Cover image for The righteous cut : a Wesley Farrell novel
The righteous cut : a Wesley Farrell novel
Skinner, Robert E., 1948-
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Publication Information:
Scottsdale, AZ : Poisoned Pen Press, [2002]

Physical Description:
253 pages ; 22 cm

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December 1941: Jessica Richards, daughter of corrupt New Orleans councilman Whitman Richards, is the victim of a sensational daylight kidnapping from the grounds of a Catholic girls' academy. Richards, a man with many enemies, outrages both his wife and police Captain Frank Casey by throwing the police off the case. Is it because the kidnapper is a familiar enemy, returned to settle an old score, or has Richards faked the kidnapping to further some aim of his own? The desperate mother turns to the one person who might help her old boyfriend Wesley Farrell.
Farrell, a Creole club owner passing for white, freshly returned from a self-imposed exile to Havana, prowls the city's bars and streets, familiarizing himself with a growing list of Richards's enemies while he tries to decide which of them might have the brains and guts to stage a coup against the corrupt councilman. Meanwhile, Negro Squad Sergeant Israel Daggett searches for the sole witness to the kidnapping, young black custodian Skeeter Longbaugh, unaware that the kidnappers have sent Easter Coupi, the most feared killer in the Negro underworld, after Skeeter...
This new entry into an atmospheric, well-reviewed noir series follows Daddy's Gone A'Hunting, Blood to Drink (list as Best of 2000 by january magazine), and Pale Shadow.

Reviews 3

Booklist Review

It's December 1941, and Creole nightclub owner Wesley Farrell is back in New Orleans after retreating to Havana, where he hoped to resolve a laundry list of dilemmas, including the implications, personal and otherwise, of his passing for white. Matters are only complicated further when a former lover, now the wife of notoriously corrupt New Orleans politician Whit Richards, shows up on Farrell's doorstop, asking for help in finding her kidnapped daughter. As Farrell questions the numerous gangsters whom Richards has conned, black cop Israel Daggett searches for the lone witness to the kidnapping. Skinner, a librarian and scholar, has used historical New Orleans to good advantage throughout this series, but his skills at plot construction and character building have grown dramatically through five episodes. Farrell, impeccably cool but awash in an ongoing identity crisis, has always been a compelling character, but the villains and supporting players are noticeably more complex now. This has become a first-class series, every bit as deserving of the same attention as Walter Mosley's similar but more celebrated Easy Rawlins novels. --Bill Ott

