Cover image for I have landed : the end of a beginning in natural history
Title:
I have landed : the end of a beginning in natural history
Author:
Gould, Stephen Jay.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Harmony Books, [2002]

©2002
Physical Description:
xi, 418 pages : illustrations ; 25 cm
General Note:
Includes index.
Language:
English
ISBN:
9780609601433
Format :
Book

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Summary

Summary

Here is bestselling scientist Stephen Jay Gould's tenth and final collection based on his remarkable series for Natural History magazine--exactly 300 consecutive essays, with never a month missed, published from 1974 to 2001. Both an intellectually thrilling journey into the nature of scientific discovery and the most personal book he has ever published,I Have Landedmarks the end of a significant chapter in the career of one of the most acclaimed and widely read scientists of our time. Gould writes about the themes that have defined his career, which his readers have come to expect and celebrate, casting new light upon them and conveying the ideas that science professionals exchange among themselves (minus the technical jargon). Here, of course, is Charles Darwin, from his centrality to any sound scientific education to little-known facts about his life. Gould touches on subjects as far-reaching and disparate as feathered dinosaurs, the scourge of syphilis and the frustration of the man who identified it, and Freud's "evolutionary fantasy." He writes brilliantly of Nabokov's delicately crafted drawings of butterflies and the true meaning of biological diversity. And in the poignant title essay, he details his grandfather's journey from Hungary to America, where he arrived on September 11, 1901. It is from his grandfather's journal entry of that day, stating simply "I have landed," that the book's title was drawn. This landing occurred 100 years to the day before our greatest recent tragedy, also explored, but with optimism, in the concluding section of the book. Presented in eight parts,I Have Landedbegins with a remembrance of a moment of wonder from childhood. In Part II, Gould explains that humanistic disciplines are not antithetical to theoretical or applied sciences. Rather, they often share a commonality of method and motivation, with great potential to enhance the achievements of each other, an assertion perfectly supported by essays on such notables as Nabokov and Frederic Church. Part III contains what no Gould collection would be complete without: his always compelling "mini intellectual biographies," which render each subject and his work deserving of reevaluation and renewed significance. In this collection of figures compelling and strange, Gould exercises one of his greatest strengths, the ability to reveal a significant scientific concept through a finely crafted and sympathetic portrait of the person behind the science. Turning his pen to three key figures--Sigmund Freud, Isabelle Duncan, and E. Ray Lankester, the latter an unlikely attendee of the funeral of Karl Marx--he highlights the effect of the Darwinian revolution and its resonance on their lives and work. Part IV encourages the reader--through what Gould calls "intellectual paleontology"--to consider scientific theories of the sixteenth and seventeenth centuries in a new light and to recognize the limitations our own place in history may impose on our understanding of those ideas. Part V explores the op-ed genre and includes two essays with differing linguistic formats, which address the continual tug-of-war between the study of evolution and creationism. In subsequent essays, in true Gould fashion, we are treated to moments of good humor, especially when he leads us to topics that bring him obvious delight, such as Dorothy Sayers novels and his enduring love of baseball and all its dramas. There is an ardent admiration of the topsy-turvy world of Gilbert and Sullivan (wonderfully demonstrated in the jacket illustration), who are not above inclusion in all things evolutionary. This is truly Gould's most personal work to date. How fitting that this final collection should be his most revealing and, in conte


Author Notes

Born in New York City in 1941, Stephen Jay Gould received his B.A. from Antioch College in New York in 1963 and a Ph.D. in paleontology from Columbia University in 1967. Gould spent most of his career as a professor at Harvard University and curator of invertebrate paleontology at Harvard's Museum of Comparative Zoology. His research was mainly in the evolution and speciation of land snails.

Gould was a leading proponent of the theory of punctuated equilibrium. This theory holds that few evolutionary changes occur among organisms over long periods of time, and then a brief period of rapid changes occurs before another long, stable period of equilibrium sets in. Gould also made significant contributions to the field of evolutionary developmental biology, most notably in his work, Ontogeny and Phylogeny.

