Cover image for Rock steady
Rock steady
No Doubt (Musical group)
Corporate Author:
Publication Information:
Santa Monica, Calif. : Interscope Records : distributed by Universal Music & Video, cp2001.
Physical Description:
1 audio disc : digital ; 4 3/4 in.
General Note:
Enhanced CD.

Lyrics on container insert.

Compact disc.
Intro -- Hella good (4:02) -- Hey baby 3:26) -- Making out (4:14) -- Underneath it all (feat. Lady Saw) (5:02) -- Detective (2:53) -- Don't let me down (4:08) -- Start the fire (4:08) -- Running (4:01) -- In my head (3:25) -- Platinum blonde life (3:27) -- Waiting room (4:27) -- Rock steady (5:22).
Format :

Music CD


Call Number
Material Type
Home Location
Clarence Library BPR 1594 Compact Disc Branch Audiobook CD
Julia Boyer Reinstein Library BPR 1594 Compact Disc Audio Visual
Audubon Library BPR 1594 Compact Disc Open Shelf
Boston Free Library BPR 1594 Compact Disc Branch Audiobook CD
Lancaster Library BPR 1594 Compact Disc Audio Visual

On Order



Five years separated Tragic Kingdom and its 2000 follow-up, Return of Saturn. About 15 months separated Saturn and its sequel, Rock Steady -- a clear sign that No Doubt was getting back to business, but it's really a more accurate reflection of Gwen Stefani's stature in 2001. Once Saturn started slipping down the charts -- apparently, the kids weren't ready to hear a post-new wave album about facing your thirties with your biological clock ticking -- Stefani started popping up all over the place, appearing on Moby's remix of "South Side" and duetting with Eve on "Let Me Blow Your Mind." These were major, major hits, restoring luster to Gwen Stefani, and therefore, No Doubt, while giving them some hip-hop/dance credibility (albeit rather small cred), so it was time to turn out another record to capitalize on this re-opened window. Smartly, they followed a Madonna blueprint by working with several producers -- Nellee Hooper, Sly & Robbie, Ric Ocasek, Prince, Steely & Clevie -- and running it through Mark "Spike" Stent for mixing and additional production, thereby giving it a unified sound while covering all the bases. And they certainly cover all their bases, retaining their footing in new wave and ska revival while ratcheting up their fondness for reggae (specifically, dancehall and ragga, unfortunately; the guest toasters are the only real misstep here) and their newly acquired taste for dance and hip-hop. It's a testament to No Doubt's abilities as a band (not to mention their sheer likeability; they're just so good-hearted and unpretentious, it's hard to imagine getting angered about this band) that it neither sounds like pandering to the charts or the opening salvo in Stefani's solo career -- it simply sounds like a good, hooky, stylish mainstream pop record, something that's rather rare in 2001. ~ Stephen Thomas Erlewine

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