Publisher's Weekly Review

In his fifth literate, intelligent, if overly busy WWII-era noir to feature Creole nightclub owner and part-time dick Wesley Farrell (after 2001s Pale Shadow), Skinner has included enough characters to stage Aida and enough plot twists to give the conscientious reader a migraine trying to keep track of the cast. When shady New Orleans councilman Whit Richards receives a phone call from a man who addresses him as Rico, an old nickname hed rather forget, he knows hes in trouble. Richardss enemies have a foolproof scheme to get even for the truly rotten things hes done to them, though its no surprise when the bad guys best-laid plans backfire. When Richards wont cooperate with the police after his teenage daughter is kidnapped in broad daylight from her Catholic school, his wife, an old flame of Farrells, asks the Creole to find the girl. A young African-American nebbish, the only reliable witness to the kidnapping, becomes the quarry of a fearsome hired gun, Easter CoupE, easily the best character in the book. Eventually, like Joshua before Jericho, Farrell brings the walls down on them all. Skinners 1940s New Orleans underworld is effectively murky, while his period details and topical references are, as usual, pitch perfect. Established fans should be pleased, but others may find that theres not enough depth or development to care about the fates of any of the major players. (Aug. 15) FYI: Skinner is also the author of Two Guns from Harlem: The Detective Fiction of Chester Himes (1989) and other scholarly works in the mystery genre. (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Hard-nosed New Orleans nightclub owner/sleuth Wesley Farrell (Skin Deep, Blood Red) looks into the kidnapping of a corrupt councilman's daughter. It is 1941, the councilman has called off police, and a killer is looking for the only witness to the crime. Good writing. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Wednesday, December 3rd, 1941 The moon cast a pale milky glow over the Jefferson Parish countryside as the engineer of the Illinois Central locomotive began to lean on his whistle. From his vantage point in an empty boxcar, a big man with shaggy dark blonde hair watched the meager traffic on U.S. 90, which paralleled the IC tracks. A lot had changed since he'd last seen that highway. There had been almost nothing out here ten years ago. Now the lights of houses, gasoline stations, and an occasional store or tavern could be seen winking along the right of way. As the train neared the Orleans Parish line, he felt the train's speed begin to diminish. He shrugged his big shoulders inside his leather jacket and pulled his sweat-stained hat down over his eyes. He had better, more expensive clothing in his valise, but for the time being he was strictly a bum. He grinned as he remembered how he'd left here with his tail between his legs. All the years of waiting, the months of planning were over. He was back to get what rightly belonged to him. The harsh racketing of the wheels gradually slowed to a dry, monotonous clacking, signaling that his journey was finally at an end. He retreated into a shadow as the slowing train eased into the curve at the Carrollton switching shack. A hundred yards further, he swung easily down from the boxcar and faded into the shelter of a large willow tree. When the train was safely past, he made his way down the tracks to a street crossing where he turned toward Downtown. Signs in the darkened store windows advertising everything from decorations to candy reminded him that Christmas was coming. If things went as he planned, Christmas would come early for him this year. It wasn't long before he turned a corner and saw a tavern open. He entered quietly, finding it deserted but for the bartender and a group of three drinkers. The man made his way toward the telephone booth at the rear of the room, unnoticed by the four men who bunched around the bartender's radio, listening spellbound to the lugubrious voice of H. V. Kaltenborn as he lamented over the war news from Europe and Asia. Leaving his valise just outside the booth, the big man dropped a nickel into the slot and asked the operator for a Downtown number. It rang a half-dozen times before the owner picked it up. "Hello?" "I'm here," the man said. "When did you get in, Pete?" The other man's voice was flat, polite without cordiality. It was the greeting of an associate rather than a friend. "Stepped off an in-bound freight about twenty minutes ago. What's the story on those boys I asked you to get?" "Johnny Parmalee gave me the okey-doke last week. He and his brother can start tomorrow if you give the word. My other men can handle anything else that comes up." "Swell." He paused for a moment. "Have you got a message for me?" "Everything's in place. Don't worry about a thing." Pete's brows puckered and something like disappointment crossed his face. "Okay, then." Pete's voice was grim. "Give everybody the word. I'm ready to get this show on the road tomorrow." "It's been a long wait, hasn't it?" the other man said. "Not as long as being dead. I'm gonna ring off now. I'll find myself a room somewhere so I can get a bath and a haircut and a good night's sleep. Tomorrow I'll move out to that place you rented and make my headquarters there." "Okay, Pete. I'll be talkin' to ya." Pete hung up and left the booth. As he passed the bar on his way out, Kaltenborn was still