been a reporter and columnist for the Miami Herald since 1976, and is known for exposing scandal and corruption throughout southern Florida. He has received numerous state and national honors for his journalism and commentary including the Damon Runyon Award from the Denver Press Club. His work has also appeared in numerous magazines including Sports Illustrated, Playboy, Time, Life, Esquire and Gourmet.

His best-selling novels include Double Whammy, Skin Tight, Native Tongue, Stormy Weather, Lucky You, Sick Puppy, Basket Case, Nature Girl and Razor Girl. His 1993 novel, Striptease, was adapted as a film in 1996 starring Demi Moore and Burt Reynolds. He also writes children's books including Hoot, which was awarded a Newbery Honor; Flush; and Scat. Hoot was adapted into a film in 2006. His non-fiction works include Team Rodent; The Downhill Lie: A Hacker's Return to a Ruinous Sport; and two collections of his newspaper columns entitled Kick Ass and Paradise Screwed. In 2013 his titles Chomp and Bad Monkey made The New York Times bestseller list. In 2014, his non-fiction title Dance of the Reptiles made it to the New York Times bestseller list. Skink - No Surrender made the New York Times bestseller list in 2014.

(Bowker Author Biography)


Reviews 3

Booklist Review

There have been signs recently that Hiaasen has taken his unique brand of apocalyptic surrealism about as far as it could go--Sick Puppy (2000), though often hilarious, seemed a little too much like shtick--and, sure enough, this novel finds the author moving in a slightly different, less crazed direction. The story, about a onetime investigative reporter reduced to writing obituaries, reads much more like mainstream crime fiction than the blend of slapstick nightmare and moral outrage we have come to expect from Hiaasen. But it's a rip-roaringly entertaining tale, as the obit man, Jack Tagger, catches the scent of a real news story in the death notice for Jimmy Stoma, lead singer of the once-notorious Jimmy and the Slut Puppies. He follows the trail to a not-so-grieving wife and what looks to be a plot to steal Jimmy's comeback CD. When other members of the band die in suspicious circumstances ("Somebody's killing off the Slut Puppies!"), Tagger sees his chance to get back to the front page. Along the way, there's a surprisingly sweet romance with Tagger's editor and plenty of musing on the sorry state of contemporary journalism. Readers who love Hiaasen only for the slapstick elements of his work may see this novel as a bit old-fashioned, but others will appreciate the Nick-and-Nora banter and the spot-on glimpse of life in today's newsroom. Don't worry, though, there are still a few classic Hiaasen flourishes, like the dead lizard in Tagger's freezer and the running gag about how old various celebrities were when they died. Give Hiaasen credit for knowing that sometimes the best way to reinvent yourself is to retreat from the edge. --Bill Ott


Publisher's Weekly Review

Hiassen gets back to his roots with this (almost) straight-ahead mystery, but doesn't skimp on the funny stuff as he follows the adventures of Jack Tagger, down-on-his-luck journalist relegated to the obit beat at a smalltown Florida daily. While researching a death notice, Jack stumbles by accident upon an actual news story: former rocker Jimmy Stoma has drowned while diving in the Bahamas, and his widow, wannabe star Cleo Rio, can't convince Jack that his death was accidental. The mystery offers Jack a way out of his job-related death fixation ("It's an occupational hazard for obituary writers memorizing the ages at which famous people have expired, and compulsively employing such trivia to track the arc of one's own life") and toward his increasingly lusty feelings for Emma, his 27-year-old editor (" `Bring whipped cream,' I tell her, `and an English saddle' "). But when things turn violent and Jack suddenly has to defend himself with a giant frozen lizard, he enlists the help of his sportswriter friend Juan Rodriguez and teenage club scene veteran Carla Candilla to try to find out why someone is killing off has-been sleaze rockers. A hilarious sendup of exotic Floridian fauna in the newspaper business, the novel offers all the same treats Hiassen's fans have come to crave. What makes this book different is its first-person, present-tense narrative style. Unlike previous capers, which were narrated in the omniscient third person, this book settles squarely in the mystery genre from whence Hiaasen's fame (Double Whammy; Tourist Season, etc.) initially sprang. Despite the absence of perennial Hiaasen favorite Skink, this should make an easy job for Knopf's sales force even easier. (Jan. 9) Forecast: A 22-city author tour, a drive-time radio tour and national print and television advertising are all in the works for Basket Case. With first serial going to Rolling Stone and a 300,000-copy first printing, this looks like another bestselling sure bet for the Florida funnyman. (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

