Cover image for Ashanti
Title:
Ashanti
Author:
Ashanti, 1980-
Personal Author:
Publication Information:
New York, N.Y. : Murder Inc. Records, [2002]

â„—2002
Physical Description:
1 audio disc : digital ; 4 3/4 in. + 1 pamphlet.
General Note:
Compact disc.

"Parental advisory, explicit content"--Container.

Lyrics and credits in container.
Language:
English
Contents:
Intro -- Foolish -- Happy -- Leaving (Always on time part II) (feat. Ja Rule) -- Narrative call (skit) -- Call -- Scared (feat. Irv Gotti) -- Rescue -- Baby -- Voodoo -- Movies -- Fight (Over skit) -- Over -- Unfoolish -- Shi shi (skit) -- Dreams -- Thank you.
Added Author:

UPC:
731458683025
Format :
Music CD

Available:*

Library
Call Number
Material Type
Home Location
Status
Central Library R&B .A819 A Compact Disc Central Library
Searching...
Audubon Library R&B .A819 A Compact Disc Open Shelf
Searching...
Kenilworth Library R&B .A819 A Compact Disc Audio Visual
Searching...

On Order

Summary

Summary

Young, pretty, sexy, stylish, and hip, Ashanti is everything a modern, post-hip-hop soul crooner should be. She looks the part, trucks with hitmakers -- at the time her eponymous debut was released, she was featured on a hit single by Fat Joe -- and even approximates Alicia Keys' visuals on the back cover. She can sing, but she's not showy; she never hyperventilates, she croons. Her first album sounds modern, with fairly fresh beats and lightly insistent hooks, and is just naughty enough to warrant a parental advisory sticker (though if you're just listening to this record, it's nigh on impossible to figure out where the objectionable lines are). So why doesn't Ashanti play as greater than the sum of its parts? Largely because it lacks distinctive material, in either terms of the actual songs or the production -- and when that's combined with a singer who is good, yet not distinctive herself, the entire production sounds as if its treading water or providing nifty aural wallpaper. It's not bad by any means, and it has its moments, but at 17 tracks, including skits, it all becomes a blur. A pleasing blur, one that shows promise, but a blur all the same. ~ Stephen Thomas Erlewine


Google Preview