cataloging the dead and missing in China. * * * The church bells at Saint David's Church on Saint Claude Avenue were chiming 11:00 p.m. as a well-dressed Negro named Merced Cresco eased out the back door of a two-story stucco house. The kisses of the married woman inside were still warm on his lips as he tiptoed through the alley. She was some hot mama and no lie-one man would never be enough for her, no sir, uh-uh. Cresco paused as a sedan with its high beams on slid past the house on the way back Downtown, then stepped quietly out onto the sidewalk. It was chilly tonight, but Merced Cresco was still plenty warmed up. He'd been this woman's back-door man for about three months now and had never had it so good. She never got enough. He sometimes reflected that it was a good thing her husband was only out of town twice a week. More than that, and Merced would be walkin' bowlegged. He laughed out loud as a mental image of himself staggering down the street on convex legs came into his mind. As he headed Downtown, he began to whistle. He had a mellifluous, high-pitched whistle that echoed up and down the deserted street. He paused at an intersection just as he finished "Let It Snow," and that was when he heard the soft sound of footsteps behind him. He stiffened, then quickly crossed the street, picking up his stride. He didn't like the sound of footsteps behind him on this street. Saint Claude could be rough after dark, and he wasn't carrying a gun or a razor. He hadn't thought he'd need them for the deacon's wife. He walked as fast as he could without breaking into a run. He was certain that if he ran, whoever was behind him might just decide to shoot him for his money and his watch. He needed some cover and a weapon, and he needed them soon. He crossed another street and recognized a restaurant he frequented. It was closed this time of night, but there was an alley and in the alley there were always empty whiskey bottles and pieces of wood. The entrance to the restaurant stuck out from the other buildings, providing just enough of a blind for Merced to duck into the alley unseen. Near the kitchen door he found a couple of cases of empty whiskey bottles. He snatched one by the neck and ducked into the shadowy recess of the kitchen door. A minute went by, then three. Five minutes passed, then ten. He was beginning to think he'd imagined the entire episode, and began poking fun at himself. Damn 'fraidy cat. Actin' like a kid 'fraid of spooks. Shit. He listened carefully, then poked his head just past the recessed doorway. Nothing. Not a damn thing. He stepped out and ran head-first into the hardest thing he'd ever felt. He grunted painfully as the blow knocked him sideways. Before he could recover, big hands grabbed him by the lapels of his coat, shoved him up against the hard brick wall and held him there with his feet dangling. Merced Cresco groaned, tried to unfasten the hands at his throat. "Lemme-lemme go. Chokin' me-lemme go." His captor began to slap his face, forehand and back. He kept it up until Merced Cresco began to whimper. As Cresco's vision cleared, he saw a square, black face staring at him. The man's visage was like something hacked out of ebony, with eyes that burned like hellfire. As his wits began to return, a thrill of horror went through him as he recognized the face. "Boy," the apparition said. "You know who I am?" "Easter C-Coupé? You ain't Easter Coupé, are you?" "You ain't as stupid as you look, Cresco," Coupé said. He slapped Cresco some more, harder and harder until the blows were like fire against the man's skin. Cresco began to weep like a lost child. "Please, man. Please don't kill me. I got money. Take it. Take it all. Take my watch and my lodge ring, too. They worth fifty, sixty bucks easy, just lemme go, please." Coupé laughed mirthlessly. "That all your life's worth, Cresco? Two hundred bucks, say? Hell, I could get that from a wheelbarrow load of nutria skins and they won't stink near as bad as you do. You done shit yourself, ain't you?" "S-sorry, Mr. Coupé. Sorry as I can be. Please, lemme go and I'll clean up, I swear it." "You know why I got you in this alley, boy?" the big man asked. "You got even the smallest idea?" "N-no, man, I swear, I dunno, but gimme a chance, I'll make it right, whatever it is." "You gonna take back fuckin' Deacon Charles's wife for the past three months? Tell me, boy, how do you un-fuck a broad? I'd like to know, case I ever find myself in the shit you're in right now." "No, y'see, it was like-" Before he got the words out, Coupé slashed him across the face with an iron backhand. "Shut your hole. Next thing, you'll tell me it was all the woman's fault. You do that, I'm liable to get sore." Cresco knew he was doomed. For years he'd heard of Easter Coupé, and had seen him pointed out in bars. Coupé was somebody you hired when you wanted somebody hurt until they begged for death. Somehow Deacon Charles had found out about him and Mrs. Charles. Instead of praying to God to make it right, Deacon Charles had hired Easter Coupé. Sweet Jesus. Coupé began to work him over, slowly and methodically. He was a man who knew his work and did it well. Cresco felt his nose break, then several of his ribs. Coupé held him easily against the wall with one hand while he belabored him with the other. Cresco knew he was going to die, and he sobbed his grief out into the empty alley. Cresco peered through his swollen lids