An outspoken advocate of the scientific outlook, Gould had been a vigorous defender of evolution against its creation-science opponents in popular magazines focusing on science. He wrote a column for Natural History and has produced a remarkable series of books that display the excitement of science for the layperson. Among his many awards and honors, Gould won the National Book Award and the National Book Critics Circle Award. His titles include; Ever Since Darwin, The Panda's Thumb, Hen's Teeth and Horse's Toes, Time's Arrow, Time's Cycle, Wonderful Life: The Burgess Shale and the Nature of History, The Structure of Evolutionary Theory and Full House: The Spread of Excellence from Plato to Darwin.

Stephen Jay Gould died on May 20, 2002, following his second bout with cancer. (Bowker Author Biography)


Reviews 4

Publisher's Weekly Review

Gould, whose name has become synonymous with evolutionary biology, once again collects 31 essays from his Natural History column. Gould completed his 300th column for the magazine on the doubly significant 2001 millennium and centennial of his family's arrival at Ellis Island (thus the title, borrowed from his grandfather's journal entry that day). Several of these essays explore the ambiguous relations of art, science and the natural world. Gould compels readers to see the natural world outside the frame of the familiar, to seek the quirky outside the canonical, to challenge our assumptions. This is evident when he gleefully reports on the Human Genome Project, showing our genetic stuff to be only twice what a roundworm needs "to manufacture its utter, if elegant, outward simplicity." His essays affirm his belief in the power of science to overcome past error, and as always, he is intolerant of the misapplication as well as the rejection of science, dismissing left- and right-wing claims about Darwin as brusquely as he does the anti-evolutionist Kansas Board of Education, whose yellow brick road "can only spiral inward toward restriction and ignorance." Gould is at the peak of his abilities in this latest menagerie of wonders. (May) (c) Copyright PWxyz, LLC. All rights reserved


Choice Review

I Have Landed is the final collection of Natural History magazine essays written by Gould, who died in May 2002. Gould had planned this to be his final collection for some time and used the opportunity to tie up a lot of loose personal and philosophical ends, which must have been of some satisfaction to him. For the reader, the results are less satisfying; the insights in this collection, while still there, are fewer and less compelling than what one has come to expect from this legend of natural history writing. Nonetheless, if acquiring Gould's nine previous collections has been deemed important to a library, this one should be added as well. This volume compiles more than Natural History essays, including newspaper columns and articles from other publications, so there is additional reason for acquiring this book. There has never been a better popularizer of evolutionary theory, or debunker of creationist dogma, and there can be no doubt that Gould will be read for a very long time to come. A solid addition to any library collection. General readers; lower-division undergraduates through professionals. J. Nabe University of Connecticut


Booklist Review

Gould, a self-described "naturalist by profession and a humanist at heart," has written some of the most edifying and masterful essays of our times. Valuing literary finesse and moral clarity as much as scientific and historical precision, and combining wit with an enduring sense of mission, Gould has written 300 sequential essays for Natural History magazine and parlayed them into 10 exemplary collections over the course of 25 demanding years. In this particularly compelling, far-ranging, and profoundly moving volume, Gould expresses his ongoing wonder over "the continuity of etz chayim, the tree of earthly life" and parses "the unity of creativity" that connects science and art. He develops the first theme on many fronts as he continues his noble effort to educate the public on the finer points of evolution, discussing birds and dinosaurs, so-called native plants, and the startling discovery of lateral gene transfer among bacterial species. Gould explores the nexus of art and science in enlightening discussions of Nabokov's "passion for accuracy" in both his literary and lepidopterogical endeavors, and the influence of the great scientist Alexander von Humboldt on the superb landscape painter Frederic Church. Because this volume is the last in this extraordinary series, Gould intended to make it his most personal by celebrating the centenary of his family's arrival in the U.S. To that end, he describes his most treasured book, an 1892 edition of Studies in English Grammar purchased by his then young Hungarian immigrant grandfather shortly after he arrived in New York, who inscribed the title page, "I have landed. Sept. 11th 1901." A joyful occasion was rendered catastrophic, yet, in the wake of September 11, 2001, Gould wrote four radiantly redemptive essays, in which he declares, "Every spectacular incident of evil will be balanced by ten thousand acts of kindness." Surely Gould's eloquence and intellectual generosity are among them. Donna Seaman