In Hiaasen's ninth novel (after Sick Puppy), Jack Tagger is a former investigative reporter demoted to obituaries. When Jimmy Stoma, the lead singer of a once major but now forgotten rock band, dies in a suspicious diving accident, Jack pounces on the opportunity to prove his investigative mettle to his editor and secure his position in an increasingly unpleasant workplace. He interviews the less-than-distraught widow, Cleo Rio, herself the latest hot commodity on the music scene, and studies the lyrics Stoma wrote for his band, the Slut Puppies. Members of Jimmy's old band turn up dead, which suggests foul play. Now Jack has to stay alive as well as convince his editor that the Jimmy Stoma story is important. All this, and a frozen monitor lizard, entices the reader to keep turning the pages. Hiaasen's typical quirky characters and hilarious dialog are in abundance in this thoroughly entertaining novel. For all fiction collections. [Previewed in Prepub Alert, LJ 9/1/01.] Jeff Ayers, Seattle P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

1 Regarding the death of James Bradley Stomarti: what first catches my attention is his age. Thirty-nine. That's seven years younger than I am. I'm drawn to the young and old, but who isn't? The most avidly read obituaries are of those who died too soon and those who lasted beyond expectations. What everybody wants to know is: Why them? What was their secret? Or their fatal mistake? Could the same happen to me? I like to know, myself. Something else about James Bradley Stomarti: that name. I'm sure I've heard it before. But there's no clue in the fax from the funeral home. Private service is Tuesday. Ashes to be scattered in the Atlantic. In lieu of flowers the family requests donations be made to the Cousteau Society. That's classy. I scan the list of "survived-bys" and note a wife, sister, uncle, mother; no kids, which is somewhat unusual for a 39-year-old straight guy, which I assume (from his marital status) James Bradley Stomarti to be. Tapping a key on my desktop, I am instantly wired into our morgue, although I'm the only one in the newsroom who still calls it that. "Resource Retrieval Center" is what the memos say, but morgue is more fitting. It's here they keep all dead stories dating back to 1975, which in a newspaper's memory is about as fresh as dinosaur dung. I type in the name of the deceased. Bingo! I am careful not to chuckle or even smile, as I don't wish to alert my ever-watchful editor. Our newspaper publishes only one feature obituary each day; other deaths are capsulized in brief paragraphs or ignored altogether. For years the paper ran two daily full-length obits, but recently the Death page lost space to the Weather page, which had lost space to the Celebrity Eye page, which had lost space to Horoscopes. The shrunken news hole leaves room for only a single story, so I am now cagey about committing to a subject. My editor is not the flexible sort. Once I tell her whom I'm writing about, there's no turning back, even if someone far more interesting expires later in the news cycle. Another good reason for not appearing too excited is that I don't want anyone to suspect that the death of James Bradley Stomarti might be an actual news story; otherwise my editor will snatch it away and give it to one of our star feature writers, the way a cat presents a freshly killed rat on the doorstep. This piracy of newsworthy assignments is the paper's way of reminding me that I'm still at the top of the shit list, that I will be there until pigs can fly, and that my byline will never again sully the front page. So I say nothing. I sit at my desk and scroll through the computer files that inform me in colorful bits and pieces about the life of James Bradley Stomarti, better known to the world as Jimmy Stoma. That's right. The Jimmy Stoma. As in Jimmy and the Slut Puppies. Stashed somewhere in my apartment is one of their early albums, Reptiles and Amphibians of North America. Jimmy sang lead and sometimes played rhythm guitar. He also fooled around with the harmonica. I remember really liking one of the band's singles, "Basket Case," off an album called Floating Hospice. That one I lost to a departing girlfriend. Jimmy was no Don Henley, but the ladies found him very easy on the eyes. The guy could carry a tune, too. Stoma also got arrested on a regular basis, and was unfailingly booked under his given name. That's how I got