at the man who was killing him, saw Coupé's pitiless eyes staring back. He knew the killing blow was coming, and saw the big black man draw back his fist. Then something happened. Coupé opened his left hand and Cresco slid out of it to the ground. He's gonna stomp me to death, the beaten philanderer thought. He braced himself, but the kicks never came. He craned his neck painfully, saw Coupé staring at him with a peculiar look on his face. "Listen to me, Cresco. When you can stand up, you get the bus to the railroad station. You get a ticket on the first train goin' outa here and you get on it. Don't you never come back here, you hear me?" "Y-yeah, boss, I h-hear you. You-you ain't gonna k-kill me?" Coupé drew a long, shuddering breath. His face was still a pitiless ebony mask, but the hot mad rage no longer animated his eyes. They were downcast. "Stop wastin' time, boy. Get on your feet and get to hell away from me." As torn up as he was, Merced Cresco knew better than to look a gift horse in the mouth. He found a support and dragged himself erect. He hobbled past the huge black man like a three-legged dog and disappeared out the mouth of the alley. Easter Coupé remained there for a moment, staring at something only he could see, then he turned and departed in the opposite direction. * * * Frank Casey nodded to the patrolman who stood at the head of the stairs on the top floor of the Bella Creole Hotel on Conti Street. The patrolman pointed silently down the hall where several detectives stood waiting. "Evening, Ray," Casey said to the rail-thin detective who stepped away from the others. "What we got here?" "Jack Amsterdam," Ray Snedegar replied. "Somebody gave him a bigger thrill than he was counting on." "Humph," Casey grunted. "For a guy neck deep in illegal gambling, he sure made a wrong bet." Snedegar led Casey past the other men into a small, dingy room lit by dim light from a dirty ceiling fixture. A naked man in his middle-forties lay spread-eagled on an unmade bed, his sightless eyes fixed on the ceiling. His face had a stupidly placid expression, marred only a little by the two small red freckles over his right eye. "What did they use?" Casey asked. "Looks like a .22. He died quick." Casey noticed a skinny old man standing nearby. He was dressed in a gray suit and vest that might have been pressed the year Roosevelt entered office. The only shape it had was that which his bony body gave it. He had a crumpled fedora on the back of his head and a dead cigar butt in the corner of his mouth. "You the house dick?" The old man turned his gaze to Casey, took the limp butt from his mouth. "Yair. Otis McKelvey." "You know this man, Mr. McKelvey?" McKelvey nodded complacently. "Yair. Mr. Jack Amsterdam. A big man around here, Mr. Amsterdam. A-Number-One to Councilman Whit Richards. Reckon I know him, all right." Casey could not quite keep the distaste he was feeling from his face. "What's he doing here?" McKelvey turned a dead stare to Casey. "You mean what's he doin' in this room, or what's he doin' bein' dead in this room?" Snedegar's mustache almost disappeared as his lips retreated from over his teeth. "Crack wise like that once more, McKelvey, and I'll kick you down the stairs." The house dick's face grew pale and the cigar butt slipped from his tremulous hand. "Let's start with why he's in the room," Casey suggested. McKelvey avoided Casey's eyes as he shrugged. "Reckon he liked to get away from the house oncet in a while. Prob'ly thought this was a nice, restful place, which it is." He stuck his thumbs in the armholes of his vest and assumed a self-important air. "I like to keep it that way for the customers." Snedegar moved across the room in a single long stride, grabbed McKelvey by the front of his vest and jerked him to his toes. "So quiet you didn't hear two gunshots through these cardboard walls?" He shook the house dick like a rat in a terrier's jaws. "Tell the Captain what that stiff is doin' here and do it right-Goddamned-now." McKelvey's face went slack. "He-he was gettin' his ashes hauled. He did it regular-oncet a week, at least." "For how long?" Casey demanded. "Two, three years, mebbe. I dunno. I didn't keep a calendar on the guy. He drew a lotta water in this town." As Snedegar's grip loosened, he backed gently away and tugged his rumpled clothing back into place. "Who brought the whores up here to him? You?" "N-no, I swear it. It was prob'ly that li'l dago bell captain, Johnny Ferrara. I ain't no pimp." "You ain't no pimp," Snedegar sneered. "Did he have a regular girl?" "No, I don't think so. Just whoever they could find." McKelvey smiled ingratiatingly. "Mr. Amsterdam, he liked 'em all, blondes, brunettes, red-heads. Hell, he liked a shine gal once in a while and a Chink if he could get one." Casey backed McKelvey into the wall. "For somebody who didn't have anything to do with the late Mr. Amsterdam's sex life, you seem to have cataloged his habits pretty well." He turned and glanced over at where Amsterdam's clothes were draped over a chair. A boyish, blonde detective in a maroon corduroy hat was going through them. "Find anything, Mart?" Mart shook his head. "What you'd expect, Skipper. Wallet's empty, watch and rings are gone." Casey shook his head. "Rolled by the girl, probably. Continue... Excerpted from The Righteous Cut by Robert Skinner Copyright © 2002 by Robert Skinner Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.