Library Journal Review

The passing of an era: this book collects Gould's final essays for Natural History magazine. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Chapter 1 I Have Landed As a young child, thinking as big as big can be and getting absolutely nowhere for the effort, I would often lie awake at night, pondering the mysteries of infinity and eternity--and feeling pure awe (in an inchoate, but intense, boyish way) at my utter inability to comprehend. How could time begin? For even if a God created matter at a definite moment, then who made God? An eternity of spirit seemed just as incomprehensible as a temporal sequence of matter with no beginning. And how could space end? For even if a group of intrepid astronauts encountered a brick wall at the end of the universe, what lay beyond the wall? An infinity of wall seemed just as inconceivable as a never-ending extension of stars and galaxies. I will not defend these naÍve formulations today, but I doubt that I have come one iota closer to a personal solution since those boyhood ruminations so long ago. In my philosophical moment--and not only as an excuse for personal failure, for I see no sign that others have succeeded--I rather suspect that the evolved powers of the human mind may not include the wherewithal for posing such questions in answerable ways (not that we ever would, should, or could halt our inquiries into these ultimates). However, I confess that in my mature years I have embraced the Dorothean dictum: yea, though I might roam through the pleasures of eternity and the palaces of infinity (not to mention the valley of the shadow of death), when a body craves contact with the brass tacks of a potentially comprehensible reality, I guess there's no place like home. And within the smaller, but still tolerably ample, compass of our planetary home, I would nominate as most worthy of pure awe--a metaphorical miracle, if you will--an aspect of life that most people have never considered, but that strikes me as equal in majesty to our most spiritual projections of infinity and eternity, while falling entirely within the domain of our conceptual understanding and empirical grasp: the continuity of etz chayim, the tree of earthly life, for at least 3.5 billion years, without a single microsecond of disruption. Consider the improbability of such continuity in conventional terms of ordinary probability: Take any phenomenon that begins with a positive value at its inception 3.5 billion years ago, and let the process regulating its existence proceed through time. A line marked zero runs along below the current value. The probability of the phenomenon's descent to zero may be almost incalculably low, but throw the dice of the relevant process billions of times, and the phenomenon just has to hit the zero line eventually. For most processes, the prospect of such an improbable crossing bodes no permanent ill, because an unlikely crash (a year, for example, when a healthy Mark McGwire hits no home runs at all) will quickly be reversed, and ordinary residence well above the zero line reestablished. But life represents a different kind of ultimately fragile system, utterly dependent upon unbroken continuity. For life, the zero line designates a permanent end, not a temporary embarrassment. If life ever touched that line, for one fleeting moment at any time during 3.5 billion years of sustained history, neither we nor a million species of beetles would grace this planet today. The merest momentary brush with voracious zero dooms all that might have been, forever after. When we consider the magnitude and complexity of the circumstances required to sustain this continuity for so long, and without exception or forgiveness in each of so many components--well, I may be a rationalist at heart, but if anything in the natural world merits a designation as "awesome," I nominate the continuity of the tree of life for 3.5 billion years. The earth experienced severe ice ages, but never froze completely, not for a single day. Life fluctuated through episodes of global extinction, but never crossed the zero line, not for one millisecond. DNA has been working all this time, without an hour of vacation or even a moment of pause to remember the extinct brethren of a billion dead branches shed from an evergrowing tree of life. When Protagoras, speaking inclusively despite the standard translation, defined "man" as "the measure of all things," he captured the ambiguity of our feelings and intellect in his implied contrast of diametrically opposite interpretations: the expansion of humanism versus the parochiality of limitation. Eternity and infinity lie too far from the unavoidable standard of our own bodies to secure our comprehension; but life's continuity stands right at the outer border of ultimate fascination: just close enough for intelligibility by the measure of our bodily size and earthly time, but sufficiently far away to inspire maximal awe. Moreover, we can bring this largest knowable scale further into the circle of our comprehension by comparing the macrocosm of life's tree to the microcosm of our family's genealogy. Our affinity for evolution must originate from the same internal chords of emotion and fascination that drive so many people to trace their bloodlines with such diligence and detail. I do not pretend to know why the documentation