the computer to hit on "James Bradley Stomarti." From the morgue: December 13, 1984: With Steven Tyler, John Entwistle and Joan Jett in attendance, Jimmy Stoma marries a chorine turned professional wrestler in Las Vegas. He is arrested later that evening for urinating on Engelbert Humperdinck's stretch limousine. February 14, 1986: Mrs. Stoma files for divorce, alleging her husband is addicted to alcohol, cocaine and aberrant sex. The Slut Puppies open a three-night stint at Madison Square Garden, and from the stage Jimmy introduces his new girlfriend, a performance artist who goes by the name of Mademoiselle Squirt. May 14, 1986: Stoma is arrested for indecent exposure during a Charlotte, North Carolina, concert in which he takes an encore wearing nothing but a Day-Glo condom and a rubber Halloween mask in the likeness of the Rev. Pat Robertson. January 19, 1987: With the Slut Puppies' fourth album, A Painful Burning Sensation, poised to go triple platinum, Jimmy Stoma announces he is canceling the band's long-awaited tour. Insiders say the singer is self-conscious about his weight, which has inflated to 247 pounds since he gave up cocaine. Stoma insists he's simply taking a break from live performing to work on "serious studio projects." November 5, 1987: Jimmy Stoma is arrested in Scottsdale, Arizona, after punching a People magazine photographer who had tailed him to the gates of the Gila Springs Ranch, an exclusive spa specializing in holistic crash-dietary programs. November 11, 1987: For the second time in a week, Stoma is busted, this time for shoplifting a bundt cake and two chocolate eclairs from a downtown Phoenix bakery. February 25, 1989: Stoma and an unidentified woman are injured when his waterbike crashes into the SS Norway in the Port of Miami. The collision causes no damage to the cruise ship, but surgeons say it might be months before Stoma can play the guitar again. September 25, 1991: Stoma's first solo album, Stomatose, is panned by both Spin and Rolling Stone. After debuting at number 22 on the Billboard pop charts, it plummets within two weeks to number 97 before-- "Jack?" This would be my editor, the impossible Emma. "What'd you do to your hair?" I say. "Nothing." "You most certainly did." "Jack, I need a story line for the budget." "It looks good shorter," I say. Emma hates it when I pretend to flirt. "Your hair, I mean." Emma reddens but manages a dismissive scowl. "I trimmed the bangs. What've you got for me?" "Nothing yet," I lie. Emma is edging closer, trying to sneak a glance at the screen of my desktop. She suspects I am dialing up porn off the Internet, which would be a fireable offense. Emma has never fired anyone but would dearly love to break her cherry on me. She is not the first junior editor to feel that way. Emma is young and owns a grinding ambition to ascend the newspaper's management ladder. She hopes for an office with a window, a position of genuine authority and stock options. Poor kid. I've tried to steer her to a profession more geared toward her talents--retail footwear, for example--but she will not listen. Craning her pale neck, Emma says, "Rabbi Levine died last night at East County." "Rabbi Klein died Monday," I remind her. "Only one dead clergyman per week, Emma. It's in my contract." "Then get me something better, Jack." "I'm working on it." "Who is James Stomarti?" she asks, peeking at my computer screen. With her intense jade-green eyes, Emma has the bearing of an exotic falcon. I say, "You don't know? He was a musician." "Local guy?" "He had a place on Silver Beach," I say, "and one in the Bahamas." "Never heard of him," Emma says. "You're too young." Emma looks skeptical, not flattered. "I think more people will care about Rabbi Levine." "Then bump him to Metro," I suggest brightly. Emma, of course, isn't keen on that idea. She and the Metropolitan editor don't get along. "It's Sunday," I remind her. "Nothing else is happening in the free world. Metro can give the rabbi a fine send-off." Emma says, "This musician--how old was he?" "Thirty-nine." "Yeah?" Now I've got her chummed up. Emma says coolly, "So, how'd he die?" "I don't know." "Probably drugs," she muses, "or suicide. And you know the rule on suicides, Jack." Newspapers customarily do not report a private death as a suicide, on the theory it might plant the idea in the minds of other depressed people, who would immediately rush out and do themselves in. These