Cover image for The Oxford companion to Shakespeare
The Oxford companion to Shakespeare
Dobson, Michael, 1960-
Publication Information:
Oxford : Oxford University Press, 2001.
Physical Description:
xxix, 541 pages : illustrations, maps ; 29 cm
Format :


Call Number
Material Type
Home Location
Central Library PR2892 .O94 2001 Adult Non-Fiction Central Closed Stacks-Non circulating
Clarence Library PR2892 .O94 2001 Adult Non-Fiction Reference material
Collins Library PR2892 .O94 2001 Adult Non-Fiction Open Shelf
Crane Branch Library PR2892 .O94 2001 Adult Non-Fiction Oversize
Kenmore Library PR2892 .O94 2001 Adult Non-Fiction Open Shelf
Orchard Park Library PR2892 .O94 2001 Adult Non-Fiction Reference material
Audubon Library PR2892 .O94 2001 Adult Non-Fiction Reference material

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From the conjectured identity of the Dark Lady of the Sonnets to misprints in the First Folio, from Shakespeare's favorite figures of speech to the staging of Othello in South Africa, The Oxford Companion to Shakespeare offers the most comprehensive coverage available on all aspects of Shakespeare's life and works.
Illustrated with more than 100 photographs and boasting contributions from a team of internationally renowned scholars (including such noted Shakespeare authorities as Helen Vendler, Park Honan, and Jonathan Bate), the Companion has more than 3,000 entries that offer succinct, stimulating, and authoritative commentary on Shakespeare's life and times, his plays and poems, and their interpretation around the world over the last four centuries. All Shakespeare's plays--from As You Like It and All's Well that Ends Well to King Lear and Hamlet--are covered in major articles. There are concise descriptions of allusions in Shakespeare (Ajax, Agamemnon), well-known critics (Samuel Johnson, John Dryden), great Shakespearian actors (Richard Burbage, Lawrence Olivier, Kenneth Branagh), characters in the plays (Mercutio, Ophelia), figures of speech (metaphor, metonymy, oxymoron), and much more. Longer articles explore topics such as Shakespeare's birthplace, censorship, the Chamberlain's Men, film, and Shakespeare's reception in such countries as China, Italy, and the United States.
Bringing its readers up to date not only with the latest in Shakespearian scholarship and controversy but with the plays' most recent incarnations on stage, film, and in international popular culture, this is the perfect companion to Shakespeare's works, covering everything from Aaron to Zeffirelli, and from Shakespeare in schools to Shakespeare in Love.

Author Notes

Michael Dobson is Professor of Renaissance Drama at the University of Surrey Roehampton. He has also taught at the University of Illinois at Chicago, Harvard University, and Oxford. Stanley Wells is Chairman of the Shakespeare Birthplace Trust, and Professor of Shakespeare Studies Emeritus, and Director of the Shakespeare Institute, University of Birmingham. He has been the general editor of the Oxford Shakespeare since 1978.