of unbroken heredity through generations of forebears brings us so swiftly to tears, and to such a secure sense of rightness, definition, membership, and meaning. I simply accept the primal emotional power we feel when we manage to embed ourselves into something so much larger. Thus, we may grasp one major reason for evolution's enduring popularity among scientific subjects: our minds must combine the subject's sheer intellectual fascination with an even stronger emotional affinity rooted in a legitimate comparison between the sense of belonging gained from contemplating family genealogies, and the feeling of understanding achieved by locating our tiny little twig on the great tree of life. Evolution, in this sense, is "roots" writ large. To close this series of three hundred essays in Natural History, I therefore offer two microcosmal stories of continuity--two analogs or metaphors for this grandest evolutionary theme of absolutely unbroken continuity, the intellectual and emotional center of "this view of life."* My stories descend in range and importance from a tale about a leader in the founding generation of Darwinism to a story about my grandfather, a Hungarian immigrant who rose from poverty to solvency as a garment worker on the streets of New York City. Our military services now use the blandishments of commercial jingles to secure a "few good men" (and women), or to entice an unfulfilled soul to "be all that you can be in the army." In a slight variation, another branch emphasizes external breadth over internal growth: join the navy and see the world. In days of yore, when reality trumped advertisement, this motto often did propel young men to growth and excitement. In particular, budding naturalists without means could attach themselves to scientific naval surveys by signing on as surgeons, or just as general gofers and bottle washers. Darwin himself had fledged on the Beagle, largely in South America, between 1831 and 1836, though he sailed (at least initially) as the captain's gentleman companion rather than as the ship's official naturalist. Thomas Henry Huxley, a man of similar passions but lesser means, decided to emulate his slightly older mentor (Darwin was born in 1809, Huxley in 1825) by signing up as assistant surgeon aboard HMS Rattlesnake for a similar circumnavigation, centered mostly on Australian waters, and lasting from 1846 to 1850. Huxley filled these scientific Wanderjahre with the usual minutiae of technical studies on jellyfishes and grand adventures with the aboriginal peoples of Australia and several Pacific islands. But he also trumped Darwin in one aspect of discovery with extremely happy and lifelong consequences: he met his future wife in Australia, a brewer's daughter (a lucrative profession in this wild and distant outpost) named Henrietta Anne Heathorn, or Nettie to the young Hal. They met at a dance. He loved her silky hair, and she reveled in his dark eyes that "had an extraordinary way of flashing when they seemed to be burning-his manner was most fascinating" (as she wrote in her diary). Huxley wrote to his sister in February 1849, "I never met with so sweet a temper, so self-sacrificing and affectionate a disposition." As Nettie's only dubious trait, Hal mentioned her potential naiveté in leaving "her happiness in the hands of a man like myself, struggling upwards and certain of nothing." Nettie waited five years after Hal left in 1850. Then she sailed to London, wed her dashing surgeon and vigorously budding scientist, and enjoyed, by Victorian standards, an especially happy and successful marriage with an unusually decent and extraordinarily talented man. (Six of their seven children lived into reasonably prosperous maturity, a rarity in those times, even among the elite). Hal and Nettie, looking back in their old age (Hal died in 1895, Nettie in 1914), might well have epitomized their life together in the words of a later song: "We had a lot of kids, a lot of trouble and pain, but then, oh Lord, we'd do it again." The young and intellectually restless Huxley, having mastered German, decided to learn Italian during his long hours of boredom at sea. (He read Dante's Inferno in the original terza rima during a year's jaunt, centered upon New Guinea.) Thus, as Huxley prepared to leave his fiancée in April 1849 (he would return for a spell in 1850, before the long five-year drought that preceded Nettie's antipodal journey to their wedding), Nettie decided to give him a parting gift of remembrance and utility: a five-volume edition, in the original Italian of course, of Gerusalemme liberata by the great Renaissance poet Torquato Tasso. (This epic, largely describing the conquest of Jerusalem by the First Crusade in 1099, might not be deemed politically correct today, but the power of Tasso's verse and narrative remains undiminished.) Nettie presented her gift to Hal as a joint offering from herself, her half-sister Oriana, and Oriana's husband, her brother-in-law William Fanning. She inscribed the first volume in a young person's hand: "T. H. Huxley. A birthday and parting gift in remembrance of three dear friends. May 4th 1849." And now we come to the point of this tale. For some reason that I cannot fathom but will not question, this set of books sold (to lucky me) for an affordable pittance at a recent auction. (Tasso isn't big these