days no paper can afford to lose subscribers. There is, however, a long-standing journalistic exception to the no-suicide rule. "He's famous, Emma. The rule goes out the window." "He's not famous. I never heard of him." Again she is forcing me to insult her. "Ever heard of Sylvia Plath?" I ask. "Of course." "Do you know why you've heard of her, Emma? Because she stuck her head in an oven. That's what she's famous for." "Jack, you're not funny." "Otherwise she's just another brilliant, obscure, unappreciated poet," I say. "Fame enhances death, but death also enhances fame. That's a fact." Emma's fine-boned lower jaw is working back and forth. She's itching to tell me to go screw myself but that would constitute a serious violation of management policy, a dark entry in an otherwise promising personnel file. I feel for her, I really do. "Emma, let me do some checking on Stomarti." "In the meantime," she says sharply, "I'll be holding twelve inches for Rabbi Levine." A death notice isn't the same as an obituary. A death notice is a classified advertisement written and paid for by the family of the deceased, and sent to newspapers by the funeral home as part of its full-service package. Death notices usually are printed in a small type known as agate, but they can be as long-winded and florid as the family desires. Newspapers are always happy to sell the space. The death notice of Jimmy Stoma was remarkable for its brevity, and for what was omitted: STOMARTI, James Bradley, 39, passed away Thursday in the Berry Islands. A resident of Silver Beach since 1993, Jim was a successful businessman who was active in his church and neighborhood civic groups. He loved golf, sailing and diving, and raised thousands of dollars to help restore damaged coral reefs in the Florida Keys and the Bahamas. A cherished friend, devoted brother and beloved husband, he will be deeply missed by his wife, Cynthia Jane, and his sister Janet Stomarti Thrush of Beckerville. A private family mass will be held Tuesday morning at St. Stephen's Church, followed by a brief shipboard ceremony near the Ripley Lighthouse, where Jim wished to have his mortal remains committed. In lieu of flowers, the family asks that contributions be made to the Cousteau Society, in Jim's memory. Odd. No trace of his life as a Slut Puppy, the six million records sold, the MTV video awards, the Grammy. Music wasn't even listed among his hobbies. Maybe Jimmy Stoma had wanted it that way; maybe he had worked so hard to put the wild years behind him that he'd wanted nothing, not even his own death, to revive the past. Sorry, pal, I'll try to be gentle. There is no James or J. Stomarti in the county phone book, but a Janet Thrush is listed in Beckerville. A woman picks up on the third ring. I tell her who I am and what I'm writing. "Sorry," she says, "it's a bad time." "You're Jimmy's sister?" "That's right. Look, can you call back in a couple days?" Here comes the dicey part when I've got to explain--very delicately--that when it comes to obituaries, it's now or never. Wait forty-eight hours and nobody at the paper will give a rat's ass about your dead brother. Nothing personal. It's the nature of news. "The story's running tomorrow," I tell his sister. "I really hate to bother you. And you're right, there's lots of stuff I could use from our clippings. . . ." I let this ghastly prospect sink in. Nobody deserves an obituary constructed exclusively from old newspaper stories. "I'd prefer chatting with those who knew him best," I say. "His death is going to be a shock for lots of people all over the country. Your brother had so many fans. . . ." "Fans?" Janet Thrush is testing me. "Yeah. I was one of them." On the other end: an unreadable silence. "Jimmy Stoma," I press on. "Of Jimmy and the Slut Puppies. It is the same James Stomarti, right?" His sister says, quietly, "That was a long time ago." "People will remember. Trust me." "Well, that's good. I guess." She sounds unsure. I say, "There wasn't much information in the death notice." "I wouldn't know. I didn't see it." "About his music, I mean." "You talk to Cleo?" "Who's that?" I ask. "His wife." "Oh. The funeral home gave the name as Cynthia." "She goes by Cleo," says Jimmy's sister. "Cleo Rio. The one and only." When I say I've never heard of her, Jimmy's sister chuckles. A television murmurs in the background. Meet the Press, it sounds like. "Well, pretend you know who Cleo is," she