Reviews 3

Booklist Review

It is difficult to think of a topic that is not touched upon in this new handbook designed "to inform readers about Shakespeare's works, times, lives, and afterlives." As one might expect, there are entries for the plays and sonnets, sources and themes, and significant people and places in Shakespeare's life, as well as for aspects of interpretation and performance over the years. What one might not expect are entries that throw light onto obscure details (Mulberry tree; Performance times, lengths; Shakespeare Society of China; Trapdoors), as well as those for topics that at first glance seem only remotely relevant (Ceramics; Melville, Herman; Romania; Tobacco). Among the more than 3,000 signed entries are brief identifications of every character and in-depth treatments of each play. Articles on plays are several pages long and provide background information on text and sources, followed by plot summaries and discussions of artistic features, stage history, and screen presentations. Other entries cover biographical details, literary and cultural context, publishing history, literary terms, criticism, and scholarship. Particular emphasis is placed on theatrical history, from the productions of Shakespeare's time to Royal Shakespeare Company, Silent films, and Television. Notable players, from Thomas Betterton (1635-1710), "the greatest actor of the Restoration period," to Kenneth Branagh, Judi Dench, and Ian McKellen are included. Also represented are countries and regions, among them Arab world, Japan, and Scandinavia. Most entries are quite short, but broader topics, such as Music, Nineteenth-century Shakespearian production, and Trade, travel, and colonialism, are given at least a page. Many entries conclude with a brief list of resources. A detailed "Thematic Listing of Entries" helps compensate for the paucity of cross-references. Among other supplemental aids are a chronology and a bibliographic essay noting introductory studies and standard reference works. Coeditor Wells also edited (with Gary Taylor) the modern-spelling edition of Oxford's Complete Works (1986) upon which the companion is based. In their introduction, Wells and Dobson admit to "some small bias" toward theaters in London and Stratford-upon-Avon. North American readers may take issue with the short shrift given to the Stratford Festival in Stratford, Ontario, and its "Hollywood-like emphasis on costumes, props, and gimmicks." The entry United States of America talks about the Classics Illustrated comic-book versions of the plays and notes Shakespearian elements in television series such as Gilligan's Island, but does not mention the Chicago Shakespeare Theater, the Oregon Shakespeare Festival, or any of the many other serious American enterprises devoted to Shakespeare's work. Some entries, such as Cultural materialism, will baffle nonspecialists. A few entry headings are arcane (movies are discussed under Shakespeare on sound film), and the lack of indexing means that information can be hard to retrieve. But its embrace of all things Shakespearian makes this volume a necessity for academic and public libraries. High-school libraries should also consider it, although high-schoolers may find Scribner's Shakespeare's World and Work [RBB S 1 01] more accessible.

Library Journal Review

Companions to Shakespeare are ubiquitous, coming bound with various editions of the plays, in A-to-Z companions, and in many other manifestations. The Oxford Companion enters into this crowded field with both rigor and authority. Following in the very large footsteps of The Oxford Shakespeare (2001), this companion has the same formatting (from text lines to play names and character spellings) and is of the same stellar quality. Comprising more than 3000 entries, it covers topics such as Shakespeare's biography, legend, works, literary features and terms, individuals (both real and fictional), and a host of topics such as Elizabethan and Jacobean literature and theater, which help put in context both the times and the works. Of particular note are the entries on each play, which include scene-by-scene explanations as well as examinations of the play's particular artistic features, critical history, and stage and screen history, and a listing of recent editions and selected criticism. There is enough in each play summary to aid students from middle school to college. The attention paid to the poetic work of Shakespeare is also noteworthy. From "Venus and Adonis," "The Rape of Lucrece," and "Lover's Complaint" right through to a general section on the sonnets, the treatment is as in-depth and as helpful as that of the plays. Enlivened by photos and illustrations and an excellent map keyed to the history plays, this work is highly recommend for all libraries. Neal Wyatt, Chesterfield Cty. P.L., VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Choice Review

Alphabetically arranged and encyclopedic in format, this informative companion includes the work of almost a hundred scholars and critics and contributes "to a better understanding of [Shakespeare's] writings both in the Elizabethan and Jacobean era and in the many subsequent periods in which they have been read, performed and reinterpreted." The volume's greatest strength is the detailed attention given to the evolution of Shakespeare as literary giant and cultural icon over four centuries. The volume is especially effective in chronicling the stage and film history of Shakespeare's plays, detailing key productions, performances, and performers. Although many entries are little more than blurbs, the plays themselves, along with key characters and historical personages, receive extended treatment. Unlike Russ McDonald's Bedford Companion to Shakespeare: An Introduction with Documents (1996), which focuses intently on the age of Shakespeare, the present title is too broad for classroom use. Rather, it will make a wonderful and necessary addition to the circulating and reference collections of college, university, and public libraries, where it will be a valuable resource for lower- and upper-division undergraduates, graduate students, scholars and casual readers. D. Pesta Ursinus College

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