days, and folks may have missed the catalog entry describing the provenance and context.) So Nettie Heathorn came to England, married her Hal, raised a large family, and lived out her long and fulfilling life well into the twentieth century. As she had been blessed with accomplished children, she also enjoyed, in later life, the promise of two even more brilliant grandchildren: the writer Aldous Huxley and the biologist Julian Huxley. In 1911, more than sixty years after she had presented the five volumes of Tasso to Hal, Nettie Heathorn, then Henrietta Anne Huxley, and now Granmoo to her grandson Julian, removed the books from such long residence on her shelf, and passed them on to a young man who would later carry the family's intellectual torch with such distinction. She wrote below her original inscription, now in the clear but shaky hand of an old woman, the missing who and where of the original gift: "Holmwood. Sydney, N.S. Wales. Nettie Heathorn, Oriana Fanning, William Fanning." Above her original words, penned sixty years before in youth's flower, she then wrote, in a simple statement that needs no explication in its eloquent invocation of life's persistence: "Julian Sorel Huxley from his grandmother Henrietta Anne Huxley nee Heathorn 'Granmoo.' " She then emphasized the sacred theme of continuity by closing her rededication with the same words she had written to Hal so many years before: " 'In remembrance' 28 July 1911. Hodeslea, Eastbourne." If this tale of three generations, watched over by a great woman as she follows life's passages from dashing bride to doting grandmother, doesn't epitomize the best of humanity, as symbolized by our continuity, then what greater love or beauty can sustain our lives in this vale of tears and fascination? Bless all the women of this world who nurture our heritage while too many men rush off to kill for ideals that might now be deeply and personally held, but will often be viewed as repugnant by later generations. My maternal grandparents-Irene and Joseph Rosenberg, or Grammy and Papa Joe to me-loved to read in their adopted language of English. My grandfather even bought a set of Harvard Classics (the famous "five-foot shelf" of Western wisdom) to facilitate his assimilation to American life. I inherited only two of Papa Joe's books, and nothing of a material nature could be more precious to me. The first bears a stamp of sale: "Carroll's book store. Old, rare and curious books. Fulton and Pearl Sts. Brooklyn, N.Y." Perhaps my grandfather obtained this volume from a landsman, for I can discern, through erasures on three pages of the book, the common Hungarian name "Imre." On the front page of this 1892 edition of J. M. Greenwood's Studies in English Grammar, my grandfather wrote in ink, in an obviously European hand, "Prop. of Joseph A. Rosenberg, New York." To the side, in pencil, he added the presumed date of his acquisition: "1901. Oct. 25th." Just below, also in pencil, he appended the most eloquent of all conceivable words for this context-even though one might argue that he used the wrong tense, confusing the compound past of continuous action with an intended simple past to designate a definite and completed event (not bad for a barely fourteen-year-old boy just a month or two off the boat): "I have landed. Sept. 11, 1901." Of all that I shall miss in ending this series of essays, I shall feel most keenly the loss of fellowship and interaction with readers. Early in the series, I began-more as a rhetorical device to highlight a spirit of interaction than as a practical tactic for gaining information-to pose questions to readers when my research failed to resolve a textual byway. (As a longtime worshiper at the altar of detail, nothing niggles me more than a dangling little fact-partly, I confess, from a sense of order, but mostly because big oaks do grow from tiny acorns, and one can never know in advance which acorn will reach heaven.) As the series proceeded, I developed complete faith--not from hope, but from the solid pleasure of invariant success--that any posted question would elicit a host of interesting responses, including the desired factual resolution. How did the Italian word segue pass from a technical term in the rarefied world of classical music into common speech as a synonym for "transition" (resolved by personal testimony of several early radio men who informed me that in the 1920s they had transferred this term from their musical training to their new gigs as disk jockeys and producers of radio plays). Why did seventeenth-century engravers of scientific illustrations usually fail to draw snail shells in reverse on their plates (so that the final product, when printed on paper, would depict the snail's actual direction of coiling), when they obviously understood the principle of inversion and always etched their verbal texts "backwards" to ensure printed readability? Who were Mary Roberts, Isabelle Duncan, and several other "invisible" women of Victorian science writing who didn't even win a line in such standard sources as the Encyclopaedia Britannica or the Dictionary of National Biography? (See essay 7 for a reader's resolution to this little mystery.) Excerpted from I Have Landed: The End of a Beginning in Natural History by Stephen Jay Gould All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Table of Contents