advises, "and I guarantee she'll give you an interview." Obviously Sis and the widow have some issues. "What about you?" I ask. "Lord, don't mention my name." "That's not what I meant," I say. "I was hoping you would talk to me. Just a few quick questions? I'm sorry, but I'm on a tight deadline--" "After you get hold of Cleo," Jimmy's sister says, "call me back." "Do you have her phone number?" "Sure." She gives it to me, then says: "I've got an address, too. You ought to go out to the condo." "Good idea," I say, but I hadn't planned to leave the newsroom. I can do five phoners in the time it takes to drive to Silver Beach and back. Jimmy's sister says, "You want to get this story right, you gotta go meet Cleo." She pauses. "Hey, I'm not tryin' to tell you how to do your job." "I appreciate the help, but just tell me one thing. How'd your brother die? Was he sick?" She knows exactly what I mean. "Jimmy's been straight for nine years," she says. "Then what happened?" "It was an accident, I guess." "What kind of accident?" "Go ask Cleo," says Jimmy's sister, and hangs up. I'm on my way out the door when Emma cuts me off. She's almost a whole foot shorter than I am; sneaky, too. I seldom see her coming. She says, "Did you know Rabbi Levine took up hang gliding at age seventy? That's good stuff, Jack." "Did he die in his hang glider, Emma? Crash into the synagogue, by chance?" "No," she concedes. "Stroke." I shrug. "Nice try, but I'm off to visit the widow Stomarti." Emma doesn't budge. "I like the rabbi better." Hell. Now she's forcing me to show my cards. I glance quickly around the newsroom and notice, with some relief, that none of the young superstars are working today. That's one good thing about a Sunday shift, the newsroom is like a tomb. Emma wants to take away my story, she'll have to write the damn thing herself. And Emma, bless her sorority-sister soul, has never been a reporter. Judging by the strenuous syntax of her memos, she likely would have difficulty composing a thank-you note. So, here goes. "James Stomarti was Jimmy Stoma," I say. Emma's brow crinkles. She senses that she ought to know the name. Rather than admitting she doesn't, she waits me out. "Of Jimmy and the Slut Puppies," I prompt. "No kidding." "Remember that song, 'Basket Case'?" "Sure." Emma turns slightly, her raptor eyes scanning the rows of cubicles. The plan, I know, is to hand off Stoma to another reporter and dispatch me to do the dead rabbi. But Emma's coming up empty. The only warm body on the city desk is Griffin, the weekend cop guy. Griffin is sixty years old, nasty and untouchable. Emma has no authority over the police reporters. Griffin looks up from his desktop and stares right through her, as if she were smoke. With a trace of a frown, Emma turns back to me. "Suicide, right?" "Nope. Accident." Grudgingly, Emma moves out of my way. "Twelve inches," she says curtly. "That's all we've got, Jack." "For a dead rock star," I say drily, "a Grammy Award-winning musician who dies tragically at age thirty-nine? Honey, I promise you the New York Times will give it more than twelve inches." Emma says, "Not on the Death page, they won't." I smile. "That's right. Not there." Emma's expression darkens. "Ungh-ugh, Jack. I'm not pushing this for Page One. No way!" Jesus, what a hoot. The Times won't put Jimmy Stoma out front--he'll be lucky to end up as the lead obit. But Emma's in a sweat, rattled at the possibility of me breaking out of the dungeon. No doubt she perceives that as a career-threatening crisis, for part of her mission as a junior editor is to see that I remain crushed, without hope of redemption. The next best thing to canning me would be to make me quit in disgust, which of course I'll never do. This is too much fun. I say to Emma: "You might mention Stoma in the budget meeting, just in case." "Twelve inches, Jack," she reiterates sternly. "Because my guess is, there's at least one Slut Puppies fan on the masthead." I'm referring to Abkazion, the new managing editor, who is my age and works weekends. "Fifteen inches, max," amends Emma. I wave goodbye with my spiral notebook, and stride toward the elevator. "We'll talk when I get back from visiting Mrs. Stomarti." "What kind of accident?" Emma calls after me. "How did he die? Jack?" Excerpted from Basket Case by Carl Hiaasen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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