Prefacep. 1
I Pausing in Continuity
1 I Have Landedp. 13
II Disciplinary Connections: Scientific Slouching Across a Misconceived Divide
2 No Science Without Fancy, No Art Without Facts: The Lepidoptery of Vladimir Nabokovp. 29
3 Jim Bowie's Letter and Bill Buckner's Legsp. 54
4 The True Embodiment of Everything That's Excellentp. 71
5 Art Meets Science in The Heart of the Andes: Church Paints, Humboldt Dies, Darwin Writes, and Nature Blinks in the Fateful Year of 1859p. 90
III Darwinian Prequels and Fallout
6 The Darwinian Gentleman at Marx's Funeral: Resolving Evolution's Oddest Couplingp. 113
7 The Pre-Adamite in a Nutshellp. 130
8 Freud's Evolutionary Fantasyp. 147
IV Essays in the Paleontology of Ideas
9 The Jew and the Jewstonep. 161
10 When Fossils Were Youngp. 175
11 Syphilis and the Shepherd of Atlantisp. 192
V Casting the Die: Six Evolutionary Epitomes
Defending Evolution
12 Darwin and the Munchkins of Kansasp. 213
13 Darwin's More Stately Mansionp. 216
14 A Darwin for All Reasonsp. 219
Evolution and Human Nature
15 When Less Is Truly Morep. 225
16 Darwin's Cultural Degreep. 229
17 The Without and Within of Smart Micep. 233
VI The Meaning and Drawing of Evolution
Defining and Beginning
18 What Does the Dreaded "E" Word Mean Anyway?p. 241
19 The First Day of the Rest of Our Lifep. 257
20 The Narthex of San Marco and the Pangenetic Paradigmp. 271
Parsing and Proceeding
21 Linnaeus's Luck?p. 287
22 Abscheulich! (Atrocious)p. 305
23 Tales of a Feathered Tailp. 321
VII Natural Worth
24 An Evolutionary Perspective on the Concept of Native Plantsp. 335
25 Age-Old Fallacies of Thinking and Stinkingp. 347
26 The Geometer of Racep. 356
27 The Great Physiologist of Heidelbergp. 367
VIII Triumph and Tragedy on the Exact Centennial of I Have Landed, September 11, 2001
Introductory Statementp. 387
28 The Good People of Halifaxp. 389
29 Apple Brown Bettyp. 393
30 The Woolworth Buildingp. 396
31 September 11, '01p. 399
Illustration Creditsp. 402